{"id":36613,"date":"2000-05-14T00:00:00","date_gmt":"2000-05-14T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/radford\/"},"modified":"2000-05-14T00:00:00","modified_gmt":"2000-05-14T00:00:00","slug":"radford","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/radford\/","title":{"rendered":"Radford"},"content":{"rendered":"<p>Radford is a band that confuses me.<\/p>\n<p>On one hand, their self-titled debut release has the quirky<br \/>\nsound of late-&#8217;70s bands that is both hard to pin down and is quite<br \/>\nappealing to my ear. On the other hand, it almost sounds like I&#8217;m<br \/>\nlistening to the love child of The Stone Roses, Oasis and The<br \/>\nCharlatans UK with the overlapping guitar and vocal work. The end<br \/>\nresult is still a very listenable album, though you might find your<br \/>\nhead spinning by the end.<\/p>\n<p>The band &#8211; vocalist\/guitarist Jonny Mead, guitarist\/vocalist<br \/>\nChris Hower, bassist\/vocalist Bobby Stefano and drummer\/vocalist<br \/>\nKane McGee &#8211; obviously know how to write decent songs; this is<br \/>\nevident throughout<br \/>\n<i>Radford<\/i>. Tracks like &#8220;Don&#8217;t Stop,&#8221; &#8220;Come On,&#8221; &#8220;Over You&#8221; and<br \/>\n&#8220;Ash In My Life&#8221; all appeal to the listener&#8217;s emotions and senses<br \/>\nin a unique way. But often I found myself wondering, &#8220;Is this<br \/>\nreally Oasis without the heavy accents?&#8221; There is a touch of the<br \/>\nBritpop<br \/>\n<i>wunderkids<\/i> in Radford&#8217;s music, but not so much that you<br \/>\nwould scream &#8220;copycat&#8221;.<\/p>\n<p>Instead, Radford seems to draw their musical inspiration from<br \/>\ngroups like The Stone Roses and The Charlatans UK, both of whom<br \/>\nseemed to perfect the layered sound of guitar armies and vocals.<br \/>\nRadford has learned these lessons, though the occasional feedback<br \/>\nweirdness in &#8220;You&#8217;ve Got Friends&#8221; threatens to take the listener<br \/>\nout of the mix far too early. I hadn&#8217;t recovered from that even by<br \/>\nthe time I got through the second track &#8220;Closer To Myself&#8221;.<\/p>\n<p>But where Radford do inject their own signature into the mix is<br \/>\nwhen there is an acoustic vein thrown into the pot. Tracks like<br \/>\n&#8220;Fly&#8221; and &#8220;How Does It Feel?&#8221; greatly benefit from this twist, and<br \/>\nit allows some fresh air to come into the project. If anything,<br \/>\nthese breaks help to rejuvanate the music, and tracks like &#8220;Stand<br \/>\nOn The Moon&#8221; and &#8220;Overflow&#8221; seem to be more palatable.<\/p>\n<p>\n<i>Radford<\/i> is by no means a bad album, nor is Radford a bad<br \/>\ngroup. There is a lot of promise that this quartet has in store,<br \/>\nand it will be fun to follow them throughout their career. But<br \/>\nwhile their first album is still a pleasant enough listen, it<br \/>\nalmost feels like they took the safe route with it &#8211; and if I were<br \/>\nmaking my living as a musician, I can&#8217;t say I wouldn&#8217;t do the same<br \/>\nthing. This is still a disc worth checking out, especially if you<br \/>\nlike late-&#8217;80s Britpop with a twist.<\/p>\n","protected":false},"author":2,"featured_media":25407,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[6326],"rating":[5612],"class_list":["post-36613","review","type-review","status-publish","has-post-thumbnail","artist-radford","rating-rating-b-minus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/36613","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=36613"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/36613\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/25407"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=36613"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=36613"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=36613"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=36613"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}