{"id":36130,"date":"1998-12-31T00:00:00","date_gmt":"1998-12-31T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/taking-over\/"},"modified":"1998-12-31T00:00:00","modified_gmt":"1998-12-31T00:00:00","slug":"taking-over","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/taking-over\/","title":{"rendered":"Taking Over"},"content":{"rendered":"<p>Every band needs to get a start towards greatness, and heavy<br \/>\nmetallers Overkill are no exception. Although their commercial<br \/>\nattraction has been on the wane for no good reason, their music has<br \/>\nremained challenging and progressive, raising metal to new levels<br \/>\nover the last ten years or so.<\/p>\n<p>And then, there&#8217;s<br \/>\n<i>Taking Over<\/i>, their 1987 major label debut (and second<br \/>\nrelease for MegaForce). Bobby &#8220;Blitz&#8221; Ellsworth and crew have some<br \/>\nsolid moments on this album, but the overall sound hurts the album<br \/>\n&#8211; making it, sadly, almost indistinguishable from some of the other<br \/>\ncutting-edge metal from that time like Slayer and Anthrax.<\/p>\n<p>At times, it&#8217;s almost like the bass work of D.D. Verni is<br \/>\ncompletely buried in the mix, and the &#8220;snap&#8221; of Rat Skates&#8217;s drum<br \/>\nwork has been washed out. This is a major disappointment to me &#8211;<br \/>\npossibly because I know now what this band was capable of, both in<br \/>\ntheir sound and their songwriting.<\/p>\n<p>Ah, the songwriting. There is more than glancing evidence that<br \/>\nOverkill was a better than average metal act. Cuts like &#8220;Wrecking<br \/>\nCrew,&#8221; &#8220;Fatal If Swallowed&#8221; and &#8220;Powersurge&#8221; all sound just as good<br \/>\ntoday as they did 11 years ago. But it&#8217;s on other songs like &#8220;Deny<br \/>\nThe Cross&#8221; that the songwriting shows that it needs to grow a bit.<br \/>\n(And, no, I&#8217;m not picking on &#8220;Deny The Cross&#8221; for its subject<br \/>\nmatter; this could have been a decent song with a little more work<br \/>\n&#8211; and, obviously, better production.)<\/p>\n<p>Ellsworth is in fine voice throughout Taking Over, and guitarist<br \/>\nBobby Gustafson sounds like he&#8217;s doing the work of three guitarists<br \/>\nthroughout this album. Check out &#8220;Overkill II (The Nightmare<br \/>\nContinues)&#8221; as proof of his six-string capabilities.<\/p>\n<p>Sure, some of the tracks have a little bit of rust on them<br \/>\ntoday, such as &#8220;Electro-Violence&#8221;. But despite the production<br \/>\nqualms I have,<br \/>\n<i>Taking Over<\/i> is still kind of fun to listen to at times. I<br \/>\njust wouldn&#8217;t want to make this one a regular part of my diet &#8211;<br \/>\nespecially when I know that Overkill has tastier selections in<br \/>\ntheir catalog.<\/p>\n<p>Now, I do have to keep in mind that this was only Overkill&#8217;s<br \/>\nsecond album, and I&#8217;m a bit biased because I&#8217;ve heard a lot of<br \/>\ntheir later work. But I&#8217;m not saying that<br \/>\n<i>Taking Over<\/i> is a bad album; it&#8217;s just one that shows the<br \/>\ngrowing pains a metal band can go through. It&#8217;s still worth a<br \/>\nlisten or two, if approached with a mixture of respect and<br \/>\ncaution.<\/p>\n","protected":false},"author":2,"featured_media":24925,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[5912],"rating":[5614],"class_list":["post-36130","review","type-review","status-publish","has-post-thumbnail","artist-overkill","rating-rating-c-plus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/36130","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=36130"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/36130\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/24925"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=36130"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=36130"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=36130"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=36130"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}