{"id":36593,"date":"2000-04-19T00:00:00","date_gmt":"2000-04-19T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/untitled-3\/"},"modified":"2000-04-19T00:00:00","modified_gmt":"2000-04-19T00:00:00","slug":"untitled-3","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/untitled-3\/","title":{"rendered":"Untitled"},"content":{"rendered":"<p>Oh, how time flies. In two years, this will be the tenth<br \/>\nanniversary soundtrack for a landmark time in rock. Indeed,<br \/>\n<i>Singles<\/i> was just as powerful a statement in music as the<br \/>\n<i>Saturday Night Fever<\/i> soundtrack. The Seattle music scene<br \/>\nliterally changed the way some music executives thought of the<br \/>\nmusic industry for a couple of years. Now, as Kim Deal of the<br \/>\nBreeders says, &#8220;It&#8217;s all about ass again.&#8221;<\/p>\n<p>True, and many of the fans who flocked to the flannel bandwagon<br \/>\nimmediately dove off when Hootie and the Blowfish offered its own<br \/>\n&#8220;back to rock&#8221; movement. While the &#8217;60s counterculture had their<br \/>\n&#8216;Summer of Love,&#8221; the hyper-rate of information of the &#8217;90s barely<br \/>\ngave the Seattle music scene a chance to prosper. It was less than<br \/>\na year-and-a-half between the time<br \/>\n<i>Badmotorfinger<\/i> hit the stores and a crowd-surfing commercial<br \/>\nfrom Budweiser hit the air.<\/p>\n<p>But enough about the &#8220;movement,&#8221; lets focus on the music.<br \/>\nSurprisingly,<br \/>\n<i>Singles<\/i> ages pretty well. For all of the movie&#8217;s faux-coffee<br \/>\nhouse pompus bluster, the soundtrack did provide an excellent<br \/>\nsnapshot at what was going on musically at that time.<\/p>\n<p>Chart-toppers Alice in Chains, Pearl Jam and Soundgarden all<br \/>\nprovide strong songs and show bands who were still in their hungry<br \/>\nyears. Alice in Chains&#8217; &#8220;Would&#8221; hooks you with a nimble bass line<br \/>\nand powerful lyrics to boot. &#8220;State of Love and Trust&#8221; shows Pearl<br \/>\nJam at their most ideologic, still thinking they could take over<br \/>\nthe music world and hold on to their integrety.<\/p>\n<p>Cult-favorites Mudhoney and the Screaming Trees also contribute<br \/>\nto the soundtrack. Screaming Trees had a minor hit with &#8220;Nearly<br \/>\nLost You&#8221; and Mudhoney gave their opinion on the overexposure with<br \/>\nthe snotty, &#8220;Overblown.&#8221; I remember sitting in the coffee house,<br \/>\nplaying chess and trying to talk philosophy as best as I could for<br \/>\nan 18-year-old when I could literally see the unsettling looks of<br \/>\nmost of the patrons when this song came on. Typical line, &#8220;All of<br \/>\nthe bands from Seattle rock, except for Mudhoney.&#8221; Oh well, that&#8217;s<br \/>\nwhat true punks do: agitate.<\/p>\n<p>Perhaps the most heartfelt moment of the album comes from the<br \/>\nepic ballad from Mother Love Bone. &#8220;Chloe Dancer\/Crown Of Thorns&#8221;<br \/>\nmay have been a tad over-dramatic, but it was a dream of a song to<br \/>\nlisten to in your car when you broke up with that special someone<br \/>\nwho you knew you would never get over after high school. Hearing<br \/>\nAndy Wood&#8217;s voice along with the other voices of<br \/>\n<i>Singles<\/i> shows what might have happened if Wood would have<br \/>\nsurvived his overdose. Pearl Jam and Soundgarden may not have even<br \/>\nmade it to the soundtrack.<\/p>\n<p>To balance things out, Paul Westerberg, about 3\/4 sober at the<br \/>\ntime in 1992, contributes some poppy tunes with &#8220;Dyslexic Heart&#8221;<br \/>\nand &#8220;Waiting For Somebody.&#8221; Though these are a far cry from his<br \/>\nsolo debut and his work with the Replacements, Westerberg&#8217;s voice<br \/>\nis inspiring to hear on this collection, especially since he had a<br \/>\nprofound impact on many of the bands in college rock.<\/p>\n<p>And for real classic rock fans, Jimi Hendrix&#8217;s &#8220;May This Be<br \/>\nLove&#8221; and The Lovemongers&#8217;s (read: Ann and Nancy Wilson of Heart)<br \/>\nalmost too-perfect cover of Led Zeppelin&#8217;s &#8220;Battle Of Evermore&#8221; are<br \/>\nfeatured. Finally, the album closes with &#8220;Drown,&#8221; by the Smashing<br \/>\nPumpkins. No, the band did not come from Seattle, but its inclusion<br \/>\nshowed that it didn&#8217;t have to take a band from Seattle to make a<br \/>\nsplash in &#8220;alternative&#8221; music in the early 1990s.<\/p>\n<p>So, fast forward to the 2000s. Soundgarden is no more, Smashing<br \/>\nPumpkins barely made a dent with their last album and lord only<br \/>\nknows where Alice in Chains are. You would think that this would<br \/>\nmake the soundtrack horribly dated, but it remains surprisingly<br \/>\nfresh, which is more than I can say about the movie. The exclusion<br \/>\nof Nirvana doesn&#8217;t need to be dwelled on terribly.<br \/>\n<i>Singles<\/i> did well on the charts because the audience was<br \/>\nthere to hear something new.<\/p>\n<p>And though some albums of the &#8220;grunge&#8221; movement haven&#8217;t aged<br \/>\nwell at all,<br \/>\n<i>Singles<\/i> still has that intangiable element that make it a<br \/>\ngreat soundtrack: most of the bands on it had a youthful optimism<br \/>\nand a hunger that they could in fact, make a difference. And for<br \/>\nnearly two years, most of the bands on the soundtrack made a great<br \/>\ndeal of difference.<\/p>\n","protected":false},"author":7,"featured_media":25387,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[],"rating":[5613],"class_list":["post-36593","review","type-review","status-publish","has-post-thumbnail","rating-rating-a-minus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/36593","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=36593"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/36593\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/25387"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=36593"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=36593"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=36593"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=36593"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}