{"id":36322,"date":"1999-10-31T00:00:00","date_gmt":"1999-10-31T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/amen\/"},"modified":"1999-10-31T00:00:00","modified_gmt":"1999-10-31T00:00:00","slug":"amen","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/amen\/","title":{"rendered":"Amen"},"content":{"rendered":"<p>Paula Cole&#8217;s last album,<br \/>\n<i>This Fire<\/i>, was a brilliant piece of music, though a bit<br \/>\npainful to listen to sometimes; Cole&#8217;s high-school-art-student<br \/>\nmixture of naivete and idealism grated occasionally, but mostly it<br \/>\nshone like passion and truth, rare in this day and age of<br \/>\nmanufactured music. So when<br \/>\n<i>Amen<\/i> was announced, my household pre-ordered it, to see what<br \/>\nthe earnest Cole had come up with.<\/p>\n<p>I have to admit, it&#8217;s an interesting but ultimately unsatisfying<br \/>\nbag. While<br \/>\n<i>This Fire<\/i> was a Lilith Fair fan&#8217;s best hope, the usual<br \/>\ncollection of pop and acoustic folk,<br \/>\n<i>Amen<\/i> is almost a rhythm and blues album &#8212; the album&#8217;s<br \/>\nopener, &#8220;I Believe In Love&#8221;, could have been lifted straight from<br \/>\nthe Philadelphia Sound of the late seventies. When the album isn&#8217;t<br \/>\nrhythm and blues, it&#8217;s experimental, daring, and different. Cole&#8217;s<br \/>\nnot resting on the laurels of &#8220;I Don&#8217;t Wanna Wait&#8221;, and she should<br \/>\nget credit for her courage.<\/p>\n<p>She should also get credit for her light touch on the CD&#8217;s<br \/>\nproduction &#8212; her sound is crystalline, lacking the muddiness that<br \/>\nplagues female vocalists, and her mix of instruments is perfect.<br \/>\nWhatever its other merits or lack thereof,<br \/>\n<i>Amen<\/i> sounds good musically &#8212; something to be thankful for,<br \/>\nso the experimentation of the music can rise or fall on its own<br \/>\nmerits. The problem is that those merits are too few and too far<br \/>\nbetween.<\/p>\n<p>It&#8217;s very hard to argue the power and sincerity in Cole&#8217;s music,<br \/>\nbut you can argue whether it&#8217;s any good &#8212; and the answer on<br \/>\n<i>Amen<\/i> is, to be blunt, only sometimes. &#8220;Rhythm Of Life&#8221; is a<br \/>\njazz\/hip-hop testimony to Cole&#8217;s religious faith, heartfelt and<br \/>\ncomplex, but it could have done with a bit less rapping and a bit<br \/>\nmore singing. (It&#8217;s not that Cole<br \/>\n<i>can&#8217;t<\/i> rap, though she ain&#8217;t Queen Latifah, but she sings<br \/>\nbetter). &#8220;Pearl&#8221; is a well-written reflection on being a female<br \/>\nmusician, but lacks punch in the long run. &#8220;La Tonya&#8221;&#8216;s tale of<br \/>\nghetto life in the end leaves you a bit short and unsatisfied,<br \/>\nnever making you<br \/>\n<i>feel<\/i> the pain that&#8217;s behind it. Then there are the songs<br \/>\nthat work without any mistakes: &#8220;I Believe In Love,&#8221;&#8221;Free,&#8221;&#8221;Amen&#8221;<br \/>\nand and the funky &#8220;God Is Watching.&#8221; Finally, my momma said if you<br \/>\ncan&#8217;t say something nice, don&#8217;t say it, so I&#8217;m not mentioning<br \/>\n&#8220;Suwanee Jo.&#8221;<\/p>\n<p>\n<i>Amen<\/i> is well named. It is a testimony to Cole&#8217;s growing<br \/>\nreligious faith, a strong and emphatic statement about what&#8217;s<br \/>\nimportant to Paula Cole as an artist and a person, and at its core<br \/>\nan exposition on belief. It has some problems as a work of music,<br \/>\nthough, and because of that, caveat emptor must be invoked; in some<br \/>\nways artists as disparate as Stevie Wonder and Amy Grant have been<br \/>\nover this territory already, and mapped it in a more accessible<br \/>\nfashion. Let&#8217;s hope next time the Paula Cole Band remembers<br \/>\nthat.<\/p>\n","protected":false},"author":18,"featured_media":25117,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[6158],"rating":[5614],"class_list":["post-36322","review","type-review","status-publish","has-post-thumbnail","artist-paula-cole-band","rating-rating-c-plus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/36322","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/18"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=36322"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/36322\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/25117"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=36322"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=36322"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=36322"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=36322"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}