{"id":36601,"date":"2000-04-29T00:00:00","date_gmt":"2000-04-29T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/elemental\/"},"modified":"2000-04-29T00:00:00","modified_gmt":"2000-04-29T00:00:00","slug":"elemental","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/elemental\/","title":{"rendered":"Elemental"},"content":{"rendered":"<p>I have a problem with bands which were once a duo, breaking up<br \/>\nand a sole member carrying on with the original band name. It just<br \/>\ngoes against my grain. To me, this behavior represents the ultimate<br \/>\nin cashing in on previous success. And I kind of feel gypped buying<br \/>\nan album only to discover it contains half product, so to<br \/>\nspeak.<\/p>\n<p>The band Tears For Fears is now a moniker for Roland Orzabal&#8217;s<br \/>\nsolo efforts. The dynamic of the duo is missing and it shows. Not<br \/>\nthat Kurt Smith was a musical genius (Orzabal was the principle<br \/>\nsongwriter) or that his pretty face could out shine Orzabal&#8217;s stage<br \/>\npresence. It&#8217;s just that together they were so much more. Orzabal<br \/>\nprobably brought out Smith&#8217;s abilities and Smith probably tempered<br \/>\nOrzabal&#8217;s self-inflation tendencies.<\/p>\n<p>\n<i>Elemental<\/i> was the first release after the schism. A mediocre<br \/>\nalbum with a few high points and a definite low point. This work<br \/>\nlacks the giddying heights in production we experienced in<br \/>\n<i>Songs From The Big Chair<\/i> and Orzabal&#8217;s songwriting skills<br \/>\nhave gotten a little rusty.<br \/>\n<i>Elemental<\/i> is an album filled with social commentary cum<br \/>\nmoralistic soapbox preaching. It gets old real fast and you find<br \/>\nyourself asking &#8220;Just who in the hell does Orzabal think he<br \/>\nis?&#8221;<\/p>\n<p>Nowhere is this more evident then on the song &#8220;Fish Out Of<br \/>\nWater.&#8221; Here Orzabal takes valuable album space to air the dirty<br \/>\nlaundry between him and Smith. I hate to get involved in others<br \/>\nsquabbles and the last thing I need is to hear someone&#8217;s side of<br \/>\nthe story set to lackluster music. Hey, Roland, couldn&#8217;t you have<br \/>\njust written Kurt a letter and spared us all?<\/p>\n<p>On the songwriting front: Some of these songs are just<br \/>\nincomprehensible no matter which way you slice &#8217;em. For instance,<br \/>\nin &#8220;Dog&#8217;s A Best Friend&#8217;s Dog,&#8221; Orzabal sings: &#8220;Three is a crowd \/<br \/>\nTwo is a dog and me playing \/ (What&#8217;s he saying) \/ Free as a cloud<br \/>\n\/ No one ever really knew you \/ Make clear your illusion no, no,<br \/>\nno.&#8221; The words in parentheses represent a backing chorus. Seems<br \/>\neven the back-up singers were having interpretation problems.<\/p>\n<p>To be fair, there are some pleasant moments on the album. &#8220;Cold&#8221;<br \/>\nand &#8220;Break It Down Again&#8221; offer up some catchy melodies. The warmth<br \/>\nof &#8220;Brian Wilson Said&#8221; stands out among the rest of the songs.<br \/>\nThough Orzabal apes the Beach Boy sound he still leaves enough room<br \/>\nfor his own style to show through. The rest of the album, though,<br \/>\nis basically filler, songs with no glimmer of inspiration.<\/p>\n<p>There is a rumor that Orzabal will soon be recording under his<br \/>\nown name. I say, Amen! It&#8217;s high time this nonsense ended. Perhaps<br \/>\nwith the change will come a fresh approach to song writing and he<br \/>\ncan achieve success in his own right and not with the name of a now<br \/>\ndefunct duo.<\/p>\n","protected":false},"author":26,"featured_media":25395,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[6318],"rating":[5619],"class_list":["post-36601","review","type-review","status-publish","has-post-thumbnail","artist-tears-for-fears","rating-rating-c"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/36601","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/26"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=36601"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/36601\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/25395"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=36601"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=36601"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=36601"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}