{"id":36112,"date":"1998-12-28T00:00:00","date_gmt":"1998-12-28T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/snow-on-the-sahara\/"},"modified":"1998-12-28T00:00:00","modified_gmt":"1998-12-28T00:00:00","slug":"snow-on-the-sahara","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/snow-on-the-sahara\/","title":{"rendered":"Snow On The Sahara"},"content":{"rendered":"<p>Has anyone wondered where the Asians are? Outside of what is<br \/>\ngenerically known as &#8220;world music&#8221;, I mean. Seiko Matsuda was just<br \/>\nwishful thinking, James Iha doesn&#8217;t really count and Vanessa-Mae<br \/>\nwas statistically possible with the billions and billions of<br \/>\nviolin-playing Asians out there. Some Indian artists are getting<br \/>\nrecognition in Europe but aside from that the West has been<br \/>\nreluctant to market potential crossovers from pop breeding grounds<br \/>\nTaiwan or Japan. I live in Thailand, the nation where all Asian<br \/>\nmusic (except we Korean hermits) crosses good-naturedly. The talent<br \/>\nis here but the record labels are worried about album covers.<\/p>\n<p>Anggun (&#8220;ANG-goon&#8221;) released an all-English album (with<br \/>\noccasional Indonesian lyrics for world music effect) which went to<br \/>\nnumber one in France. I saw the majorly low-budget video on MTV<br \/>\nAsia (to be more accurate, MTV Southeast Asia) loved the track and<br \/>\nbought it at&#8230; -gasp-&#8230; the WESTERN section at Tower<br \/>\nRecords!!!<\/p>\n<p>Right away it&#8217;s apparent that Anggun has that falling of so many<br \/>\n&#8220;English-language&#8221; albums, that of asinine lyrics. Poor X-Japan,<br \/>\npoor Celine Dion, poor Anggun, but it&#8217;s distracting from the<br \/>\nattempted moods. It doesn&#8217;t help the boredom of so much New Age<br \/>\nmusic and Anggun sounds just too second-generation<br \/>\nI&#8217;m-going-back-to-my-roots-with-my-Pepsi.<\/p>\n<p>Except in the first track, the title song, where everything fits<br \/>\nperfectly. &#8220;Snow On The Sahara&#8221; has gorgeous vocal (restrained) and<br \/>\npercussion (ethereal) texturing creating visual, vital moods. It&#8217;s<br \/>\nalmost worth buying an entire album for but I&#8217;d sooner download the<br \/>\nmp3 (whoops&#8230; am I allowed to say that here?).<\/p>\n<p>The album peaks occasionally when the Indonesian influences<br \/>\nshine through, like the percussion chorus in &#8220;Over Their Walls&#8221; but<br \/>\nit&#8217;s largely overtaken by the rush to Westernize, the LYRICS,<br \/>\nsoulless emoting, karaoke production, and pathetic stabs at<br \/>\nmulti-culturalism (suddenly and without reason, singing or mumbling<br \/>\nsome lyrics in Indonesian). There&#8217;s also a terrible cover of David<br \/>\nBowie&#8217;s &#8220;Life On Mars&#8221; that I won&#8217;t go further into. In the end, it<br \/>\nturns out to be just another boring New Age album.<\/p>\n<p>So Anggun isn&#8217;t going to be Asia&#8217;s Alec Wek. If she wants to get<br \/>\nthat ethnic mix she&#8217;s apparently striving for, she needs to ditch<br \/>\nthose Australian producers (or wherever they&#8217;re from) and get<br \/>\nsomeone who won&#8217;t make her churn out pseudo-ethnic dirge. Paging<br \/>\nKitaro.<\/p>\n","protected":false},"author":3,"featured_media":24907,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[6044],"rating":[11205],"class_list":["post-36112","review","type-review","status-publish","has-post-thumbnail","artist-anggun","rating-rating-d-plus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/36112","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=36112"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/36112\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/24907"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=36112"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=36112"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=36112"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=36112"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}