{"id":36517,"date":"2000-02-29T00:00:00","date_gmt":"2000-02-29T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/the-downside\/"},"modified":"2000-02-29T00:00:00","modified_gmt":"2000-02-29T00:00:00","slug":"the-downside","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/the-downside\/","title":{"rendered":"The Downside"},"content":{"rendered":"<p>Hades is a band that confounds and confuses me.<\/p>\n<p>On one hand, this New Jersey-based band takes the concept of<br \/>\nmetal and tries to put a new spin on the genre. At times on their<br \/>\nfifth album<br \/>\n<i>The Downside<\/i>, this works and it works well. On the other<br \/>\nhand, they fail to keep things interesting throughout the album,<br \/>\nleaving this disc in the end to fall a bit flat.<\/p>\n<p>That&#8217;s a shame, in many ways. For one thing, when you have<br \/>\nguests like S.O.D.&#8217;s Billy Milano (vocals on &#8220;Ground Zero<br \/>\n(reprise)&#8221;) and D.D. Verni (one of the numerous bassists, he plays<br \/>\non &#8220;Bitter Suite #1&#8221;), you expect the bar of excellence to be<br \/>\nraised. To Milano&#8217;s credit, he injects some life into the album &#8211;<br \/>\npity it&#8217;s right at the end.<\/p>\n<p>Hades &#8211; vocalist Alan Tecchio, guitarist\/vocalist\/bassist Dan<br \/>\nLoranzo, guitarist\/bassist Ed Fuhrman and drummer\/vocalist Dave<br \/>\nLescinsky &#8211; do intrigue me in that they could have easily gone with<br \/>\nthe pissed-off, balls-to-the-wall type of performance with song<br \/>\ntitles like &#8220;Hoax,&#8221; &#8220;Shove It&#8221; and &#8220;Hail To The Thief&#8221;. Instead,<br \/>\nthe band chooses to take a more controlled route with their<br \/>\nperformances, emphasizing the song and melodies and not necessarily<br \/>\nthe message.<\/p>\n<p>An interesting concept, no? Thing is, it works well in the first<br \/>\npart of<br \/>\n<i>The Downside<\/i>. Tracks like &#8220;Align The Planets&#8221; captivate the<br \/>\nlistener with their powerful musical statements, all the while the<br \/>\nmessages (some even back-handed commentaries) of themes of doom and<br \/>\ngloom make the listener think. Listening to to &#8220;Align The Planets,&#8221;<br \/>\nfor example, made me think of all the overhype regarding the<br \/>\nmillennium bug.<\/p>\n<p>But something happens along the way on<br \/>\n<i>The Darkside<\/i> &#8211; namely, the band hits a comfort level, and<br \/>\nthey appear to cruise through the rest of the album. As a result,<br \/>\ntracks like &#8220;It&#8217;s A Wonderful Lie&#8221; and &#8220;The Me That Might Have<br \/>\nBeen,&#8221; tracks that should have stood out on their own, get lost in<br \/>\na sea of distorted guitars. While the material is similar to the<br \/>\ntracks that grab the listener&#8217;s attention at the start of the<br \/>\nalbum, the challenge level of the material falls flat.<\/p>\n<p>\n<i>The Downside<\/i> is not a disappointment because of what it<br \/>\ncontains; rather, it&#8217;s a disappointment because of what could have<br \/>\nbeen. It&#8217;s still worth checking out, and I have no doubt that Hades<br \/>\nis primed to be a major player once metal makes its comeback. But<br \/>\nthey&#8217;re not there yet.<\/p>\n","protected":false},"author":2,"featured_media":25311,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[6275],"rating":[5614],"class_list":["post-36517","review","type-review","status-publish","has-post-thumbnail","artist-hades","rating-rating-c-plus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/36517","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=36517"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/36517\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/25311"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=36517"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=36517"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=36517"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=36517"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}