{"id":36274,"date":"1999-10-02T00:00:00","date_gmt":"1999-10-02T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/the-freewheelin-bob-dylan\/"},"modified":"1999-10-02T00:00:00","modified_gmt":"1999-10-02T00:00:00","slug":"the-freewheelin-bob-dylan","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/the-freewheelin-bob-dylan\/","title":{"rendered":"The Freewheelin&#8217; Bob Dylan"},"content":{"rendered":"<p>In 1962, Bob Dylan burst forth onto the music scene with an<br \/>\nalbum comprised mostly of covers and two originals. Nowadays, we&#8217;d<br \/>\nprobably expect that his first album was met with commercial<br \/>\nacclaim; instead, it sold poorly. It was an excellent effort, but<br \/>\nit showed the artist still searching for his own voice.<\/p>\n<p>One album later, on 1963&#8217;s<br \/>\n<i>The Freewheelin&#8217; Bob Dylan<\/i>, that voice was found. With only<br \/>\none song that Dylan didn&#8217;t at least co-write and a more socially<br \/>\nconscious stand to his songs, Dylan finally was being recognized as<br \/>\nthe next leader of the protest movement. It still isn&#8217;t perfect &#8211;<br \/>\nbut it&#8217;s damn near.<\/p>\n<p>\n<i>The Freewheelin&#8217; Bob Dylan<\/i> is highlighted by two firsts for<br \/>\nDylan in his young career. From what I could hear, this is the<br \/>\nfirst time that he chose to use 12-string guitar on some songs,<br \/>\nsuch as &#8220;Blowin&#8217; In The Wind&#8221;. It also is the first time that Dylan<br \/>\nuses more accompaniment than just his guitar and harmonica. But<br \/>\nmake no mistake, Dylan is still the star of the show &#8211; and<br \/>\nrightfully so.<\/p>\n<p>Looking at some of these songs in 1999, tracks like &#8220;A Hard<br \/>\nRain&#8217;s A-Gonna Fall&#8221; and &#8220;Blowin&#8217; In The Wind&#8221; don&#8217;t sound like<br \/>\nangry statements about society in 1963. Then again, I never saw the<br \/>\nanger in &#8220;This Land Is Your Land,&#8221; so maybe I&#8217;m not the best judge<br \/>\nof the protest movement.<\/p>\n<p>It took me a long time to get used to the original version of<br \/>\n&#8220;Blowin&#8217; In The Wind,&#8221; having grown up with the Peter, Paul &#038;<br \/>\nMary version. But the effort proves to be worth it, as Dylan&#8217;s<br \/>\nfirst take has a certain magic about it, even if the time signature<br \/>\nisn&#8217;t always followed to the letter of the law. (Maybe this was the<br \/>\nbig difficulty I first had with this album; getting through<br \/>\n<i>Bob Dylan<\/i> actually helped me see this album in a better<br \/>\nlight.)<\/p>\n<p>What is evident on<br \/>\n<i>The Freewheelin&#8217; Bob Dylan<\/i> is that Dylan is more comfortable<br \/>\nwith his role as a folk singer and as a songwriter; tracks like<br \/>\n&#8220;Girl From The North Country,&#8221; &#8220;Don&#8217;t Think Twice, It&#8217;s All Right&#8221;<br \/>\nand &#8220;I Shall Be Free&#8221; all show images of an artist who has grown in<br \/>\nsuch a short time. If you need further proof, listen to the<br \/>\nscathing commentaries on tracks like &#8220;Masters Of War&#8221; and &#8220;Talking<br \/>\nWorld War III Blues&#8221;, the latter being one of my favorites off this<br \/>\nalbum.<\/p>\n<p>If you&#8217;re not familiar with Dylan&#8217;s style,<br \/>\n<i>The Freewheelin&#8217; Bob Dylan<\/i> is occasionally a difficult<br \/>\nlisten. But if you take the time to get to know both the songwriter<br \/>\nand his own unique musical style, the end result will be quite<br \/>\npleasant. There&#8217;s a reason why many people consider this album to<br \/>\nbe a high-water mark of Dylan&#8217;s early career; listen to it again,<br \/>\nand discover why.<\/p>\n","protected":false},"author":2,"featured_media":25069,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[5866],"rating":[5613],"class_list":["post-36274","review","type-review","status-publish","has-post-thumbnail","artist-bob-dylan","rating-rating-a-minus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/36274","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=36274"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/36274\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/25069"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=36274"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=36274"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=36274"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=36274"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}