{"id":36143,"date":"1999-01-02T00:00:00","date_gmt":"1999-01-02T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/dusk\/"},"modified":"1999-01-02T00:00:00","modified_gmt":"1999-01-02T00:00:00","slug":"dusk","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/dusk\/","title":{"rendered":"Dusk"},"content":{"rendered":"<p>Did Matt Johnson and The The search out a more commercial sound,<br \/>\nor did the commercial sound shape itself to The The&#8217;s music?<\/p>\n<p>Their 1993 album<br \/>\n<i>Dusk<\/i> doesn&#8217;t provide a clear answer to that question, but<br \/>\nthere&#8217;s no denying that the ten songs that make up this album are<br \/>\nthe most radio-friendly that Johnson and crew had crafted yet. It<br \/>\nalso has some of the band&#8217;s strongest moments to date.<\/p>\n<p>Now, I don&#8217;t mean to suggest that Johnson sacrificed anything in<br \/>\nhis music in order to get airplay; there still is a lot of<br \/>\nintensity in the music on<br \/>\n<i>Dusk<\/i> (though not nearly as much as on their previous album<br \/>\n<i>Mind Bomb<\/i>). Songs like &#8220;Love Is Stronger Than Death&#8221; and<br \/>\n&#8220;Lonely Planet&#8221; still pack powerful messages, only this time,<br \/>\nthey&#8217;re wrapped around some beautiful melodies. If anything, I<br \/>\nwould dare to suggest that Johnson&#8217;s music had matured.<\/p>\n<p>And the songs that did make it onto the airwaves, namely &#8220;Dogs<br \/>\nOf Lust&#8221; and &#8220;Slow Emotion Replay,&#8221; are both very good examples of<br \/>\nwhat kind of a band The The could be when things worked out right<br \/>\nfor them. Although I do prefer &#8220;Slow Emotion Replay,&#8221; each song<br \/>\nholds its own well, even five years after this album&#8217;s release. (I<br \/>\nwonder why &#8220;Helpline Operator&#8221; didn&#8217;t get this kind of attention;<br \/>\nit&#8217;s just as powerful of a track.)<\/p>\n<p>With everything that goes right on<br \/>\n<i>Dusk<\/i>, there are still a few minor points of contention that<br \/>\nmust be raised. First, Johnson has always seemed to have a<br \/>\nfascination with song styles that make them sound like they came<br \/>\nfrom the turn of the century. &#8220;The Beat(en) Generation&#8221; off<br \/>\n<i>Mind Bomb<\/i> and its swing-style fell under this heading; on<br \/>\n<i>Dusk<\/i>, &#8220;This Is The Night&#8221; is the target. And I&#8217;m sorry,<br \/>\nMatt, but this just doesn&#8217;t work as well as you&#8217;d like it to.<br \/>\nSecond, I have to question whether guitarist Johnny Marr&#8217;s duties<br \/>\nhad been relegated on this album. (By the time The The played a<br \/>\nconcert broadcast on the radio &#8212; released as<br \/>\n<i>Yeah, It&#8217;s A Bootleg<\/i> &#8212; Marr was out of the band.)<\/p>\n<p>The only other criticism is that it takes a little time to<br \/>\nreally get into the second half of<br \/>\n<i>Dusk<\/i>, though after a while, its natural beauty comes<br \/>\nthrough, as heard on tracks like &#8220;Lung Shadows&#8221; and &#8220;Sodium Light<br \/>\nBaby.&#8221;<\/p>\n<p>Still,<br \/>\n<i>Dusk<\/i> is easily the most approachable album that The The had<br \/>\nproduced up to then, and remains a high water mark for them. If<br \/>\nyou&#8217;re at all curious about this band, this is probably the best<br \/>\nalbum to start with.<\/p>\n","protected":false},"author":2,"featured_media":24938,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[5669],"rating":[5615],"class_list":["post-36143","review","type-review","status-publish","has-post-thumbnail","artist-the-the","rating-rating-b"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/36143","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=36143"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/36143\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/24938"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=36143"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=36143"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=36143"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=36143"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}