{"id":36554,"date":"2000-03-24T00:00:00","date_gmt":"2000-03-24T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/danger-of-infection\/"},"modified":"2000-03-24T00:00:00","modified_gmt":"2000-03-24T00:00:00","slug":"danger-of-infection","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/danger-of-infection\/","title":{"rendered":"Danger Of Infection"},"content":{"rendered":"<p>If Murphy&#8217;s Law could apply to any band, Britain&#8217;s Dirty Deeds<br \/>\nwould probably have their picture placed next to the definition in<br \/>\nthe dictionary. First, they launched into their debut American tour<br \/>\nsupporting Iron Maiden, only to see the bulk of the tour cancelled.<br \/>\nThen, they had their debut disc<br \/>\n<i>Danger Of Infection<\/i> scheduled for release on Velvel, only to<br \/>\nsee that label fold before it could see the light of day.<\/p>\n<p>Now, with a label deal secured and their second disc<br \/>\n<i>Real World<\/i> out on the market,<br \/>\n<i>Danger Of Infection<\/i> is finally seeing the light of day in<br \/>\nthe States &#8211; and while it has some great moments on it, the disc<br \/>\nalso shows a band still working on getting their own unique sound<br \/>\ntogether. (Full disclosure: I&#8217;m working off the original copy<br \/>\nreleased on Beast Records &#8211; it&#8217;s now available in the States on<br \/>\nSanctuary.)<\/p>\n<p>I&#8217;ve had the pleasure of seeing the band &#8211; lead<br \/>\nvocalist\/guitarist Pete Franklin, lead guitarist Barry Fitzgibbon,<br \/>\nbassist Tony Newton and drummer Dave Cavill &#8211; perform on one of<br \/>\nthose Iron Maiden show dates, and like numerous other bands, Dirty<br \/>\nDeeds is a group whose true power lies in the live performance. The<br \/>\nmusic takes on a life of its own when played before a screaming<br \/>\nthrong, and the energy is unbelievable. It would be hard for any<br \/>\nband to translate that power into the studio setting.<\/p>\n<p>Yet try they do, as they power through 11 cuts of vintage-style<br \/>\nhard rock that focuses on the melody more than the riff &#8211; a nice<br \/>\nchange of pace. Tracks like &#8220;Nothing To Lose,&#8221; &#8220;Call Of The Wild&#8221;<br \/>\nand &#8220;I&#8217;m No Angel&#8221; show the promise that this type of rock music<br \/>\nhas kept dormant while waiting for the commercial rebirth of the<br \/>\ngenre. Frankly, it&#8217;s good to hear it again.<\/p>\n<p>But<br \/>\n<i>Danger Of Infection<\/i> takes a little time building up to the<br \/>\nmother lode on the album. Tracks like &#8220;Cry Out,&#8221; &#8220;Dividing Line&#8221;<br \/>\nand &#8220;Promised Land&#8221; are by no means terrible, but they don&#8217;t have<br \/>\nthe same kind of qualities that would draw the listener in like<br \/>\nflies to a no-pest strip as the killer tracks do. Still, with<br \/>\nrepeat listens, even these tracks show some inert qualities that<br \/>\nyou won&#8217;t get on a cursory listen.<\/p>\n<p>If there&#8217;s anything that is underutilized on<br \/>\n<i>Danger Of Infection<\/i>, it&#8217;s the use of harmony vocals. All<br \/>\nfour members of Dirty Deeds contribute some kind of vocals to the<br \/>\nalbum, and when they go to harmonies, it seems to work pretty well<br \/>\n&#8211; without compromising any of the music&#8217;s power. I&#8217;d like to see<br \/>\nwhat they could accomplish with a little more harmony thrown into<br \/>\nthe mix. (Maybe they did on<br \/>\n<i>Real World<\/i>; at the time of this writing, it was still in the<br \/>\n&#8220;to be reviewed&#8221; pile here at the Pierce Memorial Archives.)<\/p>\n<p>\n<i>Danger Of Infection<\/i> might have taken forever to hit these<br \/>\nshores, but there are moments on it that prove it was worth the<br \/>\nwait. But if you&#8217;re expecting a musical epidemic to pour out of<br \/>\nyour speakers, you might be disappointed a little bit.<\/p>\n","protected":false},"author":2,"featured_media":25348,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[6296],"rating":[5617],"class_list":["post-36554","review","type-review","status-publish","has-post-thumbnail","artist-dirty-deeds","rating-rating-b-plus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/36554","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=36554"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/36554\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/25348"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=36554"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=36554"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=36554"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=36554"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}