{"id":36257,"date":"1999-08-23T00:00:00","date_gmt":"1999-08-23T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/lather\/"},"modified":"1999-08-23T00:00:00","modified_gmt":"1999-08-23T00:00:00","slug":"lather","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/lather\/","title":{"rendered":"Lather"},"content":{"rendered":"<p>This review is eighteen months overdue. Back around February<br \/>\n1998, a reader (whose name I have unfortunately forgotten) asked me<br \/>\nto review<br \/>\n<i>L\u00e4ther<\/i> from Frank Zappa, because he was seriously<br \/>\nconsidering buying it, and wanted to know what I thought of it.<\/p>\n<p>Problem number one: I was locked into reviewing the entire<br \/>\n<i>You Can&#8217;t Do That On Stage Anymore<\/i> series, and we had just<br \/>\nreviewed the first volume a week prior. Problem number two: we<br \/>\ndon&#8217;t review an artist twice in a 60-day period, so it was going to<br \/>\nbe some time before I got to this hot potato. Problem number three:<br \/>\nI didn&#8217;t own<br \/>\n<i>L\u00e4ther<\/i>&#8230; a problem I solved the other day when I<br \/>\nsnagged a copy at Wherehouse Music.<\/p>\n<p>I&#8217;m sure our reader has long since bought<br \/>\n<i>L\u00e4ther<\/i> for himself &#8211; and I&#8217;m sure he&#8217;s satisfied with<br \/>\nhis purchase. This is a lot to digest in one sitting, and the<br \/>\ndiehard Zappa fan probably owns many of these songs already, but<br \/>\nit&#8217;s still a welcome addition to your collection.<\/p>\n<p>A bit of history:<br \/>\n<i>L\u00e4ther<\/i> was supposed to be released in 1978 as a<br \/>\nfour-record box set, but (depending on which story you believe)<br \/>\nWarner Brothers would not allow Zappa to put it out, and they<br \/>\nrefused to release it. Instead, Zappa turned around and released a<br \/>\nseries of albums that utilized a lot of the songs from<br \/>\n<i>L\u00e4ther<\/i> on them. These albums,<br \/>\n<i>Sleep Dirt<\/i>,<br \/>\n<i>Studio Tan<\/i> and<br \/>\n<i>Orchestral Favorites<\/i>, we&#8217;ll eventually get to. You&#8217;ll also<br \/>\nhear elements on<br \/>\n<i>Zappa In New York<\/i> and<br \/>\n<i>Sheik Yerbouti<\/i>. Finally, in 1996 &#8211; three years after Zappa&#8217;s<br \/>\ndeath, Gail Zappa and Rykodisc answered the prayers of many Zappa<br \/>\ndevotees and brought this set out, eighteen years after it was<br \/>\nsupposed to be issued.<\/p>\n<p>Was it worth it? Simply put: Damn straight.<\/p>\n<p>Many of the songs here will sound familiar to you. Encased on<br \/>\nthis three-CD set include early versions of &#8220;Broken Hearts Are For<br \/>\nAssholes&#8221; and &#8220;Honey, Don&#8217;t You Want A Man Like Me?&#8221; (including a<br \/>\nbrief confrontation between a disgruntled concert attendee and<br \/>\nZappa). These versions are a little rough, compared to the more<br \/>\npolished versions you can hear on other albums, but they&#8217;re of<br \/>\nhistorical significance. An additional version of &#8220;Big Leg Emma&#8221; is<br \/>\na lot of fun to listen to &#8211; and I&#8217;m always interested to hear<br \/>\ndifferent versions of &#8220;Titties &#8216;n Beer&#8221; just to hear the interplay<br \/>\nbetween Zappa and drummer Terry Bozzio.<\/p>\n<p>If you own<br \/>\n<i>Zappa In New York<\/i>, you&#8217;ll undoubtedly be familiar with<br \/>\n&#8220;Punky&#8217;s Whips&#8221; and &#8220;The Legend Of The Illinois Enema Bandit,&#8221; both<br \/>\ntracks intro&#8217;ed by Don Pardo. (How Zappa got him to do these shows<br \/>\nI&#8217;ll never know; you wouldn&#8217;t expect Pardo to be saying some of the<br \/>\nthings he says.)<\/p>\n<p>Some people could claim that<br \/>\n<i>L\u00e4ther<\/i> is just a rehash of<br \/>\n<i>Studio Tan<\/i>,<br \/>\n<i>Sleep Dirt<\/i> and<br \/>\n<i>Orchestral Favorites<\/i> (casually forgetting that<br \/>\n<i>L\u00e4ther<\/i> pre-dates these releases). In fact, a lot of the<br \/>\ntracks from these albums can be found here, but there are a few<br \/>\ntracks on<br \/>\n<i>Sleep Dirt<\/i> and<br \/>\n<i>Orchestral Favorites<\/i> that aren&#8217;t on<br \/>\n<i>L\u00e4ther<\/i>. And even if you didn&#8217;t especially like these<br \/>\nalbums when they first came out, don&#8217;t be so quick to write<br \/>\n<i>L\u00e4ther<\/i> off; this set actually helps these songs by<br \/>\nputting them into a new light. Indeed, hearing them the way they<br \/>\nwere meant to be heard helps a lot. (Well, with one exception; I<br \/>\nstill don&#8217;t like &#8220;The Adventures Of Greggery Peccary&#8221;.)<\/p>\n<p>So, let&#8217;s say you&#8217;re one of the lucky people who taped<br \/>\n<i>L\u00e4ther<\/i> off the radio when Zappa, in an effort to piss<br \/>\noff his friends at Warner Brothers, played the entire album on the<br \/>\nair, this set includes four previously unreleased tracks (including<br \/>\na remix of &#8220;Regyptian Strut&#8221; from the year of Zappa&#8217;s death). While<br \/>\nI&#8217;m not sure if these actually enhance this set, they are<br \/>\ninteresting to listen to.<\/p>\n<p>The biggest negative of<br \/>\n<i>L\u00e4ther<\/i> is that it&#8217;s over 2 1\/2 hours in length, a lot<br \/>\nfor even a diehard Zappa fan to sit through in one shot. If you<br \/>\nhave the patience, it is an experience that is well worth it; even<br \/>\nbreaking it up by disc is worth it, and it doesn&#8217;t lessen the power<br \/>\nof the music. (One other negative could be the price, though I<br \/>\nthink it is well worth the investment, especially if you&#8217;re into<br \/>\nZappa. Then again, I paid $20 for a used set, so I freely admit I&#8217;m<br \/>\ncheap.)<\/p>\n<p>\n<i>L\u00e4ther<\/i> is one of the Holy Grails that Zappa fans have<br \/>\nlong been drooling for. My advice: wipe your mouth, hie yourself<br \/>\ndown to the store and snag this puppy.<\/p>\n","protected":false},"author":2,"featured_media":25052,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[5625],"rating":[5615],"class_list":["post-36257","review","type-review","status-publish","has-post-thumbnail","artist-frank-zappa","rating-rating-b"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/36257","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=36257"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/36257\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/25052"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=36257"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=36257"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=36257"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=36257"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}