{"id":36461,"date":"2000-01-17T00:00:00","date_gmt":"2000-01-17T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/the-last-in-line\/"},"modified":"2000-01-17T00:00:00","modified_gmt":"2000-01-17T00:00:00","slug":"the-last-in-line","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/the-last-in-line\/","title":{"rendered":"The Last In Line"},"content":{"rendered":"<p>There is an old saying that I&#8217;ve used anytime a band changes its formula after achieving great success with their previous album: you don&#8217;t mess with success.<\/p>\n<p>In the case of Ronnie James Dio, you couldn&#8217;t blame him for wanting to keep things sounding the way they did for his first solo effort,  <i>Holy Diver<\/i>. Killer songwriting, total shred-a-thon on the guitar courtesy of Vivian Campbell and the instantly-recognizable wail of Dio&#8217;s vocals made this album a must-own when I was in high school.<\/p>\n<p>Fast-forward one year to 1984 and the release of  <i>The Last In Line<\/i>. Granted, all of the pieces of the puzzle are still there. So why is this one a slight step down from  <i>Holy Diver<\/i>? Could it be that the maxim I stated at the start of this review could occasionally be wrong?<\/p>\n<p>The way  <i>The Last In Line<\/i> is laid out bears striking similarity to  <i>Holy Diver<\/i> &#8211; which is probably the biggest mistake that Dio made. Think about it: &#8220;We Rock&#8221; is similar in tempo to &#8220;Stand Up And Shout,&#8221; numbers that are meant to get the adrenalin pumping. Both title tracks are plodders that have moments made to get the bloodlust going. &#8220;Breathless&#8221; and &#8220;Gypsy&#8221; are middle-of-the-road tempoed numbers to bring things to an even keel&#8230; and so on, and so on.<\/p>\n<p>At times, it seems like the two albums are carbon copies of each other. Yet there are some major differences as well. &#8220;One Night In The City&#8221; and &#8220;Egypt (The Chains Are On)&#8221; are both efforts to show a more cerebral side to Dio&#8217;s songwriting &#8211; and while he accomplishes this lyrically, musically things grind to a halt, thanks in part to the metronome-drumming of Vinny Appice.<\/p>\n<p>But there is a lot to smile about on  <i>The Last In Line<\/i>. The title track is just as legendary as anything Dio has written in his career, and remains a track that can raise fists and bang heads even to this day. Likewise, &#8220;Mystery&#8221; dares to approach a more radio-friendly format without sacrificing any of its metal morals &#8211; and could well be Dio&#8217;s hidden treasure of his career. &#8220;We Rock&#8221; remains a crowd-pleaser, and is guaranteed to raise your heart rate.<\/p>\n<p>Unlike  <i>Holy Diver<\/i>, the weaker numbers have more of a gravitational pull on  <i>The Last In Line<\/i>. &#8220;I Speed At Night&#8221; is an absolute waste, while &#8220;Eat Your Heart Out&#8221; and &#8220;Evil Eyes&#8221; just fail to do anything special for this album.<\/p>\n<p>Oh, it&#8217;s not that  <i>The Last In Line<\/i> is a bad album &#8211; hell, if this had been the first album, I&#8217;d be in a room with other critics, creaming over how innovative Dio was. But instead of continuing to forge ahead,  <i>The Last In Line<\/i> shows Dio choosing to stand in the path he&#8217;d already made &#8211; and, in a sense, maybe that wasn&#8217;t the best choice to make.<\/p>\n","protected":false},"author":2,"featured_media":25256,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[6034],"rating":[5612],"class_list":["post-36461","review","type-review","status-publish","has-post-thumbnail","artist-dio","rating-rating-b-minus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/36461","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=36461"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/36461\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/25256"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=36461"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=36461"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=36461"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=36461"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}