{"id":36100,"date":"1998-12-19T00:00:00","date_gmt":"1998-12-19T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/meet-joe-black\/"},"modified":"1998-12-19T00:00:00","modified_gmt":"1998-12-19T00:00:00","slug":"meet-joe-black","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/meet-joe-black\/","title":{"rendered":"Meet Joe Black"},"content":{"rendered":"<p>One of the most difficult things I experience when I try to<br \/>\nreview soundtracks is that I&#8217;ve often not seen the corresponding<br \/>\nmovie. While I can often get an idea of where the song fits in the<br \/>\nmovie based on the style of music, the tempo and the title of the<br \/>\ntrack, I&#8217;m still somewhat at a disadvantage. Such is the case with<br \/>\nthe soundtrack for the film<br \/>\n<i>Meet Joe Black<\/i>.<\/p>\n<p>Oh, it&#8217;s not that I think Thomas Newman failed to convey the<br \/>\ndark mood of the film (at least what I&#8217;ve read about it) &#8211; no,<br \/>\nNewman&#8217;s music is superb and beautiful. (In fact, allow me to offer<br \/>\nthis word of advice: Don&#8217;t listen to this album if you&#8217;re feeling<br \/>\nsad; the music has the tendency to amplify those feelings.<br \/>\nFirst-hand knowledge here.) But unless you&#8217;ve seen the film, this<br \/>\nis less of a soundtrack and more of a collection of rich mood music<br \/>\n&#8211; not a bad thing in and of itself, but not the album&#8217;s primary<br \/>\npurpose.<\/p>\n<p>I&#8217;ll get the one criticism out of the way early: It seems<br \/>\nstrange to me that, on an album of somber orchestral music, a few<br \/>\nupbeat swing numbers would be included. &#8220;Cheek To Cheek&#8221; thrown in<br \/>\nwhere it is happens to be a rather rude jolt to the system that has<br \/>\ngotten used to a more introspective style of music. Again, I&#8217;m<br \/>\nfreely admitting that I might understand the inclusion of these<br \/>\nsongs had I seen the movie.)<\/p>\n<p>Otherwise, the songs that make up<br \/>\n<i>Meet Joe Black<\/i> are some of the most beautiful songs I&#8217;ve<br \/>\nheard in the world of film music in some time. From the opening<br \/>\nmoments of &#8220;Yes&#8221; to the ten-minute journey of &#8220;That Next Place&#8221; at<br \/>\nthe other end of the disc, this soundtrack captures some wonderfuly<br \/>\npoignant moments that form the picture of a man preparing himself<br \/>\nfor his upcoming death. Some of the titles are a bit confusing<br \/>\n(&#8220;Peanut Butter Man&#8221;? &#8220;Cold Lamb Sandwich&#8221;? For that matter, would<br \/>\nyou really want to refer to &#8220;lamb&#8221; in any movie with Anthony<br \/>\nHopkins these days? &#8220;Hannibal Lechter&#8221;, anyone?), but I found<br \/>\nmyself relying less on the titles and more on the music itself on<br \/>\nthis disc.<\/p>\n<p>And while it sometimes feels that some pieces on this soundtrack<br \/>\nare much too short, the whole disc moves briskly, never getting too<br \/>\nweighed down in its subject matter. Even the closing version of<br \/>\n&#8220;Somewhere Over The Rainbow \/ What A Wonderful World&#8221; (performed by<br \/>\nIsrael Kamakawiwo&#8217;ole &#8211; the only vocal performance on the album)<br \/>\nrings through in its sparse arrangement &#8211; something that works well<br \/>\nfor this particular soundtrack.<\/p>\n<p>Naysayers can speculate all they want on why the film hasn&#8217;t<br \/>\nlived up to its expectations, but just on the soundtrack alone,<br \/>\n<i>Meet Joe Black<\/i> shows a lot of promise. If you are a fan of<br \/>\nrich orchestration and powerful, moody pieces, you&#8217;ll love this<br \/>\ndisc.<\/p>\n","protected":false},"author":2,"featured_media":24895,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[5729],"rating":[5613],"class_list":["post-36100","review","type-review","status-publish","has-post-thumbnail","artist-soundtrack","rating-rating-a-minus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/36100","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=36100"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/36100\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/24895"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=36100"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=36100"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=36100"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=36100"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}