{"id":36637,"date":"2000-06-07T00:00:00","date_gmt":"2000-06-07T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/the-construkction-of-light\/"},"modified":"2000-06-07T00:00:00","modified_gmt":"2000-06-07T00:00:00","slug":"the-construkction-of-light","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/the-construkction-of-light\/","title":{"rendered":"The Construkction Of Light"},"content":{"rendered":"<p>The history of King Crimson is well-documented. Going through<br \/>\nmany incarnations, KC&#8217;s catalogue of back material consists of<br \/>\nprogressive rock epics with numerous time signature changes and<br \/>\nsometimes humourous, sometimes just strange lyrics. This chapter of<br \/>\nthe band&#8217;s history is written with the same characteristics as<br \/>\ntheir previous epics but with the following characters:<br \/>\nvocalist\/guitarist Adrian Belew, guitarist Robert Fripp, stick by<br \/>\nTrey Gunn, and drummer Pat Mastelotto.<\/p>\n<p>The CD begins with &#8220;ProzaKC Blues,&#8221; the shortest song on the CD.<br \/>\nVocalist\/guitarist Belew is at the forefront of the mix with<br \/>\ninteresting guitar tones and a deep resounding vocal melody.<br \/>\nElectronically enhanced percussive sounds from Mastelotto, formerly<br \/>\nwith mid-80s pop band Mr. Mister quickly reacquaints the listener<br \/>\nwith the KC style of lyrics as Belew growls, &#8220;Well I woke up this<br \/>\nmorning\/ with a cloud of despair\/ I ran my hand across my head and<br \/>\npulled out a pile of worn hair\/ I went to my physician\/ who was<br \/>\nburied in his own thoughts.&#8221; Later, that doctor character states,<br \/>\n&#8220;I recommend a fifth of Jack and a bottle of Prozac,&#8221; hence the<br \/>\ntitle of the song.<\/p>\n<p>The next track, &#8220;The ConstruKCtion of Light,&#8221; is separated into<br \/>\ntwo movements. The first is an instrumental track with a 5:50<br \/>\nrunning time. Mastelotto quickly proves he is a capable successor<br \/>\nto Bill Bruford. His electronically enhanced drum rhythms mesh with<br \/>\nintricate cymbal work. The backbeat shifts throughout the song,<br \/>\nrarely playing the same pattern in a row. Belew&#8217;s lyrics this time<br \/>\nare restricted to the 2nd movement where he wonders, &#8220;What am I\/ A<br \/>\nfleck of dust\/ On the wing of a fly . . . A speck of lint\/ on the<br \/>\npenis of an alien.&#8221; Those lyrics are an example of the free-form<br \/>\nstyle of Belew&#8217;s lyrics.<\/p>\n<p>Perhaps &#8220;free-form&#8221; is the best compound adjective available to<br \/>\ndescribe the musical landscapes KC has created for this release.<br \/>\n&#8220;Frying Pan&#8221; seems like a straight-forward simple song upon first<br \/>\nlisten. It isn&#8217;t until you peel back the layers of polyrhythmic<br \/>\nadventures from Mastelotto and bassist Tony Levin. As one musical<br \/>\ntheme slips into another, you can&#8217;t help but wish to hear how these<br \/>\nideas started, whether they were composed or a result of musicians<br \/>\nplaying with each other. It&#8217;s difficult to tell.<\/p>\n<p>The epic track &#8220;Larks Part 4&#8221; is separated into four parts. The<br \/>\nfirst of the four is an exciting percussive journey that lasts just<br \/>\nunder four minutes. Part two is more aggressive with a dizzying<br \/>\ndisplay of guitar work by Belew. With synchronized hits among the<br \/>\nscales by Levin and Mastelotto, the song is an example of what<br \/>\nmusic should sound like. A slightly more subdue part three follows<br \/>\nand an even more subdue part four follows the third movement.<\/p>\n<p>Beyond a doubt, every person that calls themselves either a<br \/>\nmusician or a fan of music should listen to a King Crimson CD.<br \/>\nThere is a higher level of musicianship, a higher vision of musical<br \/>\nutopia that must be heard. Listening to King Crimson should not be<br \/>\ndone while doing anything except listening to the sheer brilliance<br \/>\nof this band.<\/p>\n","protected":false},"author":10,"featured_media":25432,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[5758],"rating":[5646],"class_list":["post-36637","review","type-review","status-publish","has-post-thumbnail","artist-king-crimson","rating-rating-a"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/36637","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/10"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=36637"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/36637\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/25432"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=36637"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=36637"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=36637"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=36637"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}