{"id":36272,"date":"1999-10-01T00:00:00","date_gmt":"1999-10-01T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/in-my-hands\/"},"modified":"1999-10-01T00:00:00","modified_gmt":"1999-10-01T00:00:00","slug":"in-my-hands","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/in-my-hands\/","title":{"rendered":"In My Hands"},"content":{"rendered":"<p>The return of fiddler Natalie MacMaster to the recording studio<br \/>\nwas greatly anticipated, given her growing fanbase in both Canada<br \/>\nand the United States. MacMaster, one of the new generation Cape<br \/>\nBretoner\/Celtic artists, has already recieved acclaim and awards<br \/>\nfor her past recording, including a Juno award for best<br \/>\ninstrumental recording for her 1998 CD,<br \/>\n<i>My Roots Are Showing<\/i>. MacMaster&#8217;s new release,<br \/>\n<i>In My Hands<\/i>, doesn&#8217;t disappoint; a powerful piece of work,<br \/>\nit shows her continued development both as a voice for the<br \/>\ntraditional Scottish music of Canada&#8217;s Cape Breton region, and as<br \/>\nan artist who&#8217;s not afraid to take some risks.<\/p>\n<p>Cape Breton&#8217;s unique and somewhat isolated culture has produced<br \/>\nseveral young musicians of note, including MacMaster, fiddler<br \/>\nAshley MacIsaac, and family vocalists The Rankins. The area&#8217;s<br \/>\nfiddle playing is unique, an intermixture of the Highlands area of<br \/>\nScotland and two hundred years of Canadian development. MacMaster&#8217;s<br \/>\nmusic is partially the traditional of her uncle, Cape Breton legend<br \/>\nBuddy MacMaster, and partially&#8230; well, put it this way; the<br \/>\nopening track, &#8220;In My Hands&#8221;, is a spoken vocal from MacMaster, a<br \/>\nfunky bass backbeat, heavily overdubbed female background vocals,<br \/>\nand a virtuoso arrangement of the traditional tune &#8220;The Drunken<br \/>\nLandlady.&#8221; Authentic? No. Traditional? No. Amusing? Hell, yes.<\/p>\n<p>This sets the tone for the entire CD. For every traditional<br \/>\nfiddle arrangement, such as &#8220;Welcome To The Trossachs,&#8221; the<br \/>\nhard-driving &#8220;Gramma,&#8221; or &#8220;The Farewell,&#8221; there are departures,<br \/>\nchances taken, risks ventured. MacMaster dips into Spanish<br \/>\ninfluences with the brass-laced &#8220;Flamenco Fling,&#8221; drifts off into<br \/>\nsynthesizer-laden ambient music on &#8220;Space Ceilidh,&#8221; and blisters<br \/>\nthe speakers in her fiddle duet with Nashville legend Mark O&#8217;Connor<br \/>\non &#8220;Olympic Reel.&#8221; There seems to be no trail MacMaster is afraid<br \/>\nof blazing; she gives a brief nod to everything but heavy metal on<br \/>\nthis album, apparently content to leave that to genre mate<br \/>\nMacIsaac.<\/p>\n<p>The crowning jewel of this work, though, is the brilliantly<br \/>\nexecuted and flawlessly paired duet with American bluegrass<br \/>\nvocalist Alison Krauss, &#8220;Get Me Through December.&#8221; Krauss&#8217; voice is<br \/>\npoignant and filled with a crystalline emotional clarity, and<br \/>\nmatches perfectly with MacMaster&#8217;s simple, expressive fiddle.<br \/>\nBefore this work, the two Rounder stars had never met, but their<br \/>\nmusical compatibility is immediate and breathtaking. Let&#8217;s hope it<br \/>\nhappens again.<\/p>\n<p>\n<i>In My Hands<\/i> is a creative, joyful, and magnificent piece of<br \/>\nwork from one of the brightest stars of Celtic music to come along<br \/>\nin a long time. Perhaps her roots were showing on the last CD, but<br \/>\n<i>In My Hands<\/i> is a roadmap straight through the branches into<br \/>\nthe open sky.<\/p>\n","protected":false},"author":18,"featured_media":25067,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[6107],"rating":[5615],"class_list":["post-36272","review","type-review","status-publish","has-post-thumbnail","artist-natalie-macmaster","rating-rating-b"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/36272","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/18"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=36272"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/36272\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/25067"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=36272"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=36272"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=36272"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=36272"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}