{"id":36608,"date":"2000-05-08T00:00:00","date_gmt":"2000-05-08T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/godspeed-the-shazam\/"},"modified":"2000-05-08T00:00:00","modified_gmt":"2000-05-08T00:00:00","slug":"godspeed-the-shazam","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/godspeed-the-shazam\/","title":{"rendered":"Godspeed The Shazam"},"content":{"rendered":"<p>I can&#8217;t remember the last time I heard a CD that really made my<br \/>\njaw drop in excitement. This is what happened when I first heard<br \/>\nthe latest CD from the Nashville rock band The Shazam. Oh, I have<br \/>\nheard plenty of excellent, well-crafted CD&#8217;s lately, but not one<br \/>\nthat really got my heart racing like this one. Their debut CD was a<br \/>\nwonderful slice of hard-edged power pop sounding like a cross<br \/>\nbetween Cheap Trick and The Replacements. Now this second CD,<br \/>\n<i>Godspeed The Shazam<\/i>, ups the ante by showing both musical<br \/>\nand songwriting growth by leaps and bounds.<\/p>\n<p>On the musical side, it&#8217;s as if the band listened a lot to late<br \/>\n60&#8217;s Beach Boys and early 80&#8217;s XTC and Rain Parade before recording<br \/>\ntheir new CD, as they have developed a quirky, somewhat psychedelic<br \/>\nsound. They have somehow done this without losing the edge that<br \/>\nmade the debut CD so good. For example, &#8220;RU Receiving&#8221; sounds like<br \/>\nCheap Trick doing a cover of the early XTC song &#8220;Are You Receiving<br \/>\nMe?&#8221; managing to capture the essence of two very different bands<br \/>\nbeautifully with no musical whiplash. No small feat.<\/p>\n<p>Their Brian Wilson influence is very evident on songs like<br \/>\n&#8220;Calling Sydney&#8221; bringing an unlikely rock instrument like the<br \/>\ntympani drums into the fold. And &#8220;Sparkleroom&#8221; has overt references<br \/>\nto Wilson and his Beach Boys both sonically and in the chorus with<br \/>\nthe lyric &#8220;Come on surfer girl.&#8221; Of course, not being a &#8217;60s band,<br \/>\nthey inject these songs with a bit of cynicism.<\/p>\n<p>The Shazam also displays a very silly side to their music.<br \/>\n&#8220;Chipper Cherry Daylily&#8221; is a very weird sendup on psychedelic<br \/>\nmusic recalling David Bowie at his strangest. &#8220;City Smasher&#8221; is a<br \/>\nharder edged curiousity displaying an almost Monty Python-like<br \/>\nsense of humour. These two songs may be a little over the top, but<br \/>\nthey do show a lot of imagination. Producer Brad Jones does a great<br \/>\njob making every song on the CD sound unique.<\/p>\n<p>However,<br \/>\n<i>Godspeed The Shazam<\/i> isn&#8217;t just about great arrangements. The<br \/>\nShazam&#8217;s lead singer and songwriter Hans Rottenberry has written<br \/>\none of the best songs I&#8217;ve heard in a while in &#8220;Super Tuesday,&#8221;<br \/>\nusing the political primaries as a metaphor for a sagging<br \/>\nrelationship. He also manages to drop the cynicism for the earnest<br \/>\nbut clever love song &#8220;Some Other Time.&#8221; The midtempo ballad &#8220;The<br \/>\nStranded Stars&#8221; also shows Rottenberry&#8217;s tender side as well.<\/p>\n<p>The Shazam finish the CD with two very different type of songs:<br \/>\na moody piece called &#8220;Better World&#8221; which shows they listen to Big<br \/>\nStar as well, and the Replacements-like rocker &#8220;Gonna Miss Yer<br \/>\nTrain,&#8221; which is there to remind the listeners that they haven&#8217;t<br \/>\nforgotten how to do a straight rock song.<\/p>\n<p>In short,<br \/>\n<i>Godspeed The Shazam<\/i> is an impressive tour de force that has<br \/>\na little something for every pop fan. Very rarely have I come<br \/>\nacross a CD with such creativity all the way through. It is really<br \/>\na shame that they have gone unnoticed by the public.<\/p>\n","protected":false},"author":17,"featured_media":25402,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[6322],"rating":[5646],"class_list":["post-36608","review","type-review","status-publish","has-post-thumbnail","artist-the-shazam","rating-rating-a"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/36608","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/17"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=36608"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/36608\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/25402"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=36608"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=36608"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=36608"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=36608"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}