{"id":36614,"date":"2000-05-15T00:00:00","date_gmt":"2000-05-15T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/left-for-live\/"},"modified":"2000-05-15T00:00:00","modified_gmt":"2000-05-15T00:00:00","slug":"left-for-live","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/left-for-live\/","title":{"rendered":"Left For Live"},"content":{"rendered":"<p>John Entwistle&#8217;s bass work has a unique sound that is hard to<br \/>\nmiss. There&#8217;s that distinctive thump-slap that rings out over all<br \/>\nthe other instrumentation and vocals that lets you know that &#8220;The<br \/>\nOx&#8221; is behind the four-string.<\/p>\n<p>Of course, when he steps out of his role as the bassist for The<br \/>\nWho, he often assumes the role of bandleader, as he does on<br \/>\n<i>Left For Live<\/i> by The John Entwistle Band. And while the<br \/>\nperformances here are palatable, sometimes you can&#8217;t help but wish<br \/>\nyou were listening to The Who instead of Entwistle&#8217;s own<br \/>\nensemble.<\/p>\n<p>Naturally, a generous helping of Who tracks helps to feed this<br \/>\nurge, from the well-known (&#8220;The Real Me,&#8221; &#8220;Young Man Blues&#8221;) to the<br \/>\nlesser-known (&#8220;Had Enough,&#8221; &#8220;905&#8221;). The performances on these<br \/>\ntracks are especially inspiring &#8211; so much so that if you had the<br \/>\ndisc on and someone came into the house, they might think you were<br \/>\nlistening to an unreleased Who live show. This is meant has high<br \/>\npraise for Entwistle&#8217;s bandmates &#8211; guitarist\/vocalist Godfrey<br \/>\nTownsend, keyboardist\/vocalist Gordon Cotten and drummer\/vocalist<br \/>\nSteve Luongo.<\/p>\n<p>Three things quickly strike me about<br \/>\n<i>Left For Live<\/i>, though. First, I really wish the liner notes<br \/>\nspecified whether Entwistle handled the bulk of the lead vocals or<br \/>\nwhether they were shared throughout the band. There seemed to be<br \/>\nenough variety to warrant the opinion that the duties were<br \/>\nsplit.<\/p>\n<p>Second, whoever mixed this album should be shot for burying<br \/>\nEntwistle&#8217;s pre-song comments so far back into the mix. I had to<br \/>\ncrank up the volume on my old JVC receiver to hear what he was<br \/>\nsaying, especially on the intro to &#8220;905&#8221; &#8211; and damn near blew out<br \/>\nthe windows in my office when the music kicked in. (Yeah, great way<br \/>\nto impress the new neighbors.)<\/p>\n<p>Third &#8211; I don&#8217;t know exactly why, but the non-Who material<br \/>\ntended to suffer in comparison. It&#8217;s not that tracks like &#8220;Darker<br \/>\nSide Of Night,&#8221; &#8220;Success Story&#8221; or &#8220;Too Late The Hero&#8221; were bad,<br \/>\nbut it&#8217;s hard to separate Entwistle the solo artist from Entwistle<br \/>\nthe key member of The Who when the music is so intertwined like it<br \/>\nis here.<\/p>\n<p>Unfortunately, some of the performances do suffer. &#8220;Under A<br \/>\nRaging Moon&#8221; doesn&#8217;t live up to its billing as a tribute to<br \/>\nEntwistle&#8217;s late bandmate, especially when a rather lackluster drum<br \/>\nsolo fills up half the song. Other tracks, like &#8220;Endless Vacation&#8221;<br \/>\nand &#8220;I&#8217;ll Try Again Today,&#8221; just don&#8217;t cut the mustard.<\/p>\n<p>In the end, though, it is the tracks once recorded by The Who<br \/>\nthat save the day for Entwistle and company &#8211; and somehow, I don&#8217;t<br \/>\nthink that was the original intention.<br \/>\n<i>Left For Live<\/i> has its moments, and is sure to be somewhat<br \/>\npleasing to both Entwistle and Who fans alike&#8230; but this disc<br \/>\nreally is a sign of what could have been a solo triumph for<br \/>\nEntwistle.<\/p>\n","protected":false},"author":2,"featured_media":25408,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[6327],"rating":[5612],"class_list":["post-36614","review","type-review","status-publish","has-post-thumbnail","artist-the-john-entwistle-band","rating-rating-b-minus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/36614","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=36614"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/36614\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/25408"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=36614"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=36614"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=36614"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=36614"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}