{"id":36203,"date":"1999-03-06T00:00:00","date_gmt":"1999-03-06T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/solarshift\/"},"modified":"1999-03-06T00:00:00","modified_gmt":"1999-03-06T00:00:00","slug":"solarshift","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/solarshift\/","title":{"rendered":"Solarshift"},"content":{"rendered":"<p>The more things change, the more they stay the same. It&#8217;s an old<br \/>\nsaying, but it&#8217;s still very true.<\/p>\n<p>Champaign-Urbana, Illinois&#8217;s own Absinthe Blind are proof of<br \/>\nthis, as is their latest effort,<br \/>\n<i>Solarshift<\/i>. While they have moved away from the richly<br \/>\nlayered sonic attack that made up their debut effort<br \/>\n<i>when our flashes sway<\/i>, they have moved into a more<br \/>\npop-oriented vein &#8211; and while I do miss some of the layered sound,<br \/>\nthis is still very good.<\/p>\n<p>The band &#8211; vocalist\/guitarist Adam Fein, guitarist Tristan<br \/>\nWraight, bassist Mike Zolfo and drummer\/backing vocalist Seth Fein<br \/>\n&#8211; have not abandoned their alternative roots in the least; this is<br \/>\nstill an album that challenges the listener to keep up with the<br \/>\nmusical waves it throws at them. But where<br \/>\n<i>when our flashes sway<\/i> used layers of guitars to hook the<br \/>\nlistener, on<br \/>\n<i>Solarshift<\/i> it&#8217;s the vocals. Adam Fein has greatly improved<br \/>\nin the last year as a singer, and it shows on this album.<\/p>\n<p>The opening two tracks, &#8220;Now We Glide&#8221; (which seems to have a<br \/>\nfalse start in the first five seconds of the track &#8211; was this<br \/>\nintentional?) and &#8220;Place&#8221; are enough to lock you in for the entire<br \/>\nalbum. However, I couldn&#8217;t help but be thrown by the fact that<br \/>\nAbsinthe Blind&#8217;s sound had changed, and it took me a little time<br \/>\n(as well as a partial re-listen to<br \/>\n<i>when our flashes sway<\/i>) to get comfortable with it. Even now,<br \/>\nsome seven listens into the disc, I don&#8217;t know if I&#8217;m completely<br \/>\nused to it yet.<\/p>\n<p>The one challenge of<br \/>\n<i>Solarshift<\/i> is that it requires more than just passive<br \/>\nattention from the listener; some of the songs tend to blur<br \/>\ntogether, making it hard to recognize just what track you&#8217;re<br \/>\nlistening to. I noticed this happening between &#8220;Distant Song,&#8221;<br \/>\n&#8220;Shade Winter, Shade Spring&#8221; and &#8220;Not My Queen&#8221; &#8211; all good tracks<br \/>\nthemselves. But I don&#8217;t like the idea that an album is passing me<br \/>\nby and I&#8217;m not noticing it happening.<\/p>\n<p>Absinthe Blind does take some chances by adding in one<br \/>\nadditional vocalist (Lynn Canfield) on &#8220;Fantasy Loss,&#8221; a track that<br \/>\ndissolves into the beautiful instrumental &#8220;Celestial&#8221;. Also,<br \/>\nhearing the use of violins and cellos is a nice touch &#8211; and one<br \/>\nthat is thankfully not overused.<\/p>\n<p>\n<i>Solarshift<\/i> is an album that may well break Absinthe Blind<br \/>\ninto larger markets &#8211; that is, if those stations are willing to<br \/>\ntake a chance with them. (Face it, you don&#8217;t hear the Cocteau Twins<br \/>\nmuch on Chicago radio; I don&#8217;t know how it is in the rest of the<br \/>\ncountry.) And while this album does take some time to get used to,<br \/>\nespecially if you&#8217;re familiar with the band&#8217;s earlier work, it<br \/>\nrightfully should be the album to make Absinthe Blind a major name<br \/>\nin the alternative world.<\/p>\n","protected":false},"author":2,"featured_media":24998,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[5938],"rating":[5617],"class_list":["post-36203","review","type-review","status-publish","has-post-thumbnail","artist-absinthe-blind","rating-rating-b-plus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/36203","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=36203"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/36203\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/24998"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=36203"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=36203"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=36203"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=36203"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}