{"id":36270,"date":"1999-10-01T00:00:00","date_gmt":"1999-10-01T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/the-long-ride\/"},"modified":"1999-10-01T00:00:00","modified_gmt":"1999-10-01T00:00:00","slug":"the-long-ride","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/the-long-ride\/","title":{"rendered":"The Long Ride"},"content":{"rendered":"<p>When we last heard from Ramblin&#8217; Jack Elliott, he was gathering<br \/>\nsome old friends around him to sing songs he loved and to tell<br \/>\nstories in a way only this old folksy cowboy could. Now, although<br \/>\nmany of the duets are gone, Elliott has more stories to tell &#8212; and<\/p>\n<p><i>The Long Road<\/i> suggests that we listen to them, if only to<br \/>\nenjoy an artform not often heard anymore.<\/p>\n<p>Elliott might not have the smoothest vocal delivery in the<br \/>\nindustry, but he knows how to present the goods in a way that makes<br \/>\nit sound like each word is a surprise Christmas gift. While this<br \/>\ntechnique doesn&#8217;t always work perfectly, there&#8217;s a better than<br \/>\naverage chance that when Elliott has something to say, his message<br \/>\nis going to stick.<\/p>\n<p>After a surprisingly weak start with &#8220;Connection,&#8221; the fun<br \/>\nbegins when Elliott and labelmate Tom Russell get together on &#8220;Cup<br \/>\nOf Coffee&#8221; &#8212; which turns out to be more of a running monologue<br \/>\nthan a song, but that&#8217;s okay. To hear the interplay between these<br \/>\ntwo artists is interesting, and one has to wonder if this song was<br \/>\nimprovised on the spot in the studio.<\/p>\n<p>Other old friends drop in to say &#8220;howdy&#8221; on<br \/>\n<i>The Long Ride<\/i>. Dave Van Ronk adds his unique vocal style to<br \/>\n&#8220;St. James Infirmary,&#8221; while Dave Alvin (another labelmate of<br \/>\nElliott&#8217;s) provides vocals on &#8220;East Virginia Blues.&#8221; Maria Muldaur<br \/>\n(remember her from &#8220;Midnight At The Oasis&#8221;? I<br \/>\n<i>hate<\/i> that friggin&#8217; song!) adds a bit of twang to &#8220;Picture<br \/>\nFrom Life&#8217;s Other Side,&#8221; and Elliott turns in a version that<br \/>\nshines. (I wonder if it means something that this is the second<br \/>\nversion of this tune I&#8217;ve heard in a matter of days.)<\/p>\n<p>Regrettably, not everything on<br \/>\n<i>The Long Ride<\/i> hits the mark, though I&#8217;d be hard-pressed to<br \/>\nsay that it was Elliott&#8217;s fault. In fact, I can&#8217;t explain why songs<br \/>\nlike &#8220;Take Me Back And Try One More Time&#8221; and &#8220;Connection&#8221; just<br \/>\ndon&#8217;t set my ears on fire the way others like &#8220;Pony&#8221; and &#8220;Diamond<br \/>\nJoe&#8221; do. Still, Elliott outnumbers the weak songs on this disc by<br \/>\nabout five to one, so that&#8217;s not a bad average.<\/p>\n<p>There is one thing I am left wondering about. Elliott closes<br \/>\nthis disc with a cover of Bob Dylan&#8217;s &#8220;With God On Our Side.&#8221; (I<br \/>\njust finished<br \/>\n<i>The Times They Are A-Changin&#8217;<\/i> the other day, so the timing<br \/>\non this was amazing.) I do have to wonder why Dylan doesn&#8217;t make a<br \/>\nguest appearance on this track; after all, it seems to be suggested<br \/>\nthat Elliott and Dylan are at least casual acquaintances. I would<br \/>\nhave been very interested to have heard what a duet between these<br \/>\nartists would have sounded like.<\/p>\n<p>\n<i>The Long Ride<\/i> might evoke more memories of Hank Williams<br \/>\nthan Garth Brooks, but Elliott does help to keep the storyteller of<br \/>\ncountry music past alive. For that alone, we should be grateful.<br \/>\nFor another album of highly enjoyable music, we should be even more<br \/>\ngrateful.<\/p>\n","protected":false},"author":2,"featured_media":25065,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[6131],"rating":[5615],"class_list":["post-36270","review","type-review","status-publish","has-post-thumbnail","artist-ramblin-jack-elliott","rating-rating-b"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/36270","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=36270"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/36270\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/25065"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=36270"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=36270"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=36270"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=36270"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}