{"id":35987,"date":"1998-09-06T00:00:00","date_gmt":"1998-09-06T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/ballbreaker\/"},"modified":"1998-09-06T00:00:00","modified_gmt":"1998-09-06T00:00:00","slug":"ballbreaker","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/ballbreaker\/","title":{"rendered":"Ballbreaker"},"content":{"rendered":"<p>While we wait for the next AC\/DC album, I thought it would be<br \/>\nnice to check out the last album put out by the Aussie<br \/>\ntroublemakers. (Hopefully, we&#8217;ll see that new album before<br \/>\n&#8217;99.)<\/p>\n<p>Anyhow, after the success of<br \/>\n<i>The Razor&#8217;s Edge<\/i> and<br \/>\n<i>AC\/DC Live<\/i>, the band had somewhat disappeared from the<br \/>\nlandscape of rock &#8216;n&#8217; roll. While<br \/>\n<i>The Razor&#8217;s Edge<\/i> had been much a product of the times, the<br \/>\nband decided that the next album would touch back on their earliest<br \/>\ntimes and albums. So the band called on mega-producer Rick Rubin<br \/>\n(who&#8217;s produced everyone from the Beastie Boys to Nine Inch Nails)<br \/>\nto helm the production of<br \/>\n<i>Ballbreaker<\/i>.<\/p>\n<p>The album kicks off with the catchy &#8220;Hard As A Rock.&#8221; The song<br \/>\nwas proof that AC\/DC was still much the same band that it had<br \/>\nalways been &#8211; right down to the wrongly-believed misogynistic<br \/>\nlyrics. Following it was the just-as-catchy &#8220;Cover You In Oil.&#8221;<br \/>\nThis song is a perfect example of AC\/DC&#8217;s use of double-entendres.<br \/>\nThe song is about making an oil painting of a girl &#8211; &#8220;covering&#8221; the<br \/>\ngirl&#8217;s body in oil. But that may mean more than one thing &#8211; after<br \/>\nall, what picture are they drawing?<\/p>\n<p>Hooks and riffs galore are to be found here. From the mean<br \/>\ncrunch of &#8220;The Furor&#8221; to the blooze of &#8220;Boogie Man,&#8221; the band is in<br \/>\ntop form here. The grooves are improved by the return of former<br \/>\ndrummer Phil Rudd &#8211; who left after the<br \/>\n<i>Flick Of The Switch<\/i> sessions. Other anthems include &#8220;The<br \/>\nHoney Roll,&#8221; &#8220;Caught With Your Pants Down&#8221; (for which I always<br \/>\npicture Marv Albert and Hugh Grant) and the title track.<\/p>\n<p>Add to that a bit of seriousness that&#8217;s brought by the songs<br \/>\n&#8220;Burnin&#8217; Alive&#8221; and &#8220;Hail Caesar&#8221; &#8211; who would have thought that<br \/>\nAC\/DC would ever stick a message in one of their songs??? (What do<br \/>\nI mean? For example, &#8220;Burnin&#8217; Alive&#8221; is about the mess at Waco. See<br \/>\nif you can&#8217;t catch the references.)<\/p>\n<p>OK, you&#8217;re saying. What&#8217;s wrong with THIS album? Well, very<br \/>\nlittle. The biggest problem with it is Rubin&#8217;s production. While<br \/>\nHarry Vanda and George Young&#8217;s production in the early AC\/DC albums<br \/>\nwas lo-fi, but allowed the full power of the band to come through,<br \/>\nRubin&#8217;s production is empty and shallow.<\/p>\n<p>Other than that, you can take this album to the bank. Now, where<br \/>\nis that NEW album??????<\/p>\n","protected":false},"author":15,"featured_media":24783,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[5683],"rating":[5613],"class_list":["post-35987","review","type-review","status-publish","has-post-thumbnail","artist-ac-dc","rating-rating-a-minus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/35987","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/15"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=35987"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/35987\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/24783"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=35987"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=35987"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=35987"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=35987"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}