{"id":36542,"date":"2000-03-17T00:00:00","date_gmt":"2000-03-17T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/magica\/"},"modified":"2000-03-17T00:00:00","modified_gmt":"2000-03-17T00:00:00","slug":"magica","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/magica\/","title":{"rendered":"Magica"},"content":{"rendered":"<p>Ronnie James Dio has become the grandfather of heavy metal music<br \/>\n&#8211; and that is meant in the most respectful of ways. From his stints<br \/>\nwith Elf, Rainbow and Black Sabbath to his days as a solo artist<br \/>\nwho cultivated some of the genre&#8217;s finest musicians, Dio could<br \/>\neasily take the easy way out with his music and record albums<br \/>\nsimilar to 1982&#8217;s<br \/>\n<i>Holy Diver<\/i> and thrill his long-time fans.<\/p>\n<p>Ah, but that would be too easy, one thinks. So Dio chose to<br \/>\nrecord the closest thing to a concept album he&#8217;s done in his<br \/>\ncareer,<br \/>\n<i>Magica<\/i>. And while there are pieces on this disc that show<br \/>\nwhy Dio is such a legendary singer and songwriter, it&#8217;s easy to see<br \/>\nwhy concept albums are so tricky to do, as some pieces fall<br \/>\nflat.<\/p>\n<p>\n<i>Magica<\/i> reunites Dio with several former band members &#8211;<br \/>\nguitarist Craig Goldy (who took over the guitar chores on<br \/>\n<i>Dream Evil<\/i>), bassist Jimmy Bain (whose four-string work<br \/>\nhelped to shape the sound of Dio&#8217;s early solo works) and drummer<br \/>\nSimon Wright (who left AC\/DC to provide the trap work for<br \/>\n<i>Lock Up The Wolves<\/i>). What is disappointing is that none of<br \/>\nthese musicians really steps up to the plate and demonstrates just<br \/>\nwhy they are so respected on their instruments. Bain&#8217;s bass work<br \/>\nespecially disappoints &#8211; and I&#8217;ll freely admit I was hoping to hear<br \/>\nsome of the work like he did on the song &#8220;The Last In Line&#8221; to<br \/>\nreally jazz up these pieces.<\/p>\n<p>Dio himself is in fine voice throughout<br \/>\n<i>Magica<\/i>, and while he might not be reaching for the trademark<br \/>\nshrieks he once was able to do, time has added almost a more<br \/>\nsinister edge to his vocals. With some of the subject matter, this<br \/>\nturns out to be the perfect voice for Dio.<\/p>\n<p>Musically, though,<br \/>\n<i>Magica<\/i> runs hot and cold. It takes far too long for the<br \/>\nenergy level to get turned up on this disc, starting with two<br \/>\ninterludes (&#8220;Discovery&#8221; and &#8220;Magica Theme&#8221;) before coasting into<br \/>\nthe slow-lane-tempoed &#8220;Lord Of The Last Day&#8221;. It takes nearly a<br \/>\nquarter of the album for Dio and crew to really get things cooking<br \/>\non tracks like &#8220;Fever Dreams,&#8221; &#8220;Turn To Stone&#8221; and &#8220;Challis (Marry<br \/>\nThe Devil&#8217;s Daughter)&#8221; &#8211; and even these tracks take some time for<br \/>\nthe listener to warm up to.<\/p>\n<p>The real creative spark musically starts with the hard rock<br \/>\nballad &#8220;As Long As It&#8217;s Not About Love,&#8221; a track that allows Dio<br \/>\nsome room to expand his singing range. And if you don&#8217;t think this<br \/>\nis the kind of song that Dio should be doing, give it a good hard<br \/>\nlisten and see if it doesn&#8217;t change your mind. The following track,<br \/>\n&#8220;Losing My Insanity,&#8221; is the perfect follow-up that cranks the<br \/>\nintensity level up to just the right pitch.<\/p>\n<p>While I understand that Dio needed to complete the story that<br \/>\ntakes place in the songs (a story I&#8217;m still having troubles<br \/>\nfollowing), I question whether we really needed the two reprises &#8211;<br \/>\none of &#8220;Magica,&#8221; one of &#8220;Lord Of The Last Day&#8221; &#8211; to close out the<br \/>\nmusical portion of this disc.<\/p>\n<p>The real highlight on<br \/>\n<i>Magica<\/i> is the 18-minute narrative featuring Dio telling the<br \/>\nstory of &#8220;Magica&#8221; &#8211; a tale that convinces me that if Dio ever chose<br \/>\nto start writing science-fiction books, he&#8217;d be a best-seller. It&#8217;s<br \/>\nan engrossing tale between good and evil (not surprising, looking<br \/>\nat the body of Dio&#8217;s work), but the ending might be surprising to<br \/>\npeople. Normally, this kind of stuff bores me, but Dio makes things<br \/>\nsound so convincing that it works &#8211; and 18 minutes passes far too<br \/>\nquickly.<\/p>\n<p>Listening to the narrative helps to put some of the contexts of<br \/>\nthe songs into perspective, but the ovall theme behind<br \/>\n<i>Magica<\/i>&#8216;s songs is still a tough one to follow. If you drop<br \/>\nthe idea of trying to follow the story behind the music, then<br \/>\nyou&#8217;re left with a slightly above average Dio album. If you<br \/>\napproach it as a concept album, you&#8217;re probably going to be a<br \/>\nlittle disappointed. And I&#8217;m not faulting Dio for this; in all my<br \/>\nyears of listening to music, I&#8217;ve heard only a handful of artists<br \/>\nget concept albums right.<\/p>\n<p>\n<i>Magica<\/i> is a decent enough outing from Dio and crew, but it<br \/>\ndoes leave you with the feeling that the band in general could have<br \/>\ndone something spectacular with this disc. Why they didn&#8217;t, I&#8217;ll<br \/>\nnever comprehend. As for the songs, Dio has a knack for telling<br \/>\nstories, but he might be better off focusing on the music than the<br \/>\nstories behind the tunes.<\/p>\n","protected":false},"author":2,"featured_media":25336,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[6034],"rating":[5614],"class_list":["post-36542","review","type-review","status-publish","has-post-thumbnail","artist-dio","rating-rating-c-plus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/36542","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=36542"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/36542\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/25336"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=36542"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=36542"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=36542"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=36542"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}