{"id":36393,"date":"1999-12-07T00:00:00","date_gmt":"1999-12-07T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/more-million-eller\/"},"modified":"1999-12-07T00:00:00","modified_gmt":"1999-12-07T00:00:00","slug":"more-million-eller","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/more-million-eller\/","title":{"rendered":"More Million $eller$"},"content":{"rendered":"<p>Some musical pairings I will never understand no matter how long<br \/>\nI live &#8211; take the duet between Elton John and RuPaul, for example.<br \/>\n(Whoof,<br \/>\n<i>there<\/i> goes three years&#8217; of therapy down the drain.)<\/p>\n<p>So excuse me if I was a bit skeptical about any album that would<br \/>\nfeature Billy Barty &#8211; what kind of a disc would this, or could<br \/>\nthis, be? The answer comes quickly with Deke Dickerson and the<br \/>\nEcco-Fonics&#8217;s latest release,<br \/>\n<i>More Million $eller$<\/i>, which remains just kitsch enough to be<br \/>\nhip.<\/p>\n<p>Back to Barty for a minute. His role in the album is limited to<br \/>\nthat of introducing the band at the start &#8211; as well as providing a<br \/>\nfew uncredited jokes at the end. (Sample: What does a bass player<br \/>\nuse for birth control? His personality. Cute &#8211; though I&#8217;ve heard<br \/>\n&#8220;music reviewer&#8221; substituted for &#8220;bass player&#8221;.) If anything, Barty<br \/>\nis underused; in short (no, no, wait, bad choice of words&#8230;), he<br \/>\nprovides relief when it&#8217;s needed.<\/p>\n<p>Admittedly, there are times when the guest appearances get to be<br \/>\na little too much. Dickerson&#8217;s duet with Hadda Brooks, &#8220;You&#8217;re My<br \/>\nCadillac,&#8221; is an excellent pairing, but one wonders what reason<br \/>\nJerry Scoggins, the original voice of the &#8220;Beverly Hillbillies&#8221;<br \/>\ntheme, is on this album other than Dickerson was able to land him.<br \/>\nAnd the duet with Carl Sonny Leyland, &#8220;I Think You Got To Pay For<br \/>\nThat,&#8221; is the only real weak link in the bunch.<\/p>\n<p>Otherwise, Dickerson and his band turn on the charm through<br \/>\nthese rockabilly numbers. Tracks like &#8220;The Hatchet Man,&#8221; &#8220;I&#8217;m A<br \/>\nWreck,&#8221; &#8220;Mean Son Of A Gun&#8221; and &#8220;Red Headed Woman&#8221; all leave little<br \/>\ndoubt that rockabilly is still a viable form of music, even as rock<br \/>\nmusic hits middle age. Dickerson and the Ecco-Fonics almost make<br \/>\nyou feel like the year is 1954, and the swing is the thing as they<br \/>\ncreate a 41-minute party for you to enjoy.<\/p>\n<p>Especially noteworthy are the two instrumental numbers, &#8220;Rockin&#8217;<br \/>\nGypsy&#8221; (on which Dickerson concentrates his effort on the<br \/>\nmandolin-like portion of his double-neck guitar) and &#8220;Tropical<br \/>\nIsland Boogie Serenade&#8221;. Both these tracks allow Dickerson and the<br \/>\nband to really cut loose and allow the music to take over without<br \/>\nburdening them with vocals. In effect, the guitars become the lead<br \/>\nsingers &#8211; and it&#8217;s a pleasant exchange.<\/p>\n<p>\n<i>More Million $eller$<\/i> is the kind of album that might<br \/>\nintrigue you by the schmaltz that is present throughout the disc &#8211;<br \/>\neven down to the &#8220;radio spots&#8221; that make way for a few of Barty&#8217;s<br \/>\njokes and a hidden track. But one listen to the disc, and you&#8217;ll be<br \/>\ncoming back for more thanks to the musicianship of Dickerson and<br \/>\nthe Ecco-Fonics.<\/p>\n","protected":false},"author":2,"featured_media":25188,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[6203],"rating":[5617],"class_list":["post-36393","review","type-review","status-publish","has-post-thumbnail","artist-deke-dickerson-and-the-ecco-fonics","rating-rating-b-plus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/36393","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=36393"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/36393\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/25188"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=36393"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=36393"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=36393"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=36393"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}