{"id":36124,"date":"1998-12-31T00:00:00","date_gmt":"1998-12-31T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/fortune-410\/"},"modified":"1998-12-31T00:00:00","modified_gmt":"1998-12-31T00:00:00","slug":"fortune-410","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/fortune-410\/","title":{"rendered":"Fortune 410"},"content":{"rendered":"<p>You&#8217;ve got to say this much about Donnie Iris: Even when he was<br \/>\noff, he was good.<\/p>\n<p>Iris might be unfairly relegated to the annals of rock history<br \/>\nthese days (although Razor &#038; Tie, to their credit, are<br \/>\nbeginning to re-release his older albums), but he showed often in<br \/>\nhis glory days that he was a pop songster of the top caliber. He<br \/>\nmight have never topped his big hit &#8220;Ah! Leah!&#8221;, but his 1983<br \/>\nrelease<br \/>\n<i>Fortune 410<\/i> showed there was still a lot to smile about in<br \/>\nhis music.<\/p>\n<p>Like Iris&#8217;s first album<br \/>\n<i>Back On The Streets<\/i>, this is one that should be listened to<br \/>\nmore than once in order to get some of the nuances that one would<br \/>\nmiss on a cursory listen. While the messages are simple enough to<br \/>\nunderstand quickly and the songs are often catchy, Iris&#8217;s music<br \/>\noften takes the extra effort in order to truly appreciate what he<br \/>\nhas crafted.<\/p>\n<p>At some times, it seems like Iris is trying too hard to create<br \/>\nthe success he had with &#8220;Ah! Leah!&#8221;. The opening track, &#8220;Human<br \/>\nEvolution,&#8221; is somewhat cute, but it sounds like the band loses<br \/>\ncount in the rhythm twice in the song &#8212; then again, maybe that&#8217;s<br \/>\nhow it was crafted. It just doesn&#8217;t sound right. In contrast,<br \/>\n&#8220;Stagedoor Johnny&#8221; succeeds on all levels, reminding many people<br \/>\nwho might have harbored dreams of being a successful musician that<br \/>\nluck can shine on you when you least expect it. And &#8220;She&#8217;s So<br \/>\nEuropean&#8221; does capture the magic, but it almost seems like it ends<br \/>\nfar too soon.<\/p>\n<p>Iris and his bandmates do take some chances with different<br \/>\nrhythm patterns on<br \/>\n<i>Fortune 410<\/i>, especially on &#8220;Cry If You Want To,&#8221; a decent<br \/>\neffort that is not too challenging to listen to. &#8220;Tell Me What You<br \/>\nWant&#8221; takes the basic structure of the beat from &#8220;Human Evolution&#8221;<br \/>\nand &#8212; aah &#8212; evolves it into a catchy beat and addictive<br \/>\nmelody.<\/p>\n<p>But in the end, Iris tries to match up to the level of<br \/>\nsongwriting he had on earlier efforts, and he just falls short.<br \/>\nTracks like &#8220;I&#8217;m A User&#8221; (boy, was Iris psychic or what? He&#8217;s<br \/>\npretty much on the target with what would happen in the future),<br \/>\n&#8220;Somebody&#8221; and &#8220;Do You Compute?&#8221; are okay efforts &#8212; nothing<br \/>\nterrible, by any means &#8212; but they fail to hit the bullseye.<\/p>\n<p>Of course, this is the kind of pitfall one would expect when<br \/>\nthey hold anything else Iris does next to<br \/>\n<i>Back On The Streets<\/i> &#8212; and taken on its own,<br \/>\n<i>Fortune 410<\/i> is still a pleasant enough album that&#8217;s worth<br \/>\nyour searching out. (I found my copy at the used record store near<br \/>\nmy house; this particular place usually has at least one of Iris&#8217;s<br \/>\nalbums or tapes in stock at all times.) Iris shows time and time<br \/>\nagain that his success was no fluke in the early &#8217;80s, but it does<br \/>\nseem like sometimes he was trying a little too hard.<\/p>\n","protected":false},"author":2,"featured_media":24919,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[5817],"rating":[5612],"class_list":["post-36124","review","type-review","status-publish","has-post-thumbnail","artist-donnie-iris","rating-rating-b-minus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/36124","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=36124"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/36124\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/24919"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=36124"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=36124"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=36124"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=36124"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}