{"id":36618,"date":"2000-05-19T00:00:00","date_gmt":"2000-05-19T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/gladiator\/"},"modified":"2000-05-19T00:00:00","modified_gmt":"2000-05-19T00:00:00","slug":"gladiator","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/gladiator\/","title":{"rendered":"Gladiator"},"content":{"rendered":"<p>Here in the halls of the Pierce Memorial Archives, there is a<br \/>\ngroup of people who occasionally drop in to see what new goodies<br \/>\nI&#8217;ve received in the mail. Sometimes, they don&#8217;t recoil in disgust<br \/>\n&#8211; I consider that to be a good day.<\/p>\n<p>One of these people, Carmen, came in the other day, and I<br \/>\nhappened to flip the soundtrack to<br \/>\n<i>Gladiator<\/i> her way to look at. (I had just re-discovered I<br \/>\nhad this disc.) She looked at it and said, &#8220;I just saw the movie,<br \/>\nand I absolutely loved the music!&#8221;<\/p>\n<p>I can&#8217;t claim to have seen the movie (gimme a break, I&#8217;ve got<br \/>\nproperty taxes to worry about now), but I have to agree with<br \/>\nCarmen: the music that is featured on this soundtrack is<br \/>\nbreathtaking, even if it&#8217;s a little too quiet at times.<\/p>\n<p>This work, created by Hans Zimmer and former Dead Can Dance<br \/>\nmember Lisa Gerrard, is so powerful that the music could actually<br \/>\nstand on its own without the benefit of the Ridley Scott film. If<br \/>\nyou&#8217;ve ever wondered what classical music would sound like in the<br \/>\n21st Century, this is it &#8211; and it&#8217;s insanely beautiful.<\/p>\n<p>Normally, I&#8217;m not crazy when musical works segue into one<br \/>\nanother &#8211; but in the case of<br \/>\n<i>Gladiator<\/i>, this works well. It almost allows for a natural<br \/>\nebb and flow of the music, allowing the listener to experience the<br \/>\nentire gamut of emotions that one can experience listening to<br \/>\nmusic. From the gentle build of &#8220;Progeny&#8221; and &#8220;The Wheat&#8221; to the<br \/>\nfull-force onslaught of &#8220;The Battle,&#8221; Zimmer and Gerard seem to<br \/>\nknow the right moments to steer the listener&#8217;s thoughts and<br \/>\nfeelings.<\/p>\n<p>That said, there are a few times when I wish the volume of the<br \/>\nmix had been cranked up just a little bit. On the more fully<br \/>\norchestrated pieces like &#8220;Barbarian Horde&#8221; and &#8220;Am I Not<br \/>\nMerciful?&#8221;,.the balance is perfect, but on the more gentle pieces<br \/>\nlike &#8220;The Wheat,&#8221; &#8220;To Zucchabar&#8221; and &#8220;Reunion,&#8221; it wouldn&#8217;t have<br \/>\nhurt the overall composition to have raised the overall volume a<br \/>\nnotch or two in the mix.<\/p>\n<p>Zimmer is no stranger to the world of film scoring; his name<br \/>\nmight be best known for his work on Disney&#8217;s<br \/>\n<i>The Lion King<\/i>. This is only Gerrard&#8217;s second film scoring<br \/>\nproject (the other being<br \/>\n<i>The Insider<\/i>), but it doesn&#8217;t take Caesar Augustus to figure<br \/>\nout that this partnership is just beginning to come to fruition. It<br \/>\nis my sincere hope that Zimmer and Gerard will work together again<br \/>\nin the near future; what they could come up with is simply too<br \/>\nexciting to imagine.<\/p>\n<p>\n<i>Gladiator<\/i> is the kind of soundtrack that will have you on<br \/>\nthe edge of your seat &#8211; even if you&#8217;ve never seen the film. It is<br \/>\none of the best overall soundtracks I&#8217;ve heard in a long time, and<br \/>\nis well worth picking up for your collection.<\/p>\n","protected":false},"author":2,"featured_media":25412,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[5729],"rating":[5613],"class_list":["post-36618","review","type-review","status-publish","has-post-thumbnail","artist-soundtrack","rating-rating-a-minus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/36618","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=36618"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/36618\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/25412"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=36618"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=36618"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=36618"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=36618"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}