{"id":36140,"date":"1998-12-31T00:00:00","date_gmt":"1998-12-31T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/everybodys-rockin\/"},"modified":"1998-12-31T00:00:00","modified_gmt":"1998-12-31T00:00:00","slug":"everybodys-rockin","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/everybodys-rockin\/","title":{"rendered":"Everybody&#8217;s Rockin&#8217;"},"content":{"rendered":"<p>As much as the suits at Geffen would have disagreed with me at<br \/>\nthe time, it was almost natural for Neil Young to eventually record<br \/>\nan album with more than just overtones of &#8217;50s doo-wop music. But<br \/>\none wonders why Young, himself one of the godfathers of grunge<br \/>\nmusic, wouldn&#8217;t hit the target closer to the mark with<br \/>\n<i>Everybody&#8217;s Rockin&#8217; \/ Neil And the Shocking Pinks<\/i>.<\/p>\n<p>This album first came to my attention back in 1983, in the good<br \/>\nold days when my parents had cable and I didn&#8217;t have the monthly<br \/>\nbill for the service. HBO used to have a program on, &#8220;Video<br \/>\nJukebox&#8221;; one of the featured videos on one episode was<br \/>\n&#8220;Wonderin&#8217;,&#8221; a wonderful example of how time-lapse photography can<br \/>\nbe used. It was a decent song (although not the first taste of Neil<br \/>\nYoung I had ever experienced), and I found myself smiling through<br \/>\nit. (Side note: I&#8217;ve never seen the video since then.)<\/p>\n<p>&#8220;Wonderin'&#8221; is one of the highlights of<br \/>\n<i>Everybody&#8217;s Rockin&#8217;<\/i>, and shows that Young did have his feet<br \/>\nfirmly planted in his musical past, all the while pushing the<br \/>\nenvelope with some of his &#8217;80s work. But the unheralded gem off<br \/>\nthis one is &#8220;Mystery Train,&#8221; a song that captures the spirit of the<br \/>\nold days of rockabilly truer than one could imagine. Bringing<br \/>\nimages of Gene Vincent and early Elvis Presley to mind, Young plows<br \/>\nthrough this number with gusto, making every note count.<\/p>\n<p>Too bad that not every song on this incredibly short album (the<br \/>\nten songs clock in around a half-hour in length) has that kind of<br \/>\ndetail paid to it. &#8220;Betty Lou&#8217;s Got A New Pair Of Shoes&#8221; seems to<br \/>\nstagnate thanks to a lifeless saxophone line running through the<br \/>\nsong, while &#8220;Rainin&#8217; In My Heart&#8221; has the feel to it like it was a<br \/>\nwarm-up song from the<br \/>\n<i>Harvest<\/i> sessions.<\/p>\n<p>But Young does manage to keep things interesting, for the most<br \/>\npart. &#8220;Jellyroll Man&#8221; takes a little time to warm up to, but proves<br \/>\nitself to be a worthy track. Falling into the same category are<br \/>\n&#8220;Kinda Fonda Wanda&#8221; and the title track. (Fact is, if you&#8217;re not<br \/>\nbig into rockabilly or you&#8217;re not very familiar with this genre, it<br \/>\nwill take a little longer for you to appreciate the finer moments<br \/>\non<br \/>\n<i>Everybody&#8217;s Rockin&#8217;<\/i>.)<\/p>\n<p>Of course, this album just marked another one of Young&#8217;s musical<br \/>\nphases that he&#8217;s gone through his entire career; fifteen years<br \/>\nlater, he has yet to do another album in this vein. I kind of hope<br \/>\nthat Young has another one in him &#8212; though I do hope he learns<br \/>\nfrom the few mistakes he made on<br \/>\n<i>Everybody&#8217;s Rockin&#8217;<\/i>. If anyone could provide Generation X<br \/>\nwith a &#8220;Rockabilly 101&#8221; course that would be fun to be a part of,<br \/>\nit&#8217;s Young.<\/p>\n","protected":false},"author":2,"featured_media":24935,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[6058],"rating":[5612],"class_list":["post-36140","review","type-review","status-publish","has-post-thumbnail","artist-neil-young-neil-the-shocking-pinks","rating-rating-b-minus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/36140","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=36140"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/36140\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/24935"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=36140"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=36140"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=36140"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=36140"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}