{"id":36505,"date":"2000-02-17T00:00:00","date_gmt":"2000-02-17T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/babylon-5-volume-2-messages-from-earth\/"},"modified":"2000-02-17T00:00:00","modified_gmt":"2000-02-17T00:00:00","slug":"babylon-5-volume-2-messages-from-earth","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/babylon-5-volume-2-messages-from-earth\/","title":{"rendered":"Babylon 5: Volume 2 &#8211; Messages From Earth"},"content":{"rendered":"<p>As any self-respecting fiction fan will tell you, the music is<br \/>\nincredibly important to create the proper mood for any TV show or<br \/>\nmovie or play. Imagine<br \/>\n<i>Star Wars<\/i> without John Williams&#8217; stirring music behind it. A<br \/>\nlot of the impact and power that the movies had is lost without the<br \/>\nmusic present. That&#8217;s true for not just science fiction, but for<br \/>\nevery kind of work. Think of<br \/>\n<i>Schindler&#8217;s List<\/i>,<br \/>\n<i>Rocky<\/i>,<br \/>\n<i>The Godfather<\/i>&#8230; the list is nearly endless. We might not<br \/>\nremember every line of every movie, but we sure as heck remember<br \/>\nthe music that surrounded every action. It&#8217;s to the point that<br \/>\nseveral composers are immediately thought of when the names of<br \/>\ntheir best known projects are called &#8211; Williams and<br \/>\n<i>Star Wars<\/i>, Morricone and<br \/>\n<i>The Good, The Bad &#038; The Ugly<\/i> or Barry and the Bond<br \/>\nfilms.<\/p>\n<p>Along those lines, we have Christopher Franke, former member of<br \/>\nTangerine Dream, and his work on the hit TV show,<br \/>\n<i>Babylon 5<\/i>. Having recorded every piece of music the show<br \/>\never did &#8211; except for the pilot and the last tele-movie, &#8220;A Call To<br \/>\nArms&#8221; &#8211; it&#8217;s his music that has stamped the show and given its<br \/>\naura. Fans of<br \/>\n<i>Babylon 5<\/i> clamored for his music that their record label,<br \/>\nSonic Images, now releases his music to various episodes &#8211; not just<br \/>\ncompilations. Nevertheless, if you were to ask me what album to get<br \/>\nfirst, it&#8217;s this one.<\/p>\n<p>Compiled at the beginning of the fourth TV season, Franke<br \/>\nbrought the music of the TV show onto one disc. One part of the<br \/>\nalbum is the opening themes that started the show. A thing to<br \/>\nnotice how the music changes as the show progresses. The first<br \/>\nseason theme &#8211; expanded here &#8211; is wide open and adventurous, the<br \/>\nmusic for a show about exploring and discovering. The second season<br \/>\ntheme is less open, but still there is a sense of wonder to it.<br \/>\nHowever, season&#8217;s three theme &#8211; probably the best, in my opinion &#8211;<br \/>\nis more militaristic in nature. Gone is the hope of seasons one and<br \/>\ntwo. Along those lines, season four&#8217;s theme is very<br \/>\naction-oriented. No time for dreams, there&#8217;s a war going on.<\/p>\n<p>The other part of the disc is made up of these long music<br \/>\nsuites. Rather than taking the small cues from each episode and<br \/>\njust pasting them here by themselves, Franke unites them into four<br \/>\nlarge, ten minute, pieces. This makes for an interesting listen.<br \/>\nThe first suite, the title track, is very action-packed, but ends<br \/>\nwith this heroic piece at the end. &#8220;Z&#8217;ha&#8217;dum,&#8221; the second suite, is<br \/>\nfilled with more desperation and determination &#8211; as it should, for<br \/>\nthis piece deals with the main enemies of the show, the Shadows.<br \/>\nThe third suite, &#8220;Severed Dreams,&#8221; is the longest one. Also packed<br \/>\nwith action-pieces, there&#8217;s no sense of wonder here. Cool thing is<br \/>\nthis suite ends with a small strings playing into a sense of<br \/>\ndespair. Nothing is clear-cut or simple on this show and the music<br \/>\non this suite exemplifies it.<\/p>\n<p>The final suite is a piece of original music. Titled &#8220;Voices Of<br \/>\nAuthority,&#8221; you may recognize the main cue as the first half of the<br \/>\nseason five theme. Here you get not only the sense of wonder back,<br \/>\nbut it&#8217;s also mixed in with a sense of heroism. Though the piece<br \/>\nflutters and moves, it always returns to this main theme. Only<br \/>\ngripe with it is that I don&#8217;t like the little flutter piece that<br \/>\nends it. I would have just let the main cue fade out. But that&#8217;s<br \/>\njust me.<\/p>\n<p>I have two small complaints. While using the suites as showcases<br \/>\nhelps create a new mood and allows you to see the music in new<br \/>\nways, it can get a bit daunting to sit there and listen to ten<br \/>\nminute pieces. At the same time, there&#8217;s no way for you to listen<br \/>\nto your favorite slices of each suite without working your way<br \/>\nthrough them again and again. For example, in the first suite, the<br \/>\nheroic and dramatic piece at around the eight-minute mark is one of<br \/>\nmy favorite cues. There&#8217;s no way for me to just listen to it<br \/>\nwhenever I want on a CD. I have to work through the whole piece to<br \/>\nget to it. That can get a bit annoying.<\/p>\n<p>The second complaint is that there&#8217;s just 58 minutes of music<br \/>\nhere. C&#8217;mon. Give us more. There was so much good music throughout<br \/>\nthe whole show that to just give these four pieces and the four<br \/>\nthemes may seem not enough.<\/p>\n<p>Overall, this is the kind of music that is created to give off<br \/>\nthe proper mood. If you are into great sci-fi music or even if you<br \/>\njust want to listen to new things, give Franke&#8217;s music a try. While<br \/>\nit may not be as operatic and thematic like most of today&#8217;s scores,<br \/>\nyou could find yourself enjoying it for giving the right vibes to<br \/>\nthe right moments. In the end, that&#8217;s what great score music is<br \/>\nmeant to do.<\/p>\n","protected":false},"author":15,"featured_media":25299,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[5729],"rating":[5646],"class_list":["post-36505","review","type-review","status-publish","has-post-thumbnail","artist-soundtrack","rating-rating-a"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/36505","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/15"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=36505"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/36505\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/25299"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=36505"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=36505"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=36505"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}