{"id":36454,"date":"2000-01-13T00:00:00","date_gmt":"2000-01-13T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/no-sleep-til-hammersmith\/"},"modified":"2000-01-13T00:00:00","modified_gmt":"2000-01-13T00:00:00","slug":"no-sleep-til-hammersmith","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/no-sleep-til-hammersmith\/","title":{"rendered":"No Sleep &#8216;Til Hammersmith"},"content":{"rendered":"<p>Motorhead&#8217;s 1981 live album<br \/>\n<i>No Sleep &#8216;Til Hammersmith<\/i> has been called one of the best<br \/>\nlive albums ever released. If it&#8217;s not the best, it&#8217;s got to be up<br \/>\nthere somewhere &#8211; and the re-release combining it with the live EP<br \/>\n<i>The Golden Years<\/i> from 1979 makes it all the better.<\/p>\n<p>Recorded mostly on the<br \/>\n<i>Ace Of Spades<\/i> tour, bassist\/vocalist Lemmy Kilmister,<br \/>\nguitarist Fast Eddie Clarke and drummer Phil &#8220;Philthy Animal&#8221;<br \/>\nTaylor grind through a good number of their classics to that point.<br \/>\nAnd while you&#8217;re bound to think of one or two songs you think<br \/>\nshould have been included, there&#8217;s no doubt you&#8217;re going to walk<br \/>\naway from this disc a happy camper. (Since I wrote this review, yet<br \/>\nanother re-release &#8211; a newly-remastered version, with additional<br \/>\ntracks &#8211; has come out.)<\/p>\n<p>From the opening thunder that is &#8220;Ace Of Spades,&#8221; Kilmister and<br \/>\ncrew pour everything they have into their instruments, pulling no<br \/>\npunches along the way. With tracks like &#8220;Stay Clean,&#8221; &#8220;Metropolis&#8221;<br \/>\nand &#8220;No Class&#8221; getting their just due on the concert stage,<br \/>\nMotorhead solidify their reputation as a killer metal band. (And if<br \/>\ntheir music isn&#8217;t loud enough for you, the bellow from one of the<br \/>\nroad crew members at the start of &#8220;(We Are) The Road Crew&#8221; should<br \/>\nblow out what&#8217;s left of your eardrums.)<\/p>\n<p>Disappointments? I can count only one: &#8220;Capricorn,&#8221; a track that<br \/>\njust doesn&#8217;t seem to translate well to the live arena. Admitedly,<br \/>\nthis one is very much a mood piece (or a, aah, &#8220;mood alteration&#8221;<br \/>\nsoundtrack, if some of you catch my drift), so personal preference<br \/>\nis going to vary on this one. I just don&#8217;t happen to like it.<\/p>\n<p>Fortunately, on my re-release CD from a few years back, this<br \/>\nminor disappointment is tempered with the inclusion of five more<br \/>\ntracks, including the rarer track &#8220;Over The Top&#8221;, which was never<br \/>\nincluded on any first release of an album to the best of my<br \/>\nknowledge. The killer cover of &#8220;Leaving Here&#8221; kicks it into levels<br \/>\npreviously unheard by mankind, as does the original &#8220;Too Late, Too<br \/>\nLate&#8221;. Rounding things out are an okay &#8220;Stone Dead Forever&#8221; and an<br \/>\nabsolutely amazing &#8220;Dead Men Tell No Tales&#8221;.<\/p>\n<p>Now, I can easily count Motorhead&#8217;s later live release<br \/>\n<i>The Birthday Party<\/i> as one of my all-time favorite live<br \/>\nalbums (and, now that I found the video of the show, it only<br \/>\nsolidifies that opinion with me), but I still love<br \/>\n<i>No Sleep &#8216;Til Hammersmith<\/i>, and it rightfully belongs on your<br \/>\nshelf if you like Motorhead in any capacity. Chances are, once you<br \/>\nwrap your ears around this one, you&#8217;re going to come out of the<br \/>\nexperience loving the band.<\/p>\n","protected":false},"author":2,"featured_media":25249,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[5666],"rating":[5613],"class_list":["post-36454","review","type-review","status-publish","has-post-thumbnail","artist-motorhead","rating-rating-a-minus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/36454","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=36454"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/36454\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/25249"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=36454"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=36454"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=36454"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=36454"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}