{"id":36115,"date":"1998-12-30T00:00:00","date_gmt":"1998-12-30T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/phaseshifter\/"},"modified":"1998-12-30T00:00:00","modified_gmt":"1998-12-30T00:00:00","slug":"phaseshifter","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/phaseshifter\/","title":{"rendered":"Phaseshifter"},"content":{"rendered":"<p>The simplest way to describe the Los Angeles rock band Redd<br \/>\nKross is that they are the Smashing Pumpkins with a sense of humor.<br \/>\nThey remind me of the Pumpkins on the way their songs range from<br \/>\ngrunge to sweet pop. I wouldn&#8217;t say lead singer Jeffrey McDonald<br \/>\nsounds like Billy Corgan, but his pipes are not too far away from<br \/>\nCorgan&#8217;s either. He and his brother, bassist Steven McDonald, write<br \/>\nmost of the somewhat off-center songs. I suspect it is their sense<br \/>\nof humor that kept Redd Kross form achieving success since<br \/>\nalternative rock bands are supposed to be whiny and depressed<br \/>\naccording to the music industry.<\/p>\n<p>The 1993 album<br \/>\n<i>Phaseshifter<\/i> immediately sets up the different sides of the<br \/>\nRedd Kross world. The first song &#8220;Jimmy&#8217;s Fantasy&#8221; sounds like your<br \/>\ntypical grunge song of the day &#8211; edgy with an aggressive guitar<br \/>\nassault. However, the lyrics are a bit smirky in their references.<br \/>\nThis song is followed by one nice slice of hard-edged power pop<br \/>\ncalled &#8220;Lady In The Front Row&#8221;, a clever love song that sounds like<br \/>\n70&#8217;s bubblegum rock in melody, although the guitars are louder and<br \/>\nmore accomplished.<\/p>\n<p>\n<i>Phaseshifter<\/i> pretty much alternates between more<br \/>\nrock-oriented and poppier songs throughout the whole album. &#8220;Crazy<br \/>\nWorld&#8221; goes for straight grunge as the lyrics are angry and<br \/>\ncynical. &#8220;Huge Wonder&#8221; is a slow but hard rocker. And the album<br \/>\nends in rousing fashion with the punky raveup &#8220;After School<br \/>\nSpecial&#8221;. I like the beautiful piano interlude by Gere Fennelly<br \/>\nthat eventually breaks up into a punk frenzy with the guitars<br \/>\nslowly sneaking in.<\/p>\n<p>On the pop side, &#8220;Saragon&#8221; is pure bubblegum, even<br \/>\ninstrumentally. &#8220;Dumb Angel&#8221; tempers McDonald&#8217;s and Edward<br \/>\nKurdziel&#8217;s razor sharp guitar playing with a nice rhythmic piano<br \/>\npart. &#8220;Ms. Lady Evans&#8221; sounds like something off the third Go-Go&#8217;s<br \/>\nalbum. Incidentally former Go-Go&#8217;s bassist Charlotte Caffrey gets<br \/>\nsongwriting credit for &#8220;Pay For Love&#8221;, a witty song that is about a<br \/>\nguy looking for love but only finding prostitutes.<\/p>\n<p>So is<br \/>\n<i>Phaseshifter<\/i> as good as any of the Smashing Pumpkins albums?<br \/>\nWell, there is no song here as powerful as their best songs like<br \/>\n&#8220;Bullet On Butterfly Wings&#8221;, for example. On the other hand, this<br \/>\nalbum doesn&#8217;t have some of the excesses found on most Pumpkins<br \/>\nalbums. Redd Kross, unlike the Pumpkins, are aware of their<br \/>\nlimitations and do not overreach. The bottom line is this is an all<br \/>\naround good album that makes alternative rock fun. Imagine that! If<br \/>\nthe Pumpkins ever came out with an album like this, it might not be<br \/>\ntheir greatest, but they could do a lot worse, and actually, they<br \/>\nhave.<\/p>\n","protected":false},"author":17,"featured_media":24910,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[6047],"rating":[5615],"class_list":["post-36115","review","type-review","status-publish","has-post-thumbnail","artist-redd-kross","rating-rating-b"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/36115","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/17"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=36115"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/36115\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/24910"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=36115"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=36115"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=36115"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=36115"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}