{"id":35990,"date":"1998-09-24T00:00:00","date_gmt":"1998-09-24T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/a-different-note-all-together\/"},"modified":"1998-09-24T00:00:00","modified_gmt":"1998-09-24T00:00:00","slug":"a-different-note-all-together","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/a-different-note-all-together\/","title":{"rendered":"A Different Note All Together"},"content":{"rendered":"<p>Let&#8217;s put it as plainly as possible: You either like jazz or you<br \/>\ndon&#8217;t.<\/p>\n<p>While so many other forms of music can have grey areas, jazz, to<br \/>\nme, is pretty much clear cut. Sure, there are some artists whose<br \/>\ncatalog I&#8217;ve never been really able to get into on a higher level<br \/>\n(I&#8217;ve tried Thelonious Monk on a few occasions, but have not been<br \/>\noverwhelmed), but all in all, I like jazz for its constant breaking<br \/>\nof musical boundaries and the controlled freestyle musings of its<br \/>\nmusicians. (If you need any proof as to how good jazz is, go rent<br \/>\nthe wonderul film<br \/>\n<i>That Thing You Do!<\/i>, and watch the scenes in the club or the<br \/>\nrecording studio a few times.)<\/p>\n<p>Listening to pianist Bill Anschell, I&#8217;m quickly reminded why I<br \/>\nlike jazz so much. His latest album,<br \/>\n<i>A Different Note All Together<\/i>, captures some of the finest<br \/>\nmoments I&#8217;ve heard in this genre of music in a long time.<\/p>\n<p>Anschell and his band &#8211; guitarist Scott Sawyer, bassist Neal<br \/>\nStarkey, drummer Woody Williams, and (on two tracks) saxophonist<br \/>\nRick Bell &#8211; whip through a wonderful selection of originals and<br \/>\ncover tunes that demonstrate just how powerful jazz can be. From<br \/>\nthe complex rhythm pattern of &#8220;E.B.&#8217;s New System&#8221; to the all-out<br \/>\nboogie style of &#8220;Solar&#8221; (listen to this and tell me you don&#8217;t want<br \/>\nto get up and dance!), this band demonstrates not only their skill<br \/>\nwith their instruments but also how much fun they were having with<br \/>\nthis music.<\/p>\n<p>In fact, if<br \/>\n<i>A Different Note All Together<\/i> doesn&#8217;t put a smile on your<br \/>\nface, then you&#8217;re probably dead. The true wittiness of music like<br \/>\n&#8220;Crabbin'&#8221; and &#8220;Beignet Boogie&#8221; permeates the song, and is a<br \/>\nguaranteed mood lifter. Other pieces like &#8220;Lullaby For Sam&#8221; remind<br \/>\nme of groups like the Vince Guiraldi Trio with the use of brushed<br \/>\nsnare drum and acoustic bass &#8211; simply wonderful! Even the &#8220;weakest&#8221;<br \/>\ntrack, a jazz rendition of The Beatles&#8217; &#8220;Nowhere Man,&#8221; takes on a<br \/>\nlife all its own, to the point where I didn&#8217;t recognize the song<br \/>\nuntil it was about halfway through the piece.<\/p>\n<p>The best piece on<br \/>\n<i>A Different Note All Together<\/i> is easily Anschell&#8217;s cover of<br \/>\nMiles Davis&#8217;s &#8220;Solar&#8221;. Now, I&#8217;ve never listened much to Davis or<br \/>\nhis work, but if Anschell&#8217;s rendition of this piece (including<br \/>\ntasty solos by all four musicians) is any indication of the kind of<br \/>\nmusic that Davis wrote and played, then you can bet I&#8217;ll be at the<br \/>\nstore this weekend buying some of his works.<\/p>\n<p>To those people that say they don&#8217;t like jazz, my guess is at<br \/>\nleast half of them have never really heard good jazz being played.<br \/>\nMy challenge: Listen to two cuts off this album, then tell me you<br \/>\ndon&#8217;t like jazz!<br \/>\n<i>A Different Note All Together<\/i> is an album I wish I had<br \/>\nlistened to months ago, so I could have been enjoying it all this<br \/>\ntime; it&#8217;s a definite candidate for my best-of-1998 list.<\/p>\n","protected":false},"author":2,"featured_media":24786,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[5973],"rating":[5613],"class_list":["post-35990","review","type-review","status-publish","has-post-thumbnail","artist-bill-anschell","rating-rating-a-minus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/35990","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=35990"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/35990\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/24786"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=35990"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=35990"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=35990"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=35990"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}