{"id":36556,"date":"2000-03-25T00:00:00","date_gmt":"2000-03-25T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/eponymous\/"},"modified":"2000-03-25T00:00:00","modified_gmt":"2000-03-25T00:00:00","slug":"eponymous","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/eponymous\/","title":{"rendered":"Eponymous"},"content":{"rendered":"<p>When R.E.M. left the small-label surroundings of I.R.S. for the<br \/>\ngreener pastures of a major-label deal late in the &#8217;80s, the<br \/>\nimmediate response from their former label was to capitalize on the<br \/>\nsuccess of their former client. Two records in quick succession &#8211;<br \/>\nthe best-of<br \/>\n<i>Eponymous<\/i> and the b-sides collection<br \/>\n<i>Dead Letter Office<\/i> &#8211; cropped up, ready for eager fans to<br \/>\nsnatch from the shelves.<\/p>\n<p>It may have seemed strange for a band like R.E.M. to have a<br \/>\n&#8220;greatest hits&#8221; album out when they really were just beginning to<br \/>\ntaste mainstream success in 1988. But what<br \/>\n<i>Eponymous<\/i> does is more than just collect tracks from the<br \/>\nband&#8217;s stay at their former label; it provides the listener with a<br \/>\nhistory of where the band came from and what they were about to<br \/>\nbecome. If you didn&#8217;t bother picking up albums like<br \/>\n<i>Life&#8217;s Rich Pageant<\/i> or<br \/>\n<i>Reckoning<\/i>, then this is going to be an education for you. If<br \/>\nyou were one of the people who got into R.E.M. on the ground floor,<br \/>\nthis is a wonderful trip down memory lane.<\/p>\n<p>One of the gems of this collection is the inclusion of the<br \/>\noriginal version of &#8220;Radio Free Europe&#8221; that Michael Stipe and crew<br \/>\nreleased on Hib-Tone, a small indie label, back in 1981. It&#8217;s<br \/>\ninteresting to hear the birth cry of a band, and R.E.M. almost<br \/>\nshows the listener that they&#8217;re planning on being in the race for<br \/>\nthe long run with this one song. (For the longest time, I preferred<br \/>\nthe grittier emotion of this version to the studio-polished one on<br \/>\n<i>Murmur<\/i>.)<\/p>\n<p>If there&#8217;s one word that could be used to describe the mood of<br \/>\n<i>Eponymous<\/i>, it&#8217;s this: fun. No, really. From the early days<br \/>\nof songs like &#8220;Talk About The Passion&#8221; and &#8220;So. Central Rain&#8221; to<br \/>\nthe pre-superstar work from<br \/>\n<i>Document<\/i> like &#8220;The One I Love&#8221; and &#8220;It&#8217;s The End Of The<br \/>\nWorld As We Know It (And I Feel Fine)&#8221;, the selection of tracks<br \/>\nmake this sound less like a label trying to capitalize and more on<br \/>\nrejoicing in the music they left behind.<\/p>\n<p>True, there are one or two questionable inclusions here, such as<br \/>\nthe country-tinged &#8220;(Don&#8217;t Go Back To) Rockville&#8221; and the<br \/>\nlost-genred &#8220;Romance&#8221;. But even these songs show the quirky charms<br \/>\nof R.E.M. and how they refused to let themselves be pigeonholed<br \/>\ninto any one category.<\/p>\n<p>In a way, the R.E.M. that existed before 1990 was an entirely<br \/>\ndifferent band than the one we know today. While I&#8217;d still argue<br \/>\nthat<br \/>\n<i>Document<\/i> is the must-own album of this portion of R.E.M.&#8217;s<br \/>\nhistory,<br \/>\n<i>Eponymous<\/i> is a delightful way to get acquainted with the<br \/>\ngroup&#8217;s early days &#8211; and is sure to spur you into checking out some<br \/>\nof those albums.<\/p>\n","protected":false},"author":2,"featured_media":25350,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[5748],"rating":[5613],"class_list":["post-36556","review","type-review","status-publish","has-post-thumbnail","artist-r-e-m","rating-rating-a-minus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/36556","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=36556"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/36556\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/25350"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=36556"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=36556"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=36556"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=36556"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}