{"id":36636,"date":"2000-06-06T00:00:00","date_gmt":"2000-06-06T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/strength\/"},"modified":"2000-06-06T00:00:00","modified_gmt":"2000-06-06T00:00:00","slug":"strength","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/strength\/","title":{"rendered":"Strength"},"content":{"rendered":"<p>Enuff Z&#8217;Nuff is a band that remains a paradox to me &#8212; which is<br \/>\none reason why I&#8217;ve been spending a lot of time listening to their<br \/>\ndiscography in the order of release. (Memo to the band&#8217;s publicist:<br \/>\nThat&#8217;s why you haven&#8217;t seen the reviews of the re-issues&#8230; but<br \/>\nthey are coming!) And yet the more I listen to<br \/>\n<i>Strength<\/i>, the band&#8217;s 1991 sophomore effort, the more I get<br \/>\nconfused.<\/p>\n<p>On one hand, you have Chip Z&#8217;Nuff and crew putting forth a solid<br \/>\neffort that abandons the few silly concepts that they tried out on<br \/>\ntheir debut release. But this disc also seems to feature the band<br \/>\ntaking a turn towards more serious music fare &#8212; and the results<br \/>\ncan get a little spotty at times.<\/p>\n<p>There&#8217;s enough material on this disc to let you know that the<br \/>\ngroup hasn&#8217;t forgotten how to turn up the amps to 11 and rock out<br \/>\nuntil the plaster falls off of your ceiling. Tracks like &#8220;Heaven Or<br \/>\nHell,&#8221; &#8220;The World Is A Gutter,&#8221; and the slightly slower &#8220;Holly Wood<br \/>\nYa&#8221; show how far the band has come since<br \/>\n<i>Enuff Z&#8217;Nuff<\/i> hit the stands.<\/p>\n<p>But more often than not, Enuff Z&#8217;Nuff seems to stray into music<br \/>\nthat is less flash and more substance on<br \/>\n<i>Strength<\/i>. Tracks like &#8220;Mother&#8217;s Eyes,&#8221; &#8220;Blue Island,&#8221; &#8220;In<br \/>\nCrowd&#8221; and &#8220;Baby Loves You&#8221; work well in this fashion, proving that<br \/>\nthere was much more to this group than the hair styles of the<br \/>\nday.<\/p>\n<p>Ah &#8212; but there are occasional craters. &#8220;Strength&#8221; gets weighed<br \/>\ndown a little too much in the arrangements, including a violin solo<br \/>\nfrom Johnny Frigo (father of guitarist Derek Frigo). Likewise,<br \/>\n&#8220;Time To Let You Go&#8221; seems like too slow of a way to end an album<br \/>\nthat had so much power and promise.<\/p>\n<p>What&#8217;s interesting is that<br \/>\n<i>Strength<\/i>, in overall approach alone, is a stronger album<br \/>\nthan<br \/>\n<i>Enuff Z&#8217;Nuff<\/i> was, but it&#8217;s pooh-poohed by many people<br \/>\nbecause it doesn&#8217;t have an instantly recognizable song like &#8220;Fly<br \/>\nHigh Michelle.&#8221; Well, tough.<br \/>\n<i>Strength<\/i> is the kind of album that you really have to spend<br \/>\na lot of time with in order to appreciate how far Z&#8217;Nuff had come<br \/>\nin just one album, even though the journey was still very much a<br \/>\nwork in progress. I know that each time I&#8217;ve listened to this disc<br \/>\n(and it&#8217;s been about 10 times in the last month), I find new things<br \/>\nto like about it.<\/p>\n<p>\n<i>Strength<\/i> is a suitable title for this album, as Enuff Z&#8217;Nuff<br \/>\nbegan to really find where theirs lay music-wise. It&#8217;s not a<br \/>\nperfect album, but it&#8217;s a natural next step for the group.<\/p>\n","protected":false},"author":2,"featured_media":25431,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[6133],"rating":[5617],"class_list":["post-36636","review","type-review","status-publish","has-post-thumbnail","artist-enuff-znuff","rating-rating-b-plus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/36636","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=36636"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/36636\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/25431"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=36636"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=36636"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=36636"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}