{"id":36386,"date":"1999-12-03T00:00:00","date_gmt":"1999-12-03T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/midnite-vultures\/"},"modified":"1999-12-03T00:00:00","modified_gmt":"1999-12-03T00:00:00","slug":"midnite-vultures","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/midnite-vultures\/","title":{"rendered":"Midnite Vultures"},"content":{"rendered":"<p>\n<i>Midnite Vultures<\/i> is supposed to be Beck&#8217;s &#8220;Dumb party album&#8221;<br \/>\nof the year. Leave it to Beck to pull something off like this. He&#8217;s<br \/>\ngot enough props from critics to fill Steve Forbes and Donald<br \/>\nTrump&#8217;s heads.<\/p>\n<p>To get the understatement out of the way, Beck is unpredictable.<br \/>\nOne moment he&#8217;s begging you to pass the doochie from coast to<br \/>\ncoast. The next moment, he&#8217;s this shy, quiet, reflective guy who is<br \/>\ncrafting some pretty moving songwriting on<br \/>\n<i>Mutations<\/i>. The easiest route to a new album would be to<br \/>\n&#8220;combine the two&#8221; styles into one album. But Beck knows that task<br \/>\nwould be all too easy.<\/p>\n<p>Instead,<br \/>\n<i>Midnite Vultures<\/i> shakes, swivels and rocks. The chorus, &#8220;I<br \/>\nwant to defy the logic of all sex laws&#8221; and the empowering line,<br \/>\n&#8220;And make all the lesbians scream,&#8221; is about as political as Beck<br \/>\ngets on<br \/>\n<i>Midnite Vultures<\/i>. Beck already knows he has most critics in<br \/>\nhis pocket. On this album, he wants to hang with the B-boys.<\/p>\n<p>That&#8217;s what makes songs like &#8220;Get Real Paid,&#8221; such a blast. But<br \/>\nfor all the &#8220;bitch slap,&#8221; lines Beck drops, he is a musician in the<br \/>\ntruest form. Each song on<br \/>\n<i>Midnite Vultures<\/i> is fairly rooted in a steady,<br \/>\ngroove-oriented rhythm. The fact that he rehearsed this album with<br \/>\na live band instead of his typical &#8220;handle every aspect&#8221; tactic<br \/>\nestablishes a breezy flow to<br \/>\n<i>Midnite Vultures<\/i>.<\/p>\n<p>However, groove-oriented doesn&#8217;t necessarily translate into<br \/>\nbeing accessible. Much like<br \/>\n<i>Mutations<\/i>,<br \/>\n<i>Midnite Vultures<\/i> will take some getting used to. A couple of<br \/>\nlistens. Maybe even a couple of months before a final judgement can<br \/>\nbe rendered. But there&#8217;s enough variety in the album to keep you<br \/>\ncoming back.<\/p>\n<p>The &#8217;70s is Beck&#8217;s obsession on<br \/>\n<i>Midnite Vultures<\/i>. This will probably not come as much of a<br \/>\nsurprise to most Beck fans. Dylan-esque folk and funk have been two<br \/>\nprominent influences on most of Beck&#8217;s songs. But Beck seems to be<br \/>\ntaking some pointers from &#8220;The Artis&#8230;&#8221; URHHH&#8230;&#8221;TERRORIST&#8221; on<br \/>\nthis album as well. (Damned editor politics.)<\/p>\n<p>The song, &#8220;Peaches And Cream,&#8221; is the song &#8220;The TERRORIST&#8221; has<br \/>\nbeen wanting to make for the past decade. &#8220;Milk And Honey,&#8221; another<br \/>\nhighlight on<br \/>\n<i>Midnite Vultures<\/i>, incorporating both interesting musical<br \/>\ntransitions as well as head-scratching rhyming choices.<\/p>\n<p>Does<br \/>\n<i>Midnite Vultures<\/i> have drawbacks? Yes, depending on how you<br \/>\nlook at it. You can almost see this album as Beck&#8217;s version of<br \/>\n<i>Ill Communication<\/i> by the Beastie Boys. That was the first<br \/>\nalbum where the formula greatness started to feel like a<br \/>\nformula.<\/p>\n<p>But taken as a whole,<br \/>\n<i>Midnite Vultures<\/i> is a great listen. It may not create a<br \/>\nrevolution like some of his previous releases, but it stands just<br \/>\nfine as one of the better releases this year. So what if it is not<br \/>\nan undisputed masterpiece? A win streak is still a win streak.<\/p>\n","protected":false},"author":7,"featured_media":25181,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[5717],"rating":[5617],"class_list":["post-36386","review","type-review","status-publish","has-post-thumbnail","artist-beck","rating-rating-b-plus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/36386","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=36386"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/36386\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/25181"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=36386"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=36386"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=36386"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=36386"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}