{"id":36563,"date":"2000-03-29T00:00:00","date_gmt":"2000-03-29T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/the-man-inside\/"},"modified":"2000-03-29T00:00:00","modified_gmt":"2000-03-29T00:00:00","slug":"the-man-inside","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/the-man-inside\/","title":{"rendered":"The Man Inside"},"content":{"rendered":"<p>Jon Gibson has been creating some of the most interesting<br \/>\nR&#038;B\/pop music in the Christian market since the early &#8217;80&#8217;s &#8211;<br \/>\nand yet, despite amazing success, he remains outside the Christian<br \/>\nmainstream and has yet to become a household name.<\/p>\n<p>During his career, he&#8217;s recorded 22 top five singles &#8211; and seven<br \/>\nof those went to number one. Many less deserving artists release<br \/>\n&#8220;greatest hits&#8221; packages with less success than that. Regardless,<br \/>\nafter a five-year absence Gibson has returned to the work he loves<br \/>\n&#8211; and does so well &#8211; with this great collection.<\/p>\n<p>Heavy on the balladry,<br \/>\n<i>The Man Inside<\/i> shows a more mature Gibson &#8211; but one who<br \/>\nstill knows how to lay down a groove, as well. Gibson wrote, or<br \/>\nco-wrote, all 15 songs on this disc.<\/p>\n<p>Gibson opens with the infectious title tune &#8211; a call to<br \/>\nreconsider society&#8217;s preoccupation with the external &#8211; race,<br \/>\nethnicity, and physical appearance:<\/p>\n<p>What about my children when they play with yours?\/They don&#8217;t<br \/>\nnotice red, nor green, nor blue\/Not talkin&#8217; &#8217;bout black or<br \/>\nwhite\/not talkin&#8217; &#8217;bout wrong or right\/talkin&#8217; &#8217;bout the man<br \/>\ninside.<\/p>\n<p>Most of Gibson&#8217;s songs deal with interpersonal relationships. He<br \/>\nwrites about God within the context of his marriage, family, and<br \/>\nfriends &#8211; as well as within the bounds of larger society. There&#8217;s<br \/>\nno easy believe-ism in Gibson&#8217;s world, but there is what I call a<br \/>\nvivid God-reality.<\/p>\n<p>Gibson&#8217;s God is not just an external being he worships and prays<br \/>\nto &#8211; He is intimately involved in all aspects of life. In the song<br \/>\n&#8220;The Best In Me,&#8221; Gibson puts God front and center.<\/p>\n<p>Going through the motions, my little family by my side\/Tryin&#8217; my<br \/>\nbest to live a godly life and to shake this foolish pride\/Whoa,<br \/>\nJesus, you&#8217;re the only way for me\/Let Your light shine, so that<br \/>\neveryone can see\/Lord, You are the best in me.<\/p>\n<p>In the song &#8220;Fly With The Wind,&#8221; Gibson contemplates his career<br \/>\nand his seeming lack of recognition:<\/p>\n<p>They said I wasn&#8217;t good enough, no, no\/And maybe I should find<br \/>\nanother bag, yeah, yeah\/They said I wasn&#8217;t wise enough, wise<br \/>\nenough\/Maybe I should have zigged when I zagged, yeah, yeah\/Instead<br \/>\nI&#8217;m going to fly with the wind, sail like an eagle, and get over<br \/>\nagain.<\/p>\n<p>Gibson has been without a record deal since releasing 1992&#8217;s<br \/>\n<i>Forever Friends<\/i> on Frontline Records &#8211; which, incidentally,<br \/>\nwas named Album of the Year by<br \/>\n<i>CCM<\/i> Magazine. He released one independent project,<br \/>\n<i>Love Education<\/i>, in 1994 before B-Rite picked him up for this<br \/>\nlatest release. Maybe, finally, Gibson will get the recognition he<br \/>\ndeserves, but I doubt it because he likes to do things his way &#8211;<br \/>\nrather than the way a &#8220;successful&#8221; label would.<\/p>\n<p>In other words, he wants to put out his music, the way he<br \/>\nbelieves God has led him, without having to concentrate on creating<br \/>\nthe &#8220;hit single&#8221; that the industry looks for. So far, he&#8217;s been<br \/>\nable to do that AND find the hit single so Gibson must be doing<br \/>\nsomething right.<\/p>\n<p>At times Gibson has an eerie Stevie Wonder-like sound to his<br \/>\nmusic. He&#8217;s even recorded a number of Wonder songs, such as &#8220;Have A<br \/>\nTalk With God&#8221; from Wonder&#8217;s landmark<br \/>\n<i>Songs In The Key Of Life<\/i> album, and &#8220;Happier Than The<br \/>\nMorning Sun,&#8221; from Wonder&#8217;s<br \/>\n<i>Music Of My Mind<\/i> project.<\/p>\n<p>But, his songs differ from Wonder&#8217;s in where the focus is<br \/>\nplaced. Wonder, while a musical genius and one of my favorite<br \/>\nartists, has a faux spirituality to his work &#8211; especially in his<br \/>\nlatest efforts. It&#8217;s more of an &#8220;I&#8217;m OK, You&#8217;re OK, Let&#8217;s All Hug<br \/>\nBecause God Loves Us&#8221; mentality. Gibson sees the deeper<br \/>\nimplications of belief in God.<\/p>\n<p>In the song &#8220;God Will Find Ya&#8221; Gibson tells the story of a<br \/>\nperson who is playing hide and seek with God all through his life.<br \/>\nEventually, that person is going to fall &#8211; and when they do, if<br \/>\nthey call out to God, he will catch them:<\/p>\n<p>Someday you are gonna see a change in your heart\/Cuz you are<br \/>\nliving the kind of life that&#8217;s bound to fall apart\/And while you<br \/>\nare tumbling down\/God will recall your prayers\/And you will find<br \/>\nout that in this life\/He&#8217;s the only one who cares<\/p>\n<p>Plus, Gibson is not afraid to admit to his own failings, knowing<br \/>\nthat God will forgive. In the song &#8220;Let It Be Done&#8221; he pleads for<br \/>\nforgiveness for himself &#8211; and for the world, sort of like a<br \/>\nmodern-day Abraham pleading for the Lord to spare the righteous<br \/>\npeople in Sodom.<\/p>\n<p>Gibson deserves more recognition than he gets, but I have the<br \/>\nfeeling that man&#8217;s recognition is not what he&#8217;s striving for. If it<br \/>\ncomes, great, but if not, he&#8217;ll find a way to do what he does and<br \/>\ncontinue making God real and available to the world.<\/p>\n","protected":false},"author":20,"featured_media":25357,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[6299],"rating":[5613],"class_list":["post-36563","review","type-review","status-publish","has-post-thumbnail","artist-jon-gibson","rating-rating-a-minus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/36563","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/20"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=36563"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/36563\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/25357"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=36563"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=36563"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=36563"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=36563"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}