{"id":36336,"date":"1999-11-09T00:00:00","date_gmt":"1999-11-09T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/underdog\/"},"modified":"1999-11-09T00:00:00","modified_gmt":"1999-11-09T00:00:00","slug":"underdog","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/underdog\/","title":{"rendered":"Underdog"},"content":{"rendered":"<p>We all like to root for the underdog. It&#8217;s part of the American<br \/>\npsyche. We love it when David beats Goliath. Perhaps that&#8217;s why<br \/>\nCCM&#8217;s Goliath band &#8211; Audio Adrenaline &#8211; named their latest release<br \/>\n<i>Underdog<\/i>.<\/p>\n<p>After the creative high they rode with 1996s&#8217;<br \/>\n<i>Bloom<\/i> and 1997&#8217;s<br \/>\n<i>Some Kind Of Zombie<\/i>, expectations were high for Will<br \/>\nMcGinniss, Mark Stuart, Bob Herdman, Ben Cissell, and Tyler Burkum<br \/>\nto take that next step to solidify their reputation. Maybe that&#8217;s<br \/>\npart of the problem &#8211; perhaps expectations were too high.<\/p>\n<p>Whatever the reason,<br \/>\n<i>Underdog<\/i> comes off as a half-baked attempt. Undoubtedly,<br \/>\nbecause of the loyalty and the way the CCM industry works, it will<br \/>\nbe a huge success, but it&#8217;s not the disc Audio Adrenaline should<br \/>\nhave made at this point. It&#8217;s the &#8220;safe&#8221; disc.<\/p>\n<p>Rumor has it the first single, &#8220;Get Down,&#8221; has been given the<br \/>\nprime end-of-the-concert spot previously reserved for their<br \/>\nbreakthrough hit &#8220;Big House.&#8221; That&#8217;s unfortunate because &#8220;Get Down&#8221;<br \/>\nnever really takes off and shifts into high gear &#8211; and it&#8217;s not as<br \/>\nfun to sing as &#8220;Big House.&#8221; The lyrics, though simplistic, speak to<br \/>\nthe times in our lives when we&#8217;re feeling overrun by the demands of<br \/>\nour lives, but the music is lacking &#8211; something. It&#8217;s just there,<br \/>\nand that&#8217;s not good.<\/p>\n<p class=\"c4\">&#8220;All I need&#8217;s another day\/Where I can&#8217;t seem to get<br \/>\naway\/From the many things that drag me down, yeah\/I&#8217;m sure you&#8217;ve<br \/>\nhad a day like me\/When nothing seems to set you free\/From the<br \/>\nburdens you can&#8217;t carry all alone\/In your weakness He is<br \/>\nstronger\/In your darkness He shines through&#8221;<\/p>\n<p>Musically, this disc is all over the map &#8211; from the pseudo jump,<br \/>\njive, and wail feel of the ridiculous &#8220;DC-10&#8221; (&#8220;If a DC-10 ever<br \/>\nfell on your head and you&#8217;re\/Laying in the ground all messy and<br \/>\ndead.&#8221; What is that? Poetry by an 6th grade boy?) to the<br \/>\nVeggieTales Silly Song reject &#8220;The Houseplant Song&#8221; to a bizarre<br \/>\ncover of Pete Townshend&#8217;s &#8220;Let My Love Open The Door&#8221; (what were<br \/>\nthey thinking?) &#8211; the guys never quite seem to pull their act<br \/>\ntogether.<\/p>\n<p>There are some highlights to the disc &#8212; some very nice touches.<br \/>\nThe Charlie Peacock produced &#8220;Good Life&#8221; beautifully melds music<br \/>\nand lyrics. Set to a full pop-music palette, the song gives<br \/>\ntestimony to how the bad things in our lives can lead us to &#8220;true<br \/>\nriches.&#8221; The chorus (&#8220;this is the good life, I&#8217;ve lost everything&#8221;)<br \/>\nperfectly captures the idea of giving up our own lives and the<br \/>\nthings we want for Christ, and His will in our lives.<\/p>\n<p class=\"c4\">&#8220;Loneliness has left me searching\/For someone to<br \/>\nlove\/Poverty has changed my view\/Of what true riches are\/Sorrow&#8217;s<br \/>\nopened up my eyes\/To see what real joy is\/Pain has been the<br \/>\ncatalyst\/To my heart&#8217;s happiness&#8221;<\/p>\n<p>Another plus is the band&#8217;s updating of the classic hymn, &#8220;It Is<br \/>\nWell With My Soul,&#8221; featuring the exceptionally gifted Jennifer<br \/>\nKnapp, who has a sort of Tracy Chapman thing going on in this<br \/>\nsong.<\/p>\n<p>&#8220;Jesus Movement&#8221; started off promising to be one of the most<br \/>\ninteresting pieces of the album musically with a harmonica leading<br \/>\ninto a mild calypso feel, but in mid-song all that dies as there&#8217;s<br \/>\na complete music break and a Spanish-speaking woman talks for<br \/>\nseveral bars before the music stumbles back in.<\/p>\n<p>Thematically (the song is about coming to the realization that<br \/>\nJesus doesn&#8217;t just belong to America) I understand what they were<br \/>\ntrying to do, but the break was unfortunate. At that point all<br \/>\ninterest in the song dissipates. Perhaps if they&#8217;d taken the time<br \/>\nin the booklet to translate the woman&#8217;s speech into a couple of<br \/>\ndifferent world languages so all those listening would know what<br \/>\nshe&#8217;s saying it would have worked better. But, for all I know, she<br \/>\ncould be giving instruction in how to change a tire.<\/p>\n<p>The title song also loses something because of a break mid-song<br \/>\nto bring in a spoken passage. This one would have worked except the<br \/>\nband brought the music back in before the speaker was done &#8211; and<br \/>\nthen you&#8217;re trying to listen to two different messages and catching<br \/>\nneither. dcTalk successfully pulled this type of thing off with<br \/>\ntheir song &#8220;Mind&#8217;s Eye&#8221; from Jesus Freak, but Audio Adrenaline is a<br \/>\nbit off the mark.<\/p>\n<p>This disc disappoints not because it&#8217;s bad, necessarily, but<br \/>\nbecause it&#8217;s not what it could have been. Perhaps the problem lies<br \/>\nin the fact the disc is mostly self-produced. The band needed<br \/>\nsomeone to tell them, &#8220;Hey, guys, this really isn&#8217;t working. Let&#8217;s<br \/>\ntake a different approach.&#8221; The three songs on the disc produced by<br \/>\nthose outside the band are the high points.<\/p>\n","protected":false},"author":20,"featured_media":25131,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[6168],"rating":[5614],"class_list":["post-36336","review","type-review","status-publish","has-post-thumbnail","artist-audio-adrenaline","rating-rating-c-plus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/36336","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/20"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=36336"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/36336\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/25131"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=36336"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=36336"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=36336"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=36336"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}