{"id":36607,"date":"2000-05-07T00:00:00","date_gmt":"2000-05-07T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/another-page\/"},"modified":"2000-05-07T00:00:00","modified_gmt":"2000-05-07T00:00:00","slug":"another-page","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/another-page\/","title":{"rendered":"Another Page"},"content":{"rendered":"<p>If I had been active in the music industry in 1983, I don&#8217;t<br \/>\nthink I would have wanted to trade places with Christopher Cross<br \/>\nfor anything in the world. Here&#8217;s a guy who had just come off<br \/>\nstellar success with his debut album, winning five Grammys for his<br \/>\nwork. He was almost constantly on the radio with songs like &#8220;Ride<br \/>\nLike The Wind&#8221; and &#8220;Sailing&#8221;. If this wasn&#8217;t enough, he won an<br \/>\nAcademy Award for his contribution to the film<br \/>\n<i>Arthur<\/i>.<\/p>\n<p>Oh, sure, it all sounds great on paper (okay, computer screen&#8230;<br \/>\nwhatever&#8230;). But when it came time for Cross to work on his second<br \/>\nalbum, the pressure that had to be on him to deliver surely was<br \/>\nintense. Screw the &#8220;sophomore slump&#8221; I keep talking about; Cross<br \/>\nwould probably have to serve up Jesus himself as a backing vocalist<br \/>\nto live up to people&#8217;s expectations.<\/p>\n<p>That album,<br \/>\n<i>Another Page<\/i>, was seen as a commercial disappointment, even<br \/>\nthough it sold (if I remember my numbers correctly) about 3 million<br \/>\ncopies. Artistically, while this album has some classic songs (and<br \/>\nI&#8217;m not just talking about the ones that got radio play), it is<br \/>\nindeed lacking. I&#8217;m stopping short of calling the album<br \/>\ndisappointing, &#8217;cause it&#8217;s by no means a failure&#8230; but it seemed<br \/>\nlike Cross ran out of gas.<\/p>\n<p>The two hits off<br \/>\n<i>Another Page<\/i> still sound fresh &#8211; one track, &#8220;Think Of<br \/>\nLaura,&#8221; actually sounds more in its environment now that you don&#8217;t<br \/>\nhear it played every five minutes or tied to<br \/>\n<i>General Hospital<\/i>. (For the record, the song was written<br \/>\nabout a deceased friend of Cross&#8217;s, not for the television soap. It<br \/>\nwas coincidence that the whole &#8220;Luke &#038; Laura&#8221; thing was going<br \/>\non at that time.) Now that I&#8217;ve had the chance to hear the words of<br \/>\nthe song without mentally tieing the song to anything, I&#8217;ve got to<br \/>\nadmit: the lyrics are some of the most powerful and emotional I&#8217;ve<br \/>\nheard in some time. If there&#8217;s a way to be immortalized by song,<br \/>\nthis isn&#8217;t a bad example at all.<\/p>\n<p>The other track, &#8220;All Right,&#8221; sounds like it could have been a<br \/>\nleftover from the<br \/>\n<i>Christopher Cross<\/i> sessions, right down to the appearance of<br \/>\nMichael McDonald (who also guested on the first album). It&#8217;s not a<br \/>\nbad track, though I&#8217;ll freely admit it&#8217;s a little more lightweight<br \/>\nthan the singles from<br \/>\n<i>Christopher Cross<\/i>. But it&#8217;s an enjoyable track, so I&#8217;m<br \/>\nwilling to cut it a little slack.<\/p>\n<p>There are some pleasant surprises awaiting you on<br \/>\n<i>Another Page<\/i>. Tracks like &#8220;No Time For Talk&#8221; (which has<br \/>\nsubtle ties to &#8220;Ride Like The Wind&#8221;), &#8220;Deal &#8216;Em Again&#8221; and &#8220;Talking<br \/>\nIn My Sleep&#8221; show that sometimes the brightest nuggets of gold<br \/>\naren&#8217;t the ones that get the airplay.<\/p>\n<p>There are two distinct problems with<br \/>\n<i>Another Page<\/i>, though. First, I tend to think that Cross<br \/>\nrelies on guest musicians too much on this album. Granted,<br \/>\nsometimes you might not catch their presence unless you&#8217;re reading<br \/>\nthe liner notes. But I tend to think that the material would have<br \/>\nstood on its own just as well without overreliance on Don Henley,<br \/>\nArt Garfunkel, J.D. Souther, Karla Bonoff&#8230; and even McDonald.<br \/>\nIt&#8217;s almost like he&#8217;s brought back as a &#8220;good luck charm&#8221; for this<br \/>\ndisc. (Admittedly, his contribution to &#8220;All Right&#8221; I liked.)<\/p>\n<p>Second, the songwriting on this disc, in general, is kind of<br \/>\nuninspired and lackluster. &#8220;Baby Says No,&#8221; a track with Beach Boy<br \/>\nCarl Wilson, probably should have been the highlight of this disc;<br \/>\ninstead, it tends to drag and doesn&#8217;t really allow the listener to<br \/>\nget into it. The same could be said for songs like &#8220;Nature Of The<br \/>\nGame,&#8221; &#8220;Words Of Wisdom&#8221; and &#8220;What Am I Supposed To Believe&#8221;.<br \/>\nThey&#8217;re okay as background music, but there&#8217;s really not a lot of<br \/>\nsubstance to them.<\/p>\n<p>I admit I&#8217;m kind of walking on eggshells a bit, seeing this is<br \/>\nthe first output from Cross I&#8217;ve heard that I was disappointed in.<br \/>\nBut I think that no matter what he had put out, people were going<br \/>\nto see the negative in it. (These days, we call this &#8220;Hootie And<br \/>\nThe Blowfish&#8221; syndrome.) Even if Cross had met people&#8217;s<br \/>\nexpectations, that would have caused listeners to raise the bar<br \/>\neven higher for the next outing&#8230; and that would have been a<br \/>\ndamned impossible feat to accomplish. So, in a way, maybe it&#8217;s good<br \/>\nthat Cross got this out of his system, and forced people to throw<br \/>\naway their expectations and take future releases at face value.<\/p>\n<p>\n<i>Another Page<\/i> is by no means a bad album, and still has signs<br \/>\nof why Cross became such a star in the early &#8217;80s. But it did<br \/>\nrepresent a step backward for him. Whether it was his own personal<br \/>\ncircumstances or expectations shoving him backward, I don&#8217;t quite<br \/>\nknow.<\/p>\n","protected":false},"author":2,"featured_media":25401,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[6254],"rating":[5614],"class_list":["post-36607","review","type-review","status-publish","has-post-thumbnail","artist-christopher-cross","rating-rating-c-plus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/36607","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=36607"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/36607\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/25401"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=36607"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=36607"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=36607"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=36607"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}