{"id":36546,"date":"2000-03-20T00:00:00","date_gmt":"2000-03-20T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/deggial\/"},"modified":"2000-03-20T00:00:00","modified_gmt":"2000-03-20T00:00:00","slug":"deggial","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/deggial\/","title":{"rendered":"Deggial"},"content":{"rendered":"<p>It&#8217;s not often I have to do a double-take on a disc I&#8217;m<br \/>\nlistening to for a review &#8212; but in the case of<br \/>\n<i>Deggial<\/i>, the latest full-length release from the<br \/>\noperatic\/metal outfit Therion, I found myself not only consulting<br \/>\nthe review I wrote on their last disc<br \/>\n<i>Crowning Of Atlantis<\/i>, but also re-listening to<br \/>\n<i>Deggial<\/i> an extra time.<\/p>\n<p>In my review of<br \/>\n<i>Crowning Of Atlantis<\/i>, I mentioned how I loved Therion almost<br \/>\nfrom note number one, and how the disc left me wanting to hear<br \/>\nmore. So what was the difference between that and<br \/>\n<i>Deggial<\/i>? Simple: I found myself getting tired of the disc<br \/>\nreal quick. Repeat listens helped &#8212; but why was this album not<br \/>\nlighting my speakers on fire the same way that<br \/>\n<i>Crowning Of Atlantis<\/i> did?<\/p>\n<p>The answer isn&#8217;t quite clear, but it could well be that<br \/>\nguitarist\/band leader Christofer Johnsson tries almost too hard to<br \/>\nmake this work, almost conceptual in theme, be the crowning point<br \/>\nfor Therion. While there are a few good moments, the bulk of the<br \/>\nalbum collapses under its own grandiose weight.<\/p>\n<p>It&#8217;s not that Therion &#8212; Johnsson, guitarist Kristian Niemann,<br \/>\nbassist Johann Niemann and drummer Sami Karpinen &#8212; fail with this<br \/>\nwork. There are some moments on<br \/>\n<i>Deggial<\/i> that remind you that metal doesn&#8217;t have to be<br \/>\nfull-volume distortion to be heavy. Tracks like &#8220;Eternal Return&#8221;<br \/>\nand &#8220;Via Nocturna Part I, II&#8221; demonstrate the ability of this band<br \/>\nto merge two styles that one might never have thought to combine<br \/>\nbefore. Musically, Therion &#8211; who perform with heavy classical<br \/>\ninstrumentation, including a full choir &#8211; create a sound that is<br \/>\nboth beautiful and spine crushing.<\/p>\n<p>But in the case of<br \/>\n<i>Deggial<\/i>, it almost becomes redundant after a while &#8211;<br \/>\nsomething I could not say the same about with<br \/>\n<i>Crowning Of Atlantis<\/i>. It&#8217;s almost as if the listener is<br \/>\nlulled into a state of being with tracks like &#8220;Ship Of Luna,&#8221; &#8220;The<br \/>\nInvincible&#8221; and the title track. Add on to this that it&#8217;s extremely<br \/>\ndifficult to understand the lyrical content, and the final result<br \/>\nis a disc that becomes hypnotic &#8211; and a tad boring.<\/p>\n<p>While the classical overtones of Therion&#8217;s music are an intregal<br \/>\npart of the band&#8217;s identity, it sometimes seems that they might be<br \/>\nrelying on them a little too much with this release. Yes, there&#8217;s<br \/>\nplenty of room for the core of the band to shine, but the focus is<br \/>\noften moved off of them and onto the orchestral readings.<\/p>\n<p>\n<i>Deggial<\/i> is a disc that I had high hopes for going into it,<br \/>\nbut it left me feeling like Therion could have accomplished much<br \/>\nmore, simply by layering on less. It&#8217;s not a failure, but it is a<br \/>\ndisappointment.<\/p>\n","protected":false},"author":2,"featured_media":25340,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[6293],"rating":[5619],"class_list":["post-36546","review","type-review","status-publish","has-post-thumbnail","artist-therion","rating-rating-c"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/36546","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=36546"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/36546\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/25340"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=36546"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=36546"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=36546"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=36546"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}