{"id":36271,"date":"1999-10-01T00:00:00","date_gmt":"1999-10-01T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/famous-monsters\/"},"modified":"1999-10-01T00:00:00","modified_gmt":"1999-10-01T00:00:00","slug":"famous-monsters","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/famous-monsters\/","title":{"rendered":"Famous Monsters"},"content":{"rendered":"<p>If it wasn&#8217;t for groups like Metallica, the Misfits might have<br \/>\nremained a cult band with a small, but rabid, audience. But<br \/>\nMetallica, thanks in no small part to the late Cliff Burton, helped<br \/>\nbring this group to the forefront of the music world (even after<br \/>\nthe band had originally called it a day) thanks to their covers of<br \/>\n&#8220;Last Caress&#8221; and &#8220;Green Hell.&#8221;<\/p>\n<p>But something strange happened in the time since Glenn Danzig<br \/>\nleft the band and the group re-convened back in 1995. They grew up.<br \/>\nThey learned to play their instruments, and not just go for a<br \/>\ncacophany of feedback and fury. They moved away from the<br \/>\ndemon-drenched lyrics and became more of a mock horror band.<\/p>\n<p>This is supposed to be a good thing? After listening to<br \/>\n<i>Famous Monsters<\/i>, the answer is: hell, no.<\/p>\n<p>Vocalist Michale Graves (who looks like he just had a Halloween<br \/>\ncostume slapped on him by Party City), simply put, is no Danzig. He<br \/>\noften doesn&#8217;t have the urgency in his voice to carry punk&#8217;s frantic<br \/>\nenergy, and he sounds, well&#8230; he sounds too polished. For that<br \/>\nmatter, the whole band, including founding member Jerry Only on<br \/>\nbass, sound like they got the studio wax coating &#8211; and it&#8217;s just<br \/>\nnot the Misfits anymore.<\/p>\n<p>I realize that music must change and evolve, but<br \/>\n<i>Famous Monsters<\/i> seems to spit in the face of the songs that<br \/>\nmade them an underground favorite. Before, when you heard a song<br \/>\nlike &#8220;Earth A.D.&#8221; or &#8220;Mommy, Can I Go Out And Kill Tonight,&#8221; you<br \/>\ncouldn&#8217;t help but get wrapped up in the controlled panic that was<br \/>\nthe band. Now, when I hear songs like &#8220;Lost In Space,&#8221; &#8220;Saturday<br \/>\nNight,&#8221; &#8220;Die Monster Die&#8221; and &#8220;Fiend Club,&#8221; it&#8217;s like I&#8217;m listening<br \/>\nto a band who have been working on their craft. Sorry, guys: punk<br \/>\nisn&#8217;t something that you work on, it just happens.<\/p>\n<p>No matter how I looked at it,<br \/>\n<i>Famous Monsters<\/i> disappoints. Only near the end of the disc,<br \/>\non cuts like &#8220;Hunting Humans&#8221; and &#8220;Helena,&#8221; do things seem to take<br \/>\na minor upswing. But these tracks don&#8217;t hold a candle to earlier<br \/>\nwork by the Misfits &#8211; or newer groups like Groovie Ghoulies, for<br \/>\nthat matter.<\/p>\n<p>What has happened, in effect, is that the Misfits have become a<br \/>\nparody of themselves &#8211; and that&#8217;s a sure sign that it&#8217;s time to<br \/>\neither re-evaluate what you&#8217;re doing or to throw in the towel and<br \/>\nlet the past speak for itself.<\/p>\n<p>\n<i>Famous Monsters<\/i> is not a Misfits album; I don&#8217;t give a damn<br \/>\nwhat the CD spine says. This is an album from a metal band that<br \/>\nwants desparately to capture the angst, darkness and power of the<br \/>\nMisfits, and they fail.<\/p>\n","protected":false},"author":2,"featured_media":25066,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[6132],"rating":[5616],"class_list":["post-36271","review","type-review","status-publish","has-post-thumbnail","artist-misfits","rating-rating-d"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/36271","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=36271"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/36271\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/25066"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=36271"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=36271"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=36271"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=36271"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}