{"id":36417,"date":"1999-12-29T00:00:00","date_gmt":"1999-12-29T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/wild-river\/"},"modified":"1999-12-29T00:00:00","modified_gmt":"1999-12-29T00:00:00","slug":"wild-river","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/wild-river\/","title":{"rendered":"Wild River"},"content":{"rendered":"<p>Big Meteor are a folk-rock band from Ottawa, Canada. Like many<br \/>\nCD&#8217;s of this genre, there is also a little mix of country and blues<br \/>\nthroughout, but what this band has that sets it apart is their<br \/>\nunique brand of quirkiness.<\/p>\n<p>This is apparent on the very first song called &#8220;Wild River&#8221;, a<br \/>\nmidtempo rockabilly tune. It takes a little while to get used to<br \/>\nlead singer and songwriter David Wimble&#8217;s voice because it is<br \/>\nmonotone and his sense of rhythm is a little different.<br \/>\nNevertheless, it is a good song about what people will do for love<br \/>\nand sets the tone for the rest of the CD.<\/p>\n<p>This style appears later to better effect on &#8220;Wall Of Ice&#8221;,<br \/>\nwhere the imagery is outstanding. But it borders on annoying when<br \/>\nthe songs are less strong such as on &#8220;Just The Two Of Us&#8221; and &#8220;You<br \/>\nCan&#8217;t Love Yet&#8221;. And I have mixed feelings about the closer &#8220;Big<br \/>\nMeteor&#8221;, a very slow number where it sounds like Wimble has<br \/>\nrecorded in the bathroom.<\/p>\n<p>There are some more conventional sounding songs as well. &#8220;To<br \/>\nWhom I Must Confess&#8221; sounds like a classic country tune. The same<br \/>\ncan be said for &#8220;The Waitress&#8221;, a touching tune with a nice steel<br \/>\nguitar solo. &#8220;Honest Man&#8221; sounds like it was taken from the Bruce<br \/>\nSpringsteen songbook as it is about a man unjustly accused of<br \/>\ncommitting a crime. Springsteen fans will like this song.<\/p>\n<p>Larry Wayne Church is the featured guitar player and he turns in<br \/>\nmany solos on<br \/>\n<i>Wild River<\/i>. He has an understated style that avoids<br \/>\nflashiness. He is particularly strong on slower songs like &#8220;Alive<br \/>\nIn Every Hour&#8221; where he turns in an exceptional emotional<br \/>\nperformance.<\/p>\n<p>The highlights on<br \/>\n<i>Wild River<\/i> are &#8220;Mission&#8221;, the most assured of the rockers,<br \/>\nwhere everything (songcraft, instrumental prowess) really clicks.<br \/>\n&#8220;Until You Take Your Leave&#8221; has a scorching piano part and a<br \/>\ncomplex melody line, with some shades of progressive rock without<br \/>\nthe bloatedness of that genre. &#8220;Tap On My Shoulder&#8221; is a slow,<br \/>\nmajestic folk tune that shows Wimble at the height of his creative<br \/>\npowers.<\/p>\n<p>These three songs make the CD worth getting, but as a whole,<br \/>\n<i>Wild River<\/i> does not quite gel. It seems like they have<br \/>\nthrown a lot of ideas in here to see what would stick, and the CD<br \/>\nnever gains any momentum. However, Big Meteor have a lot of<br \/>\npotential, and with a little tweaking, they could come up with some<br \/>\ngreat CDs in the future.<\/p>\n<p class=\"c4\">For more information about Big Meteor or to order<br \/>\ntheir album, please visit their<br \/>\n<a href=\"http:\/\/www.bigmeteor.com\" target=\"_blank\">Web<br \/>\nsite<\/a>.<\/p>\n","protected":false},"author":17,"featured_media":25212,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[6219],"rating":[5612],"class_list":["post-36417","review","type-review","status-publish","has-post-thumbnail","artist-big-meteor","rating-rating-b-minus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/36417","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/17"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=36417"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/36417\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/25212"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=36417"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=36417"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=36417"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=36417"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}