{"id":36416,"date":"1999-12-28T00:00:00","date_gmt":"1999-12-28T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/wonderworld\/"},"modified":"1999-12-28T00:00:00","modified_gmt":"1999-12-28T00:00:00","slug":"wonderworld","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/wonderworld\/","title":{"rendered":"Wonderworld"},"content":{"rendered":"<p>It&#8217;s interesting to hear how some bands have had more of an<br \/>\ninfluence on the music scene than anyone could ever have<br \/>\nimagined.<\/p>\n<p>Consider, for a moment, the band Mollys Yes. Ed Goggin and<br \/>\ncrew&#8217;s debut release<br \/>\n<i>Wonderworld<\/i>. As charming as the 12 songs on this disc are,<br \/>\none can&#8217;t help but think as the songs blare from the speakers,<br \/>\n&#8220;These guys owe a big debt to Live.&#8221;<\/p>\n<p>Indeed, there are enough similarities in the musical style to<br \/>\nsuspect that Mollys Yes &#8211; vocalist\/keyboardist Goggin,<br \/>\nbassist\/vocalist Brad Mitcho, guitarist\/vocalist Mac Ross and<br \/>\ndrummer Scott Taylor &#8212; were more than a little influenced by the<br \/>\nrockier aspects of groups like Live. But they also are able to<br \/>\nestablish their own identity off the bat &#8212; and while they have a<br \/>\nlittle difficulty maintaining that level of energy, their first<br \/>\neffort proves to be a solid one.<\/p>\n<p>One need look no further than the disc&#8217;s opening track &#8220;Fall<br \/>\nDown&#8221; as proof of this; the use of bagpipes in the opening and<br \/>\nclosing stanzas of the song alert the listener to the fact that<br \/>\nthey&#8217;re about to hear something they&#8217;re probably not prepared for.<br \/>\nFortunately, the surprise turns out to be a pleasant one, as Goggin<br \/>\nand crew remind people why rock is supposed to be fun to listen<br \/>\nto.<\/p>\n<p>The excellence continues through tracks like &#8220;And She&#8221; (the only<br \/>\nnew track; the others come from their independent debut), &#8220;Sugar&#8221;<br \/>\nand &#8220;Promises.&#8221; The songwriting on these tracks is excellent, and<br \/>\nthe performances will leave you on your feet, screaming for<br \/>\nmore.<\/p>\n<p>The difficulty on<br \/>\n<i>Wonderworld<\/i> is that Mollys Yes has yet to learn how to put<br \/>\njust enough backspin on some tracks to give them a different twist.<br \/>\nSo many of the songs have a similar sound that they tend to blend<br \/>\nin together. After a while, it&#8217;s hard to tell where a track like<br \/>\n&#8220;Tell Me The Truth&#8221; stops and another like &#8220;33 White Roses&#8221; starts.<br \/>\nIt&#8217;s not that these tracks are bad &#8211; far from it; it&#8217;s that after a<br \/>\nwhile, the listener almost becomes numb to the same sonic attack<br \/>\nthat Mollys Yes tends to use.<\/p>\n<p>The band is able to recover a bit and finish the disc with some<br \/>\nmore excellent performances, like &#8220;Blind&#8221; and the title track. In<br \/>\nthe end,<br \/>\n<i>Wonderworld<\/i> proves to be a worthwhile listen, as well as one<br \/>\nyou&#8217;ll probably find yourself going back to on several occasions.<br \/>\nBut this is still very much a young band who are still sowing their<br \/>\nmusical oats, and it does take time for some lessons of the<br \/>\nindustry to be learned. Once they&#8217;ve done that and they figure out<br \/>\nhow to keep their music sounding fresh throughout an album, they<br \/>\nmay well be unstoppable &#8212; and I&#8217;ll be the last person to complain<br \/>\nabout that.<\/p>\n","protected":false},"author":2,"featured_media":25211,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[6218],"rating":[5617],"class_list":["post-36416","review","type-review","status-publish","has-post-thumbnail","artist-mollys-yes","rating-rating-b-plus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/36416","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=36416"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/36416\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/25211"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=36416"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=36416"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=36416"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=36416"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}