{"id":36278,"date":"1999-10-05T00:00:00","date_gmt":"1999-10-05T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/equal-rights\/"},"modified":"1999-10-05T00:00:00","modified_gmt":"1999-10-05T00:00:00","slug":"equal-rights","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/equal-rights\/","title":{"rendered":"Equal Rights"},"content":{"rendered":"<p>The more I listen to reggae artist Peter Tosh, the more I have<br \/>\nto question why he never achieved the superstardom that his former<br \/>\nbandmate Bob Marley did.<\/p>\n<p>Tosh&#8217;s second solo album,<br \/>\n<i>Equal Rights<\/i>, is the disc that (at least so far in my<br \/>\njourneys) makes the strongest case for Tosh&#8217;s career. Solid from<br \/>\nstart to finish, Tosh shows that he was just as good a songwriter<br \/>\nand performer as Marley, even if his material didn&#8217;t fit perfectly<br \/>\nin the &#8220;hit single&#8221; mold.<\/p>\n<p>Tosh makes only one slip on this album &#8211; and that&#8217;s his cover of<br \/>\nThe Wailers&#8217; &#8220;Get Up, Stand Up&#8221;. He has every right to cover the<br \/>\nsong; after all, he was a member of the band when this song was<br \/>\nwritten and first recorded. But this version seems to leave<br \/>\nsomething out, though I can&#8217;t put my finger on what&#8217;s missing from<br \/>\nit. Its more plodding pace also seems to take away some of the<br \/>\nsong&#8217;s social urgency.<\/p>\n<p>Fortunately, this is the only mistake that Tosh makes on this<br \/>\nentire album. From that point on,<br \/>\n<i>Equal Rights<\/i> challenges and entertains you at every turn.<br \/>\n&#8220;Downpressor Man&#8221; is a track that seems to be much shorter than the<br \/>\nsix-plus minutes it&#8217;s clocked at; you&#8217;ll actually find yourself<br \/>\nwishing that this groove didn&#8217;t end. The title track and<br \/>\n&#8220;Apartheid&#8221; are powerful messages for social upheaval and doing<br \/>\naway with the old systems of oppressing blacks, no matter what<br \/>\ncountry you live in.<\/p>\n<p>And while it&#8217;s not necessarily a &#8220;black-is-beautiful&#8221; anthem per<br \/>\nse, &#8220;African&#8221; is a track that Tosh uses to remind people that no<br \/>\nmatter where you live or what your background is, if you&#8217;re black,<br \/>\nyou still have firm roots in Africa, and you shouldn&#8217;t forget your<br \/>\npast. (I know, a strong interpretation of the track from a white<br \/>\nguy, but I think that Tosh was onto something.)<\/p>\n<p>While many of these songs won&#8217;t be familiar unless you&#8217;ve really<br \/>\nfollowed Tosh&#8217;s work, there is something about listening to<br \/>\n<i>Equal Rights<\/i> for the first time that makes you feel like<br \/>\nyou&#8217;re putting on a pair of old, comfortable slippers. Tosh&#8217;s style<br \/>\nflows so freely and his music is so accessible that it&#8217;s almost<br \/>\nlike you&#8217;ve been listening to him all your life. And this is where<br \/>\nthe paradox of his lack of stardom in the U.S. comes into play.<\/p>\n<p>The recently-remastered disc includes a live version of &#8220;Pick<br \/>\nMyself Up&#8221; &#8211; and though the disc says the second bonus track is an<br \/>\nalternate version of &#8220;Wanted Dread And Alive,&#8221; I hear a live<br \/>\nversion of &#8220;African&#8221; in its place. Not that I&#8217;m complaining; the<br \/>\nlive version smokes.<\/p>\n<p>\n<i>Equal Rights<\/i> is possibly the must-own album of Tosh&#8217;s<br \/>\ncareer, and deserves to be spoken about in the same breath as any<br \/>\nBob Marley album.<\/p>\n","protected":false},"author":2,"featured_media":25073,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[6135],"rating":[5613],"class_list":["post-36278","review","type-review","status-publish","has-post-thumbnail","artist-peter-tosh","rating-rating-a-minus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/36278","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=36278"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/36278\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/25073"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=36278"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=36278"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=36278"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=36278"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}