{"id":36361,"date":"1999-11-23T00:00:00","date_gmt":"1999-11-23T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/astronomica\/"},"modified":"1999-11-23T00:00:00","modified_gmt":"1999-11-23T00:00:00","slug":"astronomica","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/astronomica\/","title":{"rendered":"Astronomica"},"content":{"rendered":"<p>Sometimes, I just don&#8217;t get it. It doesn&#8217;t matter how many times<br \/>\nI listen to an album, I&#8217;m left there scratching my head, wondering<br \/>\nwhy something doesn&#8217;t move me.<\/p>\n<p>In the case of Crimson Glory, after listening to their new disc<br \/>\nabout 10 times, I wondered why this band continued to work in some<br \/>\nof the stereotypes that made up metal in the &#8217;80s and early &#8217;90s.<br \/>\nThe screeching, high pitched wails that passed for vocals on their<br \/>\nlatest disc,<br \/>\n<i>Astronomica<\/i>, brought back memories of late, lamented bands<br \/>\nlike TT Quick. Oh, sure, they undoubtedly delighted me when I was<br \/>\n15, but now this shrieking sounds out of place, and Crimson Glory<br \/>\nis left sounding more like a retro act rather than a modern,<br \/>\nprogressive metal band.<\/p>\n<p>It&#8217;s not that Crimson Glory &#8211; vocalist Wade Black, guitarists<br \/>\nJon Drenning and Ben Jackson, bassist Jeff Lords and drummer Steve<br \/>\nWacholz &#8212; don&#8217;t try to be cutting edge. Tracks like &#8220;Cydonia,&#8221;<br \/>\n&#8220;Edge Of Forever&#8221; and even the title track all show signs that this<br \/>\nband is trying to move metal into the future without delving too<br \/>\nmuch into the Rush wanna-be motif. Musically, the band is pretty<br \/>\nsolid, though I would have preferred to hear a little more bass<br \/>\ncrunch in the final mix.<\/p>\n<p>But far too often, Black takes his vocals to the hystrionic<br \/>\nrange, making the band sound like they&#8217;re trying in vain to<br \/>\nrecapture the glories of days and bands past. One word, lads:<br \/>\nmoderation. When the technique is used sparingly, as on tracks like<br \/>\n&#8220;Lucifer&#8217;s Hammer,&#8221; it&#8217;s not so bad. But when it becomes a<br \/>\ncenterpiece of a song, as on &#8220;War Of The Worlds&#8221; and &#8220;New World<br \/>\nMachine,&#8221; the effect gets real annoying, real quick. Even on a song<br \/>\nlike &#8220;Cyber-Christ,&#8221; the overall theme of the track gets lost in so<br \/>\nmuch shouting.<\/p>\n<p>And while I can appreciate that<br \/>\n<i>Astronomica<\/i> is not too deeply rooted in progressive veins<br \/>\nlike Rush or Dream Theater, at times Crimson Glory sounds like a<br \/>\nband without a genre to truly call their own. There&#8217;s not enough of<br \/>\nan &#8220;oomph&#8221; to the music to truly qualify them as a metal act, but<br \/>\nthey seem to dip only a toe into the progressive stream. If<br \/>\nanything, I would have liked to have heard Crimson Glory try their<br \/>\nhands at more complex arrangements, if only to challenge the<br \/>\nlistener.<\/p>\n<p>Until then,<br \/>\n<i>Astronomica<\/i> will probably charm the pants off someone who<br \/>\nbelieves that true heavy metal stopped breathing around 1986, and<br \/>\nthat Crimson Glory represents the phoenix rising from grunge&#8217;s<br \/>\nashes. For the rest of us,<br \/>\n<i>Astronomica<\/i> is a reminder why music must evolve.<\/p>\n","protected":false},"author":2,"featured_media":25156,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[6183],"rating":[11205],"class_list":["post-36361","review","type-review","status-publish","has-post-thumbnail","artist-crimson-glory","rating-rating-d-plus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/36361","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=36361"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/36361\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/25156"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=36361"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=36361"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=36361"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=36361"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}