{"id":36555,"date":"2000-03-24T00:00:00","date_gmt":"2000-03-24T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/real-world\/"},"modified":"2000-03-24T00:00:00","modified_gmt":"2000-03-24T00:00:00","slug":"real-world","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/real-world\/","title":{"rendered":"Real World"},"content":{"rendered":"<p>&#8220;Welcome to the real world,&#8221; sings Pete Franklin on the leadoff<br \/>\ntrack of<br \/>\n<i>Real World<\/i>, the second release from Britain&#8217;s Dirty Deeds.<br \/>\nFollowing the cancellation of the Iron Maiden tour where the band<br \/>\nwas making their debut and the shuttering of Velvel Records (who<br \/>\nwere supposed to release the band&#8217;s debut<br \/>\n<i>Danger Of Infection<\/i>), that phrase probably rings too true to<br \/>\nthe band.<\/p>\n<p>Unfortunately, the phrase applies to the entire album<br \/>\n<i>Real World<\/i>, which fails to break any new ground for the band<br \/>\nand tries unsuccessfully to build on the strong foundation they<br \/>\nlaid with<br \/>\n<i>Danger Of Infection<\/i>. It gets tiring to refer to the<br \/>\n&#8220;sophomore slump,&#8221; but<br \/>\n<i>Real World<\/i> is, sadly, a textbook case of this &#8211; and it&#8217;s<br \/>\nfrustrating when you know this band is capable of better.<\/p>\n<p>There are, admittedly, some moments where it sounds like Dirty<br \/>\nDeeds has things running full steam ahead. &#8220;Kill The Pain&#8221; is a<br \/>\ndefinite pick for a radio track, integrating a little more of the<br \/>\nharmony vocals that this band underuses so much. The guitar work of<br \/>\nFranklin and Barry Fitzgibbon shines on this track.<\/p>\n<p>Regrettably, this is the only strong track on the disc. &#8220;Welcome<br \/>\nTo The Real World,&#8221; which kicks off the disc, sounds like a<br \/>\nre-tread of &#8220;Nothing To Lose,&#8221; the first song off<br \/>\n<i>Danger Of Infection<\/i>. When you start repeating things like<br \/>\nthat early in the album, you can see the red flag being raised.<br \/>\nGranted, the song isn&#8217;t a note-for-note cover of &#8220;Nothing To Lose,&#8221;<br \/>\nbut it&#8217;s disconcerting to hear two albums in a row led off by a<br \/>\nsong in the same key, in the same tempo.<\/p>\n<p>For that matter, most of the songs on<br \/>\n<i>Real World<\/i> don&#8217;t vary much in tempo. Normally, this isn&#8217;t a<br \/>\nthing to worry about, but add in to the mix a drop in the quality<br \/>\nof the songwriting, and the concern factor increases tenfold.<br \/>\nTracks like &#8220;Nightmare,&#8221; &#8220;Hell On Earth&#8221; and &#8220;Cyber Babe&#8221; just fall<br \/>\nflat, failing to inspire or encourage the listener. One could even<br \/>\nsay that the album has a dull ring to it.<\/p>\n<p>What is discouraging about this is that Dirty Deeds is a band<br \/>\ncapable of so much better work.<br \/>\n<i>Danger Of Infection<\/i> and their live shows have proven this.<br \/>\n(I&#8217;ve also gone on record to say that Dirty Deeds&#8217;s magic is better<br \/>\ncaptured in the live setting rather than the studio.) But<br \/>\n<i>Real World<\/i> does more than fall short of expectations. In a<br \/>\nsense, it&#8217;s almost as if the band wasn&#8217;t trying hard enough to<br \/>\ncreate an album that took them to the next step. And that,<br \/>\nchildren, is the greatest disappointment of all.<\/p>\n<p>Dirty Deeds is a strong enough band to come back from such a<br \/>\nsetback with killer material. But one wouldn&#8217;t have expected their<br \/>\nstumbling point to come on only their second album.<\/p>\n","protected":false},"author":2,"featured_media":25349,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[6296],"rating":[5619],"class_list":["post-36555","review","type-review","status-publish","has-post-thumbnail","artist-dirty-deeds","rating-rating-c"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/36555","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=36555"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/36555\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/25349"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=36555"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=36555"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=36555"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=36555"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}