{"id":36591,"date":"2000-04-17T00:00:00","date_gmt":"2000-04-17T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/see-it-through-my-eyes\/"},"modified":"2000-04-17T00:00:00","modified_gmt":"2000-04-17T00:00:00","slug":"see-it-through-my-eyes","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/see-it-through-my-eyes\/","title":{"rendered":"See It Through My Eyes"},"content":{"rendered":"<p>Occasionally, when an artist breaks out into the big time, a<br \/>\nrecord company releases work from their past. Even more<br \/>\noccasionally, it&#8217;s good. It&#8217;s more likely, however, the work is,<br \/>\nshall we say, substandard. It&#8217;s a crapshoot where the odds are<br \/>\nstacked against you.<\/p>\n<p>Because of this, I didn&#8217;t pick up Meredith Brooks&#8217; first CD,<br \/>\n<i>See It Through My Eyes<\/i>, until I found it used and tres<br \/>\ncheap. Despite the fact I&#8217;m a big fan of both her<br \/>\n<i>Blurring The Edges<\/i> and<br \/>\n<i>Deconstruction<\/i> CDs, I was, frankly, a touch nervous about<br \/>\nthis one. And guess what, gang? I was<br \/>\n<b>right<\/b> to be nervous. Meredith, I love you, but this is<br \/>\nfrankly<br \/>\n<b><br \/>\n<i>awful<\/i><br \/>\n<\/b> .<\/p>\n<p>Despite its 1997 release date, these songs were originally<br \/>\nrecorded in 1984 by a much younger and much less skilled Brooks,<br \/>\nand it shows. Boy, does it show. The entire album feels like a<br \/>\nMissing Persons or Scandal knockoff, complete with shallow power<br \/>\nballads and drum machines. At any moment, I expect to hear Debbie<br \/>\nGibson&#8217;s vocals kick in rather than Brooks&#8217;, and in fact her<br \/>\ndelivery is immature enough compared to her nineties work you begin<br \/>\nto notice<br \/>\n<i>she<\/i> sounds like Debbie Gibson in places.<\/p>\n<p>Perhaps the most painful element is that Brooks&#8217; guitar playing<br \/>\nis still<br \/>\n<i>good<\/i> through this morass of early MTV cliches &#8212; when you<br \/>\ncan hear it, which isn&#8217;t often. But the songs are so bad it&#8217;s<br \/>\nalmost impossible to appreciate it. There are occasionally moments<br \/>\nwhere Brooks&#8217; attitude and style shows up for a moment, but they&#8217;re<br \/>\nfew and far between. Most of the time, this is just a reminder of<br \/>\nwhy it sucked to be a female rocker in the eighties. This album<br \/>\nprobably isn&#8217;t even Brooks&#8217; fault. I couldn&#8217;t find any information<br \/>\nanywhere on it, but I suspect these babies are demo tapes that<br \/>\nsomeone decided to make a buck off of.<\/p>\n<p>There are a couple of barely-acceptable tracks. &#8220;Pick It Up&#8221; and<br \/>\n&#8220;The Look&#8221; are occasionally interesting, as straight-ahead as rock<br \/>\ngets under these circumstances. &#8220;Video Idol&#8221; has a mildly hooky<br \/>\nmelody and keyboard line. But mostly,<br \/>\n<i>See It Through My Eyes<\/i> is a trite collection of really bad<br \/>\neighties cliches, a stale confection of bad cheese and boring<br \/>\nfilling. It&#8217;s a record company (and remember, all A&#038;R men must<br \/>\ndie) sucking off an artist&#8217;s current success like some sort of<br \/>\ngiant, bloated, timetraveling leech.<\/p>\n<p>Meredith Brooks deserved better than this, and eventually (some<br \/>\n15 years later) she&#8217;d get it. However, unless you have some insane<br \/>\ndesire to torture yourself, avoid<br \/>\n<i>See It Through My Eyes<\/i> like the plague.<\/p>\n","protected":false},"author":18,"featured_media":25385,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[6314],"rating":[11203],"class_list":["post-36591","review","type-review","status-publish","has-post-thumbnail","artist-meredith-brooks","rating-rating-d-minus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/36591","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/18"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=36591"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/36591\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/25385"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=36591"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=36591"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=36591"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=36591"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}