{"id":36128,"date":"1998-12-31T00:00:00","date_gmt":"1998-12-31T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/deep\/"},"modified":"1998-12-31T00:00:00","modified_gmt":"1998-12-31T00:00:00","slug":"deep","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/deep\/","title":{"rendered":"Deep"},"content":{"rendered":"<p>Before I got into college radio, I had no idea who Peter Murphy<br \/>\nwas, nor did I care. Even after a year in college radio, I didn&#8217;t<br \/>\ncare who he was &#8211; he just seemed too weird for my still<br \/>\nnarrow-minded tastes.<\/p>\n<p>Then, I happened to sit down and listen to the copy of<br \/>\n<i>Deep<\/i>, Murphy&#8217;s second solo album, that had been given to me<br \/>\nby the station&#8217;s music director. And I wondered&#8230; just what had I<br \/>\nbeen smoking to have ignored this guy? Even today, almost ten years<br \/>\nafter this album came out,<br \/>\n<i>Deep<\/i> contains some great music that doesn&#8217;t always reflect<br \/>\nthe past of Murphy&#8217;s old band, Bauhaus.<\/p>\n<p>There&#8217;s no denying that the overall sound on this tape is that<br \/>\nof British alternative pop, but it carves out its own niche in that<br \/>\nit&#8217;s not as dark as the goth rock I had expected, and it leaves you<br \/>\nfeeling good. Murphy&#8217;s use of the twelve-string guitar on various<br \/>\nparts of the album also helps to create a musical texture all its<br \/>\nown &#8211; and one that still sends chills down my spine to this<br \/>\nday.<\/p>\n<p>Opening up with &#8220;Deep Ocean Vast Sea,&#8221; one almost feels that<br \/>\nMurphy is riding the crests of his own song, and is just allowing<br \/>\nhis vocals to be shaped by the melodies. This is a new approach to<br \/>\nmy ears &#8211; and it works incredibly well. Throughout the whole first<br \/>\nhalf of<br \/>\n<i>Deep<\/i>, Murphy allows himself to be overtaken by the song.<br \/>\nFrom &#8220;Sky&#8221; to &#8220;Marlene Dietrich&#8217;s Favourite Poem,&#8221; Murphy sets<br \/>\nhimself apart from the then-blossoming alternative scene as someone<br \/>\nspecial.<\/p>\n<p>The song that<br \/>\n<i>Deep<\/i> is probably best known for, &#8220;Cuts You Up,&#8221; is still as<br \/>\nenjoyable today as it was when I started to hear it on stations<br \/>\nlike WXRT-FM in 1990. Murphy quickly shows that he can maintain his<br \/>\nmusical integrity while writing songs that are radio-friendly.<br \/>\nLikewise, &#8220;A Strange Kind Of Love&#8221; is a great ballad that is a<br \/>\nwonderful mood piece. It also features some great guitar work; I<br \/>\nhave yet to figure out some of those chord progressions.<\/p>\n<p>The only negative I can find with<br \/>\n<i>Deep<\/i> is that it gets a little too self-absorbed in the end.<br \/>\nWhen you follow up a song like &#8220;Roll Call&#8221; with &#8220;Roll Call Reprise&#8221;<br \/>\n&#8211; I mean, one right after the other &#8211; things get to sounding a<br \/>\nlittle tedious. It&#8217;s still a decent track, but I question the<br \/>\ntracks&#8217; placement on the album.<\/p>\n<p>Still, Murphy was shooting bull&#8217;seyes for almost the entire<br \/>\nalbum, and<br \/>\n<i>Deep<\/i> remains one of the treasures from the &#8220;birth&#8221; of<br \/>\nalternative rock that still is waiting to truly be discovered.<br \/>\nEspecially with the re-formation of Bauhaus in 1998, now could be<br \/>\nthe time for<br \/>\n<i>Deep<\/i> to be re-discovered.<\/p>\n","protected":false},"author":2,"featured_media":24923,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[6051],"rating":[5613],"class_list":["post-36128","review","type-review","status-publish","has-post-thumbnail","artist-peter-murphy","rating-rating-a-minus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/36128","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=36128"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/36128\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/24923"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=36128"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=36128"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=36128"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=36128"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}