{"id":36070,"date":"1998-11-26T00:00:00","date_gmt":"1998-11-26T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/trouble\/"},"modified":"1998-11-26T00:00:00","modified_gmt":"1998-11-26T00:00:00","slug":"trouble","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/trouble\/","title":{"rendered":"Trouble"},"content":{"rendered":"<p>There once was a time that the British band Whitesnake was one<br \/>\nof the leading forces in solid blues-rock, even if there were<br \/>\ntinges of cock-rock involved. The thing about it was that there was<br \/>\nat least a balance between the two sides, so songs like &#8220;Slide It<br \/>\nIn&#8221; weren&#8217;t as patently offensive as they night have been<br \/>\notherwise.<\/p>\n<p>I bring this up now because I recently dug the band&#8217;s second<br \/>\nalbum,<br \/>\n<i>Trouble<\/i>, out of the Pierce Archives to give it a spin or<br \/>\ntwo. It&#8217;s a good thing that David Coverdale and crew weren&#8217;t shot<br \/>\non sight because of this lemon. Not only is the band more<br \/>\ninterested in ridiculous sex talk (which would have at least been<br \/>\nlaughable had it not sounded so serious), but they often forget the<br \/>\nwhole purpose is to write decent songs, of which there are very few<br \/>\non this album.<\/p>\n<p>The trouble (no pun intended) starts off right at the beginning<br \/>\nwith &#8220;Take Me With You,&#8221; a song that at least has a catchy beat, if<br \/>\nnot much more. Coverdale immediately goes to work on his<br \/>\nCassanova-in-Spandex routine &#8211; and immediately destroys the<br \/>\ncredibility of the band for this album. Sample lines: &#8220;Gonna spread<br \/>\nher pretty legs so I can see \/ Sweet lip honey be the death of me.&#8221;<br \/>\nLater in the song: &#8220;I know love and what it means \/ It&#8217;s a skinny<br \/>\nlittle girl in tight-ass jeans.&#8221; Give me a fuckin&#8217; break, Dave; I&#8217;d<br \/>\nexpect this kind of shit from Hanson in heat, not from a rocker who<br \/>\nhad to be within sniffing distance of 30 at this time.<\/p>\n<p>Wait, it gets better &#8211; or is that worse? Coverdale, obviously<br \/>\nthe poster child for NOW, continues to sign about modern love in<br \/>\n1978 with such ridiculous tracks as &#8220;Love To Keep You Warm&#8221; and<br \/>\n&#8220;Lie Down (A Modern Love Song)&#8221;. The point of the latter? From the<br \/>\nchorus: &#8220;Lie down, I think I love you.&#8221; (I&#8217;ll pause now so the<br \/>\nreader can stop laughing.) Add to that a half-assed cover of &#8220;Day<br \/>\nTripper,&#8221; and you have the makings of a disaster waiting to strike<br \/>\nat the start of each song.<\/p>\n<p>What Whitesnake almost forgets throughout<br \/>\n<i>Trouble<\/i> is that there are some damned fine musicians that<br \/>\nmake up this band, something that would have been lost had it not<br \/>\nbeen for the instrumental &#8220;Belgian Tom&#8217;s Hat Trick&#8221;. Guitarists<br \/>\nMicky Moody and Bernie Mardsen provide some nice chops to redeem<br \/>\nthe band in one aspect, while Jon Lord, rising from the ashes of<br \/>\nDeep Purple (which had broken up a couple years previous), shows<br \/>\nshy he is one of the most exciting keyboard players out there.<\/p>\n<p>The second half of<br \/>\n<i>Trouble<\/i> isn&#8217;t nearly as offensive as the first, but I&#8217;d be<br \/>\nhard-pressed to say that tracks like &#8220;Don&#8217;t Mess With Me,&#8221; &#8220;Free<br \/>\nFlight&#8221; or the title track are anything spectacular. If the song is<br \/>\nthe message, then the message I&#8217;m getting is that there&#8217;s no one<br \/>\nhome.<\/p>\n<p>Maybe<br \/>\n<i>Trouble<\/i> was meant to be Coverdale&#8217;s declaration of<br \/>\nindependence from the more strict songwriting style that he<br \/>\nexperienced as Deep Purple came to a close in the mid-&#8217;70s, or<br \/>\nmaybe it was him trying out a new style. Who knows, maybe it was<br \/>\nCoverdale admitting he was a first-class horndog to rival Kiss.<br \/>\nWhatever the case,<br \/>\n<i>Trouble<\/i> is appropriately named, and is one that you can pass<br \/>\non without feeling guilty about.<\/p>\n","protected":false},"author":2,"featured_media":24865,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[5777],"rating":[11203],"class_list":["post-36070","review","type-review","status-publish","has-post-thumbnail","artist-whitesnake","rating-rating-d-minus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/36070","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=36070"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/36070\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/24865"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=36070"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=36070"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=36070"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=36070"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}