{"id":36457,"date":"2000-01-14T00:00:00","date_gmt":"2000-01-14T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/evilive\/"},"modified":"2000-01-14T00:00:00","modified_gmt":"2000-01-14T00:00:00","slug":"evilive","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/evilive\/","title":{"rendered":"Evilive"},"content":{"rendered":"<p>Ever wonder what a bootleg sounds like, but you&#8217;re too cheap to<br \/>\npay outrageous amounts for a CD from an otherwise unavailable live<br \/>\nshow?<\/p>\n<p>In that case, step to the front of the line and check out<br \/>\n<i>Evilive<\/i> from The Misfits, a recording that goes back to the<br \/>\ndays when Glenn Danzig was fronting the now-legendary metal\/punk<br \/>\nband. One difference, though, between this release and a bootleg:<br \/>\nThis one is a legal release that has the absolute worst sound I&#8217;ve<br \/>\never heard on a live album.<\/p>\n<p>Granted, shows by The Misfits weren&#8217;t exactly technological<br \/>\nwonders, relying more on the sheer thunder and energy of the music<br \/>\nthan worrying about whether the sound was optimized. But, geez,<br \/>\nyou&#8217;d think that for a live recording, they&#8217;d have fretted a<br \/>\n<i>little<\/i> bit, especially when there are times that Danzig&#8217;s<br \/>\nvocals can&#8217;t be heard at all.<\/p>\n<p>Danzig and crew bash out their set in a haphazard manner,<br \/>\ncompletely pounding away on their instruments in order to get the<br \/>\nmost sound out of them. And, yeah, I guess that does follow the<br \/>\npunk rock ethic &#8211; but they could have made it sound a little<br \/>\ntighter. While the diehard Misfits fan will undoubtedly cream all<br \/>\nover themselves due to the maniacal fury that the band presents,<br \/>\nthe rest of us heathens will hear this as so much noise.<\/p>\n<p>What bothers me is that this band was capable of combining the<br \/>\nfrenzied playing and a decent mix and turn them into something<br \/>\nlistenable. I&#8217;ll admit it&#8217;s been a long time since I pulled<br \/>\n<i>Earth A.D.<\/i> out of the Pierce Memorial Archives, but I recall<br \/>\nthat album being much more listenable than this one. In fact, it<br \/>\ngets so muddied that if you didn&#8217;t hear the name of Henry Rollins<br \/>\nbeing screamed from the stage, you&#8217;d never know that the former<br \/>\nlead throat of Black Flag joined in on the album&#8217;s last cut, &#8220;We<br \/>\nAre 182&#8221;.<\/p>\n<p>Yeah, I know the traditional Misfits tunes are here, like &#8220;20<br \/>\nEyes,&#8221; &#8220;All Hell Breaks Loose&#8221; and &#8220;Hatebreeders&#8221;. But somehow, I<br \/>\nfail to find myself getting wrapped up in the horror film-like<br \/>\nstructure of the songs when they&#8217;re being played with no regard to<br \/>\nmusicianship or balance of volumes. Maybe a rousing rendition of<br \/>\n&#8220;Mommy, Can I Go Out And Kill Tonight?&#8221; would have helped &#8211; but<br \/>\nthen, they needed something to spice up<br \/>\n<i>Walk Among Us<\/i>.<\/p>\n<p>\n<i>Evilive<\/i> is not the greatest live album in the world &#8211; though<br \/>\nsome Misfits fans might argue that this release is an accurate<br \/>\nportrait of a Misfits concert. May God have mercy on us all.<\/p>\n","protected":false},"author":2,"featured_media":25252,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[6132],"rating":[11203],"class_list":["post-36457","review","type-review","status-publish","has-post-thumbnail","artist-misfits","rating-rating-d-minus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/36457","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=36457"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/36457\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/25252"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=36457"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=36457"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=36457"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=36457"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}