{"id":36378,"date":"1999-12-01T00:00:00","date_gmt":"1999-12-01T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/the-deadbeats\/"},"modified":"1999-12-01T00:00:00","modified_gmt":"1999-12-01T00:00:00","slug":"the-deadbeats","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/the-deadbeats\/","title":{"rendered":"The Deadbeats"},"content":{"rendered":"<p>Sweden is a land that I think of when I think about death or<br \/>\ngrunge metal. I don&#8217;t know why; it just seems like a lot of music<br \/>\nin this genre has been coming forth from the Nordic countries. I<br \/>\nthink of Abba &#8212; no, wait, I try not to think of Abba too much, but<br \/>\neventually come back to them.<\/p>\n<p>What I normally don&#8217;t think about when I think of Sweden is good<br \/>\nold-fashioned balls-out rock music. And that&#8217;s where The Deadbeats<br \/>\ncome into the picture. Their self-titled debut release reminds me<br \/>\nof bands long gone while they establish their own unique voice in a<br \/>\nBritney-Backstreet-Sync world. And it&#8217;s as refreshing as a cold<br \/>\nbreeze on a summer&#8217;s day.<\/p>\n<p>Now, I&#8217;m at a major loss here on a couple of accounts. First, my<br \/>\ncopy of<br \/>\n<i>The Deadbeats<\/i> is a promo release, which doesn&#8217;t tell me a<br \/>\nwhole lot about the band. (Yes, believe it or not, I<br \/>\n<i>do<\/i> read the bios.) Problem number two: No bio. Problem<br \/>\nthree: no Web site to access &#8211; though I could have accessed<br \/>\nnumerous lists of deadbeat parents. Finally, the type style the<br \/>\nlabel used to list the songs is damned unreadable. This is not good<br \/>\nfor your intrepid reviewer.<\/p>\n<p>So, all we&#8217;re left with is the music to base this review on.<br \/>\nAnd, simply put, it rocks. The Deadbeats remind me a lot of The<br \/>\nFour Horsemen in style, though the vocals don&#8217;t sound at all like<br \/>\nthe late Frank K. Starr. Even going further back in my mind, the<br \/>\nsound reminds me a bit of Hall Aflame &#8212; remember them, kids? &#8212;<br \/>\nwith their blooze-rock mixture. If anything,<br \/>\n<i>The Deadbeats<\/i> is an album that sounds like it could have<br \/>\nbeen recorded in the &#8217;70s with all of the studio wizardry that the<br \/>\n&#8217;90s has brought forth. Its power comes in its simplicity.<\/p>\n<p>Listening to sngs like &#8220;Get Your Head Straight,&#8221; &#8220;Roll With The<br \/>\nPunches&#8221; and &#8220;The Hole In Your Soul,&#8221; it&#8217;s almost like listening to<br \/>\nThe Ramones, Motorhead and Aerosmith rolled into one. The vocals<br \/>\nare clear and powerful, the guitar work sings, and the overall<br \/>\ngroove of the music is enough to get your head slamming into the<br \/>\ndesk. What&#8217;s more, the band seems to know when it&#8217;s about to<br \/>\noverstay its welcome, so the songs tend to be in the two- to<br \/>\nthree-minute range. (The whole disc &#8211; all 13 songs &#8211; clocks in at<br \/>\nunder 40 minutes.)<\/p>\n<p>The biggest challenge that The Deadbeats are going to face isn&#8217;t<br \/>\ngetting their music noticed &#8211; hell, if the right people play this<br \/>\none, getting noticed will be the least of their problems. No, the<br \/>\nproblem will be an identity crisis; in the short time I searched<br \/>\nthe Web before deciding the hell with pages about tax forms and<br \/>\nscofflaw parents, I found a few bands with the same name &#8211;<br \/>\nincluding one who has established an identy on The Ultimate Band<br \/>\nList.<\/p>\n<p>I wish I knew more about The Deadbeats to flesh out their story<br \/>\nand give more insight into the music on this disc. But<br \/>\n<i>The Deadbeats<\/i> is a CD that is still well worth searching out<br \/>\nand listening to for a few hours straight, especially if you&#8217;re a<br \/>\nfan of good old hard rock.<\/p>\n","protected":false},"author":2,"featured_media":25173,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[6194],"rating":[5613],"class_list":["post-36378","review","type-review","status-publish","has-post-thumbnail","artist-the-deadbeats","rating-rating-a-minus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/36378","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=36378"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/36378\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/25173"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=36378"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=36378"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=36378"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=36378"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}