{"id":36333,"date":"1999-11-08T00:00:00","date_gmt":"1999-11-08T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/turn\/"},"modified":"1999-11-08T00:00:00","modified_gmt":"1999-11-08T00:00:00","slug":"turn","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/turn\/","title":{"rendered":"Turn"},"content":{"rendered":"<p>I approached ordering<br \/>\n<i>Turn<\/i> from Great Big Sea with trepidation, for lo, the Egbert<br \/>\nhousehold had laid under a curse this fall, with major<br \/>\ndisappointments from both Moxy Fruvous and Paula Cole adding gall<br \/>\nto our new music wine. I was afraid bad things came in threes, and<br \/>\nto get a<br \/>\n<i>bad<\/i> album from Great Big Sea, one of my favorite bands,<br \/>\nwould have probably just been a<br \/>\n<i>major<\/i> bummer.<\/p>\n<p>But the gods smiled upon me. So much so that the only question I<br \/>\nask, addressed to all the A&#038;R men out there who read our page<br \/>\n(all one of you, because I suspect the rest can&#8217;t<br \/>\n<i>read<\/i>) is this:<br \/>\n<b><br \/>\n<i>WHY, OH WHY, DOES GREAT BIG SEA NOT HAVE AN AMERICAN RECORDING<br \/>\nCONTRACT?<\/i><br \/>\n<\/b><\/p>\n<p>OK, I&#8217;m better.<\/p>\n<p>\n<i>Turn<\/i> is the fourth Canadian release from Newfoundland<br \/>\nquartet Great Big Sea, and once again they prove that they may be<br \/>\nthe best Celtic\/folk\/party\/sea chanty synthesis band out there. For<br \/>\nthat matter, they may be the ONLY C\/f\/p\/sc s band out there, but<br \/>\nwho&#8217;s counting? Great Big Sea is a hell of a lot of fun to listen<br \/>\nto, a quartet of audacious lads who think nothing about backing up<br \/>\na traditional Celtic instrumental with a speed-folk cover of REM,<br \/>\nand<br \/>\n<i>Turn<\/i> continues to prove just how good they are. In fact,<br \/>\n<i>Turn<\/i> proves they&#8217;re<br \/>\n<i>better<\/i> than I thought they were, adding substance to the<br \/>\nquirky eclecticness.<\/p>\n<p>The album kicks off with the tongue-in-cheek harmony pop of<br \/>\n&#8220;Consequence Free&#8221;. If it&#8217;s dancing you&#8217;re looking to do,<br \/>\n<i>Turn<\/i> offers the boasting &#8220;Jack Hinks&#8221;, the<br \/>\nJimmy-Buffett-meets-St-John harmonies of &#8220;Margarita&#8221;, the<br \/>\ncheerfully drunken &#8220;I&#8217;m A Rover&#8221;, and the hopeful yet hilarious<br \/>\nlover of &#8220;Old Brown&#8217;s Daughter&#8221;. Then the thoughtful social<br \/>\ncommentary comes out as well, shades of<br \/>\n<i>Up<\/i>&#8216;s &#8220;Chemical Worker&#8217;s Song&#8221; &#8212; the soft yet celebratory<br \/>\n&#8220;Feel It Turn&#8221; and the haunting, driving &#8220;Demasduit Dream&#8221;. Capping<br \/>\nit all, there are the traditional melodies of &#8220;Trois Navires de<br \/>\nBle&#8221; and &#8220;Captain Wedderburn&#8221;. There isn&#8217;t a bad track on<br \/>\n<i>Turn<\/i>, a rare compliment.<\/p>\n<p>The heartfelt and emotional &#8220;Boston And St John&#8217;s&#8221; is worth the<br \/>\nprice of the CD by itself, a deeply passionate ballad that took my<br \/>\nbreath away the first time I heard it. For fans of the band, this<br \/>\nis in many ways the counter to &#8220;Fast As I Can&#8221; from<br \/>\n<i>Rant And Roar<\/i>, a musical plea for a lover to be<br \/>\n<i>remembered<\/i>.<\/p>\n<p>\n<i>Turn<\/i> is simply one of the best CDs I&#8217;ve heard this year.<br \/>\nThere is no American release date, and no plans I can find to set<br \/>\none (remember, slap an American recording executive today), but the<br \/>\nCanadian import is available at CDNow, which is where I got mine.<br \/>\nSpend the money. Get it. You won&#8217;t be disappointed.<\/p>\n","protected":false},"author":18,"featured_media":25128,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[6007],"rating":[5646],"class_list":["post-36333","review","type-review","status-publish","has-post-thumbnail","artist-great-big-sea","rating-rating-a"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/36333","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/18"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=36333"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/36333\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/25128"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=36333"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=36333"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=36333"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=36333"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}