{"id":36059,"date":"1998-11-19T00:00:00","date_gmt":"1998-11-19T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/1s\/"},"modified":"1998-11-19T00:00:00","modified_gmt":"1998-11-19T00:00:00","slug":"1s","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/1s\/","title":{"rendered":"#1&#8217;s"},"content":{"rendered":"<p>I&#8217;m not 100% sure how the Billboard charts work but I do know<br \/>\nit&#8217;s insane in the phospholipid bilayer. More copies of &#8220;Candle in<br \/>\nthe Wind 98&#8221; were sold in its first week alone than &#8220;One Sweet Day&#8221;<br \/>\ndid in its 4.5 month run on #1. Heck, more copies of &#8220;Always Be My<br \/>\nBaby&#8221; were sold than &#8220;One Sweet Day&#8221;. Then there&#8217;s that whole &#8220;My<br \/>\nHeart Will Go On&#8221; thing. Them charts are point-blank skewered so<br \/>\nwhat&#8217;s the hairy deal?<\/p>\n<p>Which is why Mariah (dropped last name) points out in the liner<br \/>\nnotes that this is NOT a &#8220;greatest hits&#8221; album and justly so. The<br \/>\nBillboard is a poor judge of what the audience likes, and this<br \/>\nexplains the glaring absence of &#8220;Make It Happen&#8221;, &#8220;All I Want For<br \/>\nChristmas Is You&#8221; and &#8220;Breakdown&#8221; as well as the glaring presence<br \/>\nof &#8220;Emotions&#8221; and &#8220;My All&#8221;. To the Americans who wonder why<br \/>\n&#8220;Without You&#8221; didn&#8217;t make it, it&#8217;s your own fault. It went #1<br \/>\npractically everywhere else (it&#8217;s on all non-American<br \/>\n<i>#1&#8217;s<\/i>).<\/p>\n<p>Five new Mariah tracks (counting &#8220;Do You Know Where You&#8217;re Going<br \/>\nTo&#8221;, also not released in the US) is enough reason for any MC fan<br \/>\nto grab this album. As for &#8220;Do You Know&#8221;, the Americans aren&#8217;t<br \/>\nmissing much&#8230; the song is so flat-out boring, she reverts back<br \/>\n(or up) to dog-whistling like she&#8217;s never done since 1992. Stark<br \/>\ncontrast to &#8220;Sweetheart&#8221;, which relies more on the tight grooves<br \/>\nand her divine alto texturing. She&#8217;s always sounded better in<br \/>\nhip-hop so using the ODB remix for &#8220;Fantasy&#8221; over the original<br \/>\nversion for this album was a smart move.<\/p>\n<p>When Mariah duets she tends to forget there&#8217;s someone else<br \/>\nthere; all four members of Boyz II Men were stomped to the<br \/>\nacoustics carpet as soon as the bridge ripped. Brian McKnight<br \/>\n(whose technique is eerily similar to Mariah&#8217;s) falls victim<br \/>\ndespite the fact that Carey&#8217;s vocals in &#8220;Whenever You Call&#8221; were<br \/>\npre-recorded. But it&#8217;s much more listenable than the LP version,<br \/>\nwhere it stands as the most boring track on<br \/>\n<i>Butterfly<\/i>. Babyface&#8217;s production of the Whitney Houston duet<br \/>\n&#8220;When You Believe (from<br \/>\n<i>The Prince Of Egypt<\/i>)&#8221; is disappointing in many respects as<br \/>\nthe two divas seem to have almost no chemistry between them.<\/p>\n<p>&#8220;I Still Believe&#8221; from her days as a backup singer for Brenda K.<br \/>\nStarr is one of her better remakes. It&#8217;s amazing how much her voice<br \/>\nhas changed from imitation Whitney to a fluid jazz virtuoso,<br \/>\nletting it go weak and airy when the emotion calls for it. This is<br \/>\nwhat Mariah is better off doing, now that Whitney Houston is making<br \/>\na comeback into the album scene. With songs like &#8220;Sweetheart&#8221; and<br \/>\n&#8220;Close My Eyes&#8221;, who needs &#8220;Whenever You Call&#8221;?<\/p>\n","protected":false},"author":3,"featured_media":24854,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[5635],"rating":[5615],"class_list":["post-36059","review","type-review","status-publish","has-post-thumbnail","artist-mariah-carey","rating-rating-b"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/36059","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=36059"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/36059\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/24854"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=36059"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=36059"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=36059"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=36059"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}