{"id":36285,"date":"1999-10-11T00:00:00","date_gmt":"1999-10-11T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/glimmer\/"},"modified":"1999-10-11T00:00:00","modified_gmt":"1999-10-11T00:00:00","slug":"glimmer","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/glimmer\/","title":{"rendered":"Glimmer"},"content":{"rendered":"<p>Much of my experience with country-pop has been through the<br \/>\nradio and artists like Mary Chapin Carpenter. (She&#8217;s not country, I<br \/>\nknow, but I tend to think of Shawn Colvin also when I think of this<br \/>\nmusical genre.) The music easily walks both sides of the musical<br \/>\nfence without strongly committing to either, ending up with a<br \/>\nrather interesting blend.<\/p>\n<p>Kim Richey is an artist who could easily be the next Mary Chapin<br \/>\nCarpenter in terms of popularity in this genre, and could easily<br \/>\nfit onto adult-contemporary radio with her Colvin-like vocal<br \/>\ndeliveries. Her third album<br \/>\n<i>Glimmer<\/i> is proof of this, and is an album that pleases from<br \/>\nbeginning to end.<\/p>\n<p>Richey has been described as &#8220;country&#8221; by other journalists and<br \/>\nher own record label, but I&#8217;ll go on the record to dispute this. If<br \/>\nanything, Richey&#8217;s musical attack is rooted deeper in the folk<br \/>\nveins than anything else. Just listen to a track like &#8220;Hello Old<br \/>\nFriend&#8221; and hear the way the story unfolds, and you&#8217;ll understand.<br \/>\nHarry Chapin and John Denver used to use their songs in similar<br \/>\nmanners, and Richey does bring back happy memories of both these<br \/>\nartists in comparison.<\/p>\n<p>But there&#8217;s enough of a pop sensibility in her music to make<br \/>\nsure that even staunch country haters will not hesitate in taking a<br \/>\ncloser listen to Richey&#8217;s music. &#8220;The Way It Never Was&#8221; is a<br \/>\nperfect example of this, and is my hands-down pick for a future hit<br \/>\nsingle. Of all the tracks on<br \/>\n<i>Glimmer<\/i>, this is the one I found myself constantly going<br \/>\nback to.<\/p>\n<p>Other tracks like &#8220;Other Side Of Town,&#8221; &#8220;Good At Secrets&#8221; and<br \/>\n&#8220;So It Goes,&#8221; all tap into this vein as well, proving that Richey<br \/>\nis a prime candidate for AOR radio breakthrough &#8211; and I hope that<br \/>\nthe powers that be give her a shot.<br \/>\n<i>Glimmer<\/i> is that strong of an album, and Richey that talented<br \/>\nof an artist, that I think she could easily pull it off.<\/p>\n<p>The true test of this album, however, wouldn&#8217;t come in the halls<br \/>\nof the Pierce Memorial Archives. Instead, it would come on the home<br \/>\nstereo system of my mother, who loves all sorts of music, and is<br \/>\ninto artists like Carpenter and Kathy Mattea. (Fact: The woman owns<br \/>\na CD player that holds somewhere around 110 discs.) What surprised<br \/>\nme, however, was that she really didn&#8217;t start taking notice of this<br \/>\nalbum until it hit tracks like &#8220;Didn&#8217;t I&#8221; and &#8220;Strength In You&#8221;.<br \/>\nThe verdict: Positive, though I was surprised it took nearly the<br \/>\nwhole album for her to stand up and take notice.<\/p>\n<p>\n<i>Glimmer<\/i> is an album that, if there is any justice in the<br \/>\nworld, will be the one that makes Richey a star. Even if it<br \/>\ndoesn&#8217;t, she can hold her head up and know that she created an<br \/>\nalbum that sets the worlds of country, pop and AOR music, on their<br \/>\nrespective ears.<\/p>\n","protected":false},"author":2,"featured_media":25080,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[6141],"rating":[5613],"class_list":["post-36285","review","type-review","status-publish","has-post-thumbnail","artist-kim-richey","rating-rating-a-minus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/36285","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=36285"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/36285\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/25080"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=36285"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=36285"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=36285"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=36285"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}